Sentences with phrase «creative production experience»

Not exact matches

While Cohl and Harris insisted that director Julie Taymor would remain part of the creative team, Philip William McKinley, a director of Broadway musicals and circuses with experience mounting productions in Las Vegas, has effectively replaced her.

Purple Creative created the HTC Vive tasting experience in partnership with Wolf In Motion, a London - based VR design and production studio.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

With experience in production management, directing, and writing, her primary passion is creative producing in documentary and hybrid doc - fiction films.

Through Taymor's trademark visual flair and creative direction, the film presents even the most devoted Shakespeare fans an opportunity to experience one of the Bard's most beloved works in a unique and exhilarating new production.

Others offer their own input: Tom Felton (Isaacs» onscreen son Draco Malfoy) reads corresponding excerpts from J.K. Rowling's book, actor Frank Dillane (young Voldemort in Half - Blood Prince, an unlikely choice) reminds us of objects» significance, while production designer Stuart Craig, makeup designer Nick Dudman, and producers Tom Heyman and David Barron talk effects, design, creative decisions, and production experiences.

There were plenty of problems with the film long before it entered production, with director Patty Jenkins leaving the project over creative differences, only to have Game of Thrones director Alan Taylor step in and later hail the experience as terrible.

Industry: Media Production Company size: 10,000 + Level: Director Focus: Creative Experience with the company:

It's used to guide the Production phase and will influence the creation of the creative and technical elements needed to craft the intended experience.

Providing teachers and students with additional creative and cross-curricular activities to enhance the experience of seeing the production, it's designed for Key Stages 3 and 4, although activities can be adapted for other ages.

Students of South Shores participate in intensive arts experiences such as primary grades creative productions, visual art shows, and for over three decades upper grades have put on a full - scale musical production in the campus theater at Cal State University Dominguez Hills, gaining a valuable real life professional theater experience.

Demonstrated experience in one or more of the following tools: Articulate Storyline, Lectora, Captivate, Adobe Creative Suite (InDesign, Illustrator, and Photoshop), and related SCORM or Tin Can compliant production tools.

The ideal person for this position would have advanced skills with Articulate Storyline 2, Adobe Creative Cloud Suite - Photoshop / Illustrator / InDesign and video production / editing experience.

Teachers of the gifted in pull - out classrooms are encouraged to remain informed of the content and scope of literacy experiences afforded students in the regular classroom setting so that gifted program experiences provide opportunities for greater depth, complexity, critical - thinking opportunities, creative production, and research based on the individual needs of gifted students as reflected in the use of ongoing assessment information.

3 - plus years of experience in a creative environment (digital publishing or content production is a plus)

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

Steven joined Sumo in 2011 and brings broad knowledge of all elements of the game production process, combined with a passion for building teams, environments and systems to deliver the most creative entertainment experiences.

And we have a lot of opportunities to get to know different cultures and to experience a lot of creative productions like manga and novels all over the world.

With nearly twenty years of experience as an interactive and entertainment media executive, Darrell Rodriguez has brought his acumen for efficient, results - driven production and business strategies to some of the biggest creative enterprises in the video gaming industry.

Studios across the SCE WWS network share technology, production methodology and creative goals to build the best possible experiences for users to enjoy the most from the PlayStation family of hardware platforms and network services.

Highwire Games is a small team of veteran game developers — with a proven record of creative vision and disciplined, high - quality production — applying our expertise to new platforms, creating new experiences and reaching new audiences.

And you could trust all of this because the developers, Little Monster Productions, were a team of experienced Blizzard alumi: «2 former creative directors, 1 VP of production, 1 former CTO, 3 senior programmers, 1 UI designer / programmer, and 4 3D experts (2 world / 2 assets)» whose credits included Diablo II, StarCraft, and World of Warcraft circa 2009 - 2011.

Key creative parts of the Dollhouse production staff (including series creator Joss Whedon at least one member of his familiar stable of writers such as Tim Minear or Jane Espenson) would have to be a part of shaping the story, and if matched with a talented developer (Konami's Silent Hill experience could be ideal, or even Eidos's recent Tomb Raider efforts could work depending on the gameplay genre) that can combine the story to the proper gameplay elements, we would be in for a fascinating and entertaining gaming experience.

That said, we don't need years of professional experience, but a creative, organised and communicative person who's going to drive our video production to a very high standard.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Her signature approach to representational painting was forged in a crucible of artists and poets who championed the centrality of personal experience in creative production, paying particular attention to the ways in which one's perceptions of New York City could be translated into art.

By presenting such experiences, the exhibition reveals different interesting approaches to creative production.

The Arts and Public Media program supports the production and programming of multiplatform media projects that engage Californians with authentic local stories and experiences centered on the value of arts, culture, and creative expression.

$ 10,000 — PRODUCER includes all Composer benefits, plus dinner for 4 at T he Watermill C enter with Robert Wilson and summer participants during our International Summer Program, two seats to a summer workshop to experience first - hand the creative process of the program, and recognition in all Robert Wilson production programs around the world.

His first working experiences in the art sector he gained at Emzin, Institute for Creative Production and Arts Magazine as an editor and head of the projects (1997 − 2002), continued at Pristop, consultancy and communications company as an assistant for public relations (June - December 2003).

The expertise and experience developed by years of dedicated, creative and successful work on behalf of the clients of the firm has uniquely positioned the lawyers at Neuberger & Partners LLP as a highly - skilled law firm in defending drug charges, including possession of a controlled substance, trafficking a controlled substance, production of a controlled substance and conspiracy charges.

With three degrees from McGill University (BA, LLB, BCL), big firm legal training, and years of in - house and advisory experience, Ava Chisling counsels many creative - media clients, including start - ups, Academy Award winners, TV / radio personalities, film production companies, advertising agencies, online and traditional publishers, as well as retailers, bloggers, and businesses of all sizes.

In a partnership with creative agency POL and digital production house MediaMonks, Audi of Norway has created a VR experience called Enter Sandbox that allows its users to virtually test drive an Audi Q5 in a sandbox racetrack.

The Surface Book isn't designed to power high - end PC gaming experiences, but instead provide a highly mobile solution for creative industries working in video production or photo editing.

IT PROFESSIONAL PROJECT MANAGEMENT / SYSTEM ANALYST / CHANGE AND INCIDENT MANAGEMENT Creative, analytical, problem solver with extensive experience in Production Support, Application, Software, and System proactive issue identification and remediation.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

My experience as an artist assistant at the Museum of Art demonstrates my capability of working with others through the creative process of production while meeting the challenges presented to me.

Throughout my experience as a Mechanical Engineering professional, I have successfully provided creative and innovative component design development, Project Management, development and production of detailed drawings and specifications to a variety of industries.

Responsible for presiding over the creative conceptualization and distribution of content with progressive experience in editing and directing film and video production while ensuring the highest quality.

Extensive production work experience from schematic design through construction documents with great aptitude for construction detailing and creative design and construction solutions while maintaining budget parameters.

My experience as Program Coordinator at Diaspora Vibe Gallery in Miami, Florida demonstrates my capability of working with others through the creative process of production while meeting project deadlines.

WORK EXPERIENCE Apr 2014 — Present Nashville Elementary School Drama Teacher • Plan drama study curriculum • Create a classroom environment conducive to learning arts • Maintain discipline in class and on stage • Teach creative drama and direct after - school drama and music productions • Work with other establishments to provide opportunities for drama productions for students

The jobseeker points out the distinct areas in which she excels at animation and creative production in such a way that this section bridges the summary statement and experience section.

Seeking for a position in a reputed advertising agency as creative designer Experience: Worked as Assistant Production manager in Zhane Fashion, Miami from 02/01 to 11/03.

PROFESSIONAL EXPERIENCE Fiction Creative, LLC, Orlando • FL 2007 — Present General Manager / Head of Production Direct all aspects of business and production of entrepreneurial startup of visionary and innovative video company that has dramatically grown to produce award - nominated content as ESPN documentary Tim Tebow: Everything iProduction Direct all aspects of business and production of entrepreneurial startup of visionary and innovative video company that has dramatically grown to produce award - nominated content as ESPN documentary Tim Tebow: Everything iproduction of entrepreneurial startup of visionary and innovative video company that has dramatically grown to produce award - nominated content as ESPN documentary Tim Tebow: Everything in Between.

SUMMARY OF QUALIFICATIONS Creative professional with extensive experience in video production, internet media, broadcast television, and advertising.

2 + years experience as production lead and mentor in HP BPO organization 4 + years experience in production management, head count / resource planning, creating systems for production monitoring and evaluation, creative process models & solution design for efficiency programs and knowledge retention.

My marketing expertise is complemented by a deep understanding of state - of - the - art technologies, creative writing aptitude, targeted marketing experience, the ability to translate production designs into unique visual concepts.

Over 17 years of experience in content production design marketing collateral, develop and produce creative content, product & lifestyle photography, videography, banners and email for social media outlets, web design, 3D Modeling, Freehand Drawing.

Tags for this Online Resume: Graphic Artist, Production Artist, Prepress expert, Management experience, Abobe Creative Suite, Pharmaceutical