Not exact matches
Ai is internationally celebrated for his extraordinary ability to communicate complex political
and creative concepts in his
sculptures and installations.
LONDON - Presenting works made between 2008
and 2017 in various media, including
sculpture, painting, film,
installation, photograms
and posters, the exhibition asserts McElheny's view that «reconstructing history» can be a
creative process itself
and that aesthetics are always political.
Fall 2013 / Spring 2014: Lane Taplin «Lane is a fiber artist, community based artist,
and educator whose
creative practice includes a wide range of techniques
and processes such as woven
sculpture,
installation, fabric design, collaborative performance, mail art, guerrilla art,
and human dialogue.
Composed of 25 works, which include paintings,
sculpture, prints, works with paper,
and installations, the exhibition explores a range of issues that have occupied Grabner since she started her
creative career, such as the history of painting in relation to the present, the relationship of centre to periphery, the significance of routine in life
and in art,
and the integration of work into family life
and vice versa.
Spanning 40 years her
creative output ranges from early wax reliefs
and polyurethane
sculptures, cantilevered
installations, to videos, Polaroids as well as work in ceramics, glass, paper
and neon.
The culmination
and continuation of extensive curatorial research across India, Indian Highway features nearly thirty individuals
and collectives whose
creative practices span a wide range of media — incorporating
sculpture, video,
installation, painting,
and performance —
and subject matter are focused around the situation of modern India.
«24/7,» the artist's first solo museum show, celebrated the obsessive
and creative mapping of her daily rituals as a consumer / collector in a dazzling selection of over 20 works, including drawings,
sculptures,
installations and videos from 2001 to the present.
Chosen from more than 500 nominations by significant international critics, curators, art historians
and creative writers, Vitamin 3 - D's 117 established
and emerging artists were selected on the basis that they have made a significant contribution to
sculpture and installation (in their broadest sense) in the last five years.
Creative Reuse in New York City features five large - scale mixed media installations and six smaller sculptures which explore creative reuse in New Yo
Creative Reuse in New York City features five large - scale mixed media
installations and six smaller
sculptures which explore
creative reuse in New Yo
creative reuse in New York City.
A new
sculpture created specifically for the MATRIX
installation, Writing Machine, explores notions of invisibility
and creative inspiration.
Finlay's diverse production encompassed a variety of
creative forms including prints, poems, books, inscriptions, neons,
sculptures, permanent
installations and landscape design, all celebrating the sustaining power of words.
Discover Kusama's
creative vision through paintings,
sculptures, videos
and installations from the 1950s to the present, including works never shown before.
The exhibition presents approximately 375 artworks, including five large - scale
installations at P.S. 1,
and explores the full range of Roth's
creative accomplishments: paintings, drawings, graphic works, books,
sculptures,
installations,
and film
and video works.
Studio Drift draws their inspiration from nature as a startingpoint, both in a formal
and a philosophical way, while the
creative process is fueled by innovative techniques that can be seen in site - specific indoor
and outdoor
installations and interactive
sculptures.
Studio Drift draws their inspiration from nature as a starting point, both in a formal
and a philosophical way, while the
creative process is fueled by innovative techniques that can be seen in site - specific indoor
and outdoor
installations and interactive
sculptures.
William Kentridge: Anything Is Possible gives viewers an intimate look into the mind
and creative process of William Kentridge, the South African artist whose acclaimed charcoal drawings, animations, video
installations, shadow plays, mechanical puppets, tapestries,
sculptures, live performance pieces,
and operas have made him one of the most dynamic
and exciting contemporary artists working today.
Forty works by twenty leading contemporary artists — including large - scale
installations,
sculpture, photographs, video
and tactile interactives — examine how play catalyzes
creative expression, enchants the ordinary,
and helps us understand ourselves in new ways.
Spanning a wide range of media, from video
and installation to the
sculpture and painting, the artist explores the systems, patterns,
and rules, focusing on the
creative territory between mathematics
and aesthetics.
Birnbaum has orchestrated his exhibition «Making Worlds» between the Arsenale
and Palazzo delle Esposizioni in the Giardini as «an omnivorous
and centrifugal show without sections where all the
creative languages between
installations, video
and film,
sculpture, performance, painting,
and design follow one another with a common denominator: a «painterly sensibility.
Preus was the 2013 - 2014 Jackman - Goldwasser resident at the Hyde Park Art Center, a 2014 Efroymson Fellow in
sculpture and installation, 2014's first place winner of the Maker grant
and a 2013 finalist, a finalist for the 2015 Artadia Award
and the 2014
Creative Capital grant,
and a 2014 DCASE artist grant recipient.
Open Studios offers art ethusiasts a unique glimpse into the artist's
creative process
and a diverse range of practices will be represented, including painting,
sculpture, printmaking, works on paper, photography,
installation, video
and new media.
The platform features zoomable photographs of «A Subtlety» including the molasses
sculptures of little boys, a 360 degree view of the
installation, explanatory text, images of Walker's sketches
and models showing her
creative process, and a Creative Time video about how the work was conceived and fabricated that features Walker and the team that helped build and install the sc
creative process,
and a
Creative Time video about how the work was conceived and fabricated that features Walker and the team that helped build and install the sc
Creative Time video about how the work was conceived
and fabricated that features Walker
and the team that helped build
and install the
sculpture.
Artists of all disciplines — painting, photography,
sculpture, video,
installation, new media — are considered for fully - funded studio space to produce new work
and make use of resources needed to support their
creative practice.
Immersive
Installation of
Sculptures and Drawings Spotlights Rarely Seen Aspect of Firm's
Creative Practice
Open Studios offers visitors a unique glimpse into the artist's
creative process
and a diverse range of practices will be represented, including painting,
sculpture, printmaking, works on paper, photography,
installation, video
and new media.
Mai Spring, University for the
Creative Arts (BA Fine Art) Mai Spring uses a variety of media, combining more traditional elements such as drawing
and sculpture with lens based media,
installation and film.
Discussion: Agnes Gund
and Wolfgang Laib at MoMA Wolfgang Laib, who has currently installed a square of pollen inside the Museum of Modern Art's atrium, will discuss his
installation and creative process with MoMA's president emerita, Agnes Gund, in a conversation moderated by Ann Temkin, curator in the museum's department of painting
and sculpture.
«Dead or Alive highlights the elaborate
creative processes that reanimate these once - living objects as part of large - scale
installations, photographs, videos,
and sculptures,» says Holly Hotchner, the Museum's Nanette L. Laitman Director.
Including
sculpture, painting,
installation and photography, the show explores the diverse cultural influences
and thriving
creative practices in the two great continents that were once conjoined as the prehistoric landmass of Pangaea.
Ever since following her learner's instincts, anthropological curiosities, researcher's mind, ecologist's sensibilities,
and artist's hands
and eyes along a
creative path leading her to work in landscape art in the 1970s, Ruth Hardinger has passed the ensuing decades seeking out keener, more elementally informed, more environmentally conscious,
and more responsibly, relevantly collaborative modes of crafting her consistently arresting
sculptures, paintings, drawings, tapestries, site - specific
installations and exterior interventions.
For their
Creative Capital project, Garbage Totem 2, for instance, will include old tires, used mattresses
and couches abandoned in their neighborhood to create
sculptures and installations.
2006 «You call this Sculptcha» Compass, Carol Elliot, 10/06/06 «KInetic / Asthetic
sculpture» Eu Jacksonville, Carol Elliot, 10/5/06 «Brothers Tummy» Folio weekly, Adam Diamond, 10/10/06 «Charming Combination of quality
and quantity» Atlanta Journal - Constitution, Jerry Cullum, april 2006 «Lines of Descent» Paper City Magazine, Johnathan Lerner, 11/30/06 «Long Overdue» Folio Weekly, Shelton Hull, 1/3/06 «Going with the Flow» Home Magazine, Jill Kirchner Simpson, 10 2005 «Cabin Fervor» Atlanta Homes And Lifestyles, Tara n. Wilfong, june 2005 «Art in Freedom Park», Editor Evan Levy, 2005 «Activating Space» catalog Jacksonville Museum of Modern Art, 2005 «Cutting Edge Scuptural Installation» Arbus Magazine, May / june 2005 «Artist Creations Inspired by Grandmothers Quilts» Roswell Neighbor, Joan Durbin, 6/22/05 «Amerikanishes Gansemannlein» Nurnberg Plus, Julia Lehner, june, 17,2005 «Neus Lebensgefuhl im Alten Schloss» Nurnberg Extra, Bridgett Ruf, june, 24 2005 «Man Spurt Die Liebe Dahinter» Pegnitz Zeitung, Wilfred Appelt, June 24, 2005 «Activating Space» † Folio Weekly, Shelton Hull, april 2005 «Large Vision Small Works» Atlanta Journal - Constitution, Jerry Cullum, 11/30/03 «Birds of many Feathers» Atlanta Journal - Constitution, Catherine Fox, 09/23/03 «Art Goes Postal» Atlanta Journal - Constitution, Catherine Fox, 10/23/03 «Talk of The Town» Creative Loafing, Andisheh Nourraee, 6/24/03 «Our Place» Interview HGTV no
and quantity» Atlanta Journal - Constitution, Jerry Cullum, april 2006 «Lines of Descent» Paper City Magazine, Johnathan Lerner, 11/30/06 «Long Overdue» Folio Weekly, Shelton Hull, 1/3/06 «Going with the Flow» Home Magazine, Jill Kirchner Simpson, 10 2005 «Cabin Fervor» Atlanta Homes
And Lifestyles, Tara n. Wilfong, june 2005 «Art in Freedom Park», Editor Evan Levy, 2005 «Activating Space» catalog Jacksonville Museum of Modern Art, 2005 «Cutting Edge Scuptural Installation» Arbus Magazine, May / june 2005 «Artist Creations Inspired by Grandmothers Quilts» Roswell Neighbor, Joan Durbin, 6/22/05 «Amerikanishes Gansemannlein» Nurnberg Plus, Julia Lehner, june, 17,2005 «Neus Lebensgefuhl im Alten Schloss» Nurnberg Extra, Bridgett Ruf, june, 24 2005 «Man Spurt Die Liebe Dahinter» Pegnitz Zeitung, Wilfred Appelt, June 24, 2005 «Activating Space» † Folio Weekly, Shelton Hull, april 2005 «Large Vision Small Works» Atlanta Journal - Constitution, Jerry Cullum, 11/30/03 «Birds of many Feathers» Atlanta Journal - Constitution, Catherine Fox, 09/23/03 «Art Goes Postal» Atlanta Journal - Constitution, Catherine Fox, 10/23/03 «Talk of The Town» Creative Loafing, Andisheh Nourraee, 6/24/03 «Our Place» Interview HGTV no
And Lifestyles, Tara n. Wilfong, june 2005 «Art in Freedom Park», Editor Evan Levy, 2005 «Activating Space» catalog Jacksonville Museum of Modern Art, 2005 «Cutting Edge Scuptural
Installation» Arbus Magazine, May / june 2005 «Artist Creations Inspired by Grandmothers Quilts» Roswell Neighbor, Joan Durbin, 6/22/05 «Amerikanishes Gansemannlein» Nurnberg Plus, Julia Lehner, june, 17,2005 «Neus Lebensgefuhl im Alten Schloss» Nurnberg Extra, Bridgett Ruf, june, 24 2005 «Man Spurt Die Liebe Dahinter» Pegnitz Zeitung, Wilfred Appelt, June 24, 2005 «Activating Space» † Folio Weekly, Shelton Hull, april 2005 «Large Vision Small Works» Atlanta Journal - Constitution, Jerry Cullum, 11/30/03 «Birds of many Feathers» Atlanta Journal - Constitution, Catherine Fox, 09/23/03 «Art Goes Postal» Atlanta Journal - Constitution, Catherine Fox, 10/23/03 «Talk of The Town»
Creative Loafing, Andisheh Nourraee, 6/24/03 «Our Place» Interview HGTV nov..
His first solo show in six years, THE BEASTS OF ENGLAND / Animal Farm was an
installation heavy reinterpretation of Animal Farm by George Orwell, including a mash - up of large painted works, wood
sculpture and creative retail.
First artist to use neon light in his
sculptures and installations, Gyula Kosice is less know than his American peers, but is nonetheless among the most prolific
and innovative modern
creatives.
Local artist
and musician Paul Rucker's
installation «Rewind» (shown at the
Creative Alliance last winter
and again at the Baltimore Museum of Art later in the fall) included finely cut
sculptures resembling unfinished or isolated parts of instruments each titled with the date
and location of a murder.
His works inhabit a diverse range of media, from photography
and sculpture to film
and installation, where the artist, the art market, the
creative process,
and art's dictum of originality collide.
The retrospective provides insight into the largest collection of letters
and documents from the Toni Gerber collection (which was donated to the Kunstmuseum Bern in 1986
and 1996),
and a precise selection of
sculptures and installations from all periods in Byars»
creative life (from the collection of the Kunstmuseum
and on loan from private
and public collections).
Bringing together archive, film,
sculpture and installations, this ambitious exhibition focuses on Metzger's auto -
creative work — the alter ego of his better - known auto - destructive practice.
The exhibition, curated by Michael Govan, Director of The LACMA
and by Anna Bernardini, Director of Villa e Collezione Panza, ranges from site - specific
installations, to projections
and sculptures using light as a
creative medium.
And if Merz's imagery is at the same time a hortus conclusus and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
And if Merz's imagery is at the same time a hortus conclusus
and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic
and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art
and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and domestic environment, which is by contrast well documented in the catalogue)
and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculpture
and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings,
installations,
and sculpture
and sculptures).
-
Creative workshops with professional visual artists including those working in digital media,
installation and performance - The range of activities are suitable for pupils from reception to Year 13 - Visits to artists» studios - Gallery visits
and tours - The opportunity to explore our meadowland site
and discover outdoor
sculptures - Interviews with our curators, marketing
and technical staff - Support for the Arts Award Scheme
Sheldon makes performance,
sculpture,
installation, photo - based work, spoken word,
creative nonfiction, objects,
and ephemera.
Eternity is a Long Time offers an unprecedented opportunity to examine the work of the late Mike Kelley (Detroit, 1954 — Los Angeles, 2012), focusing on his
installations, videos
and sculptures mainly from 2000 to 2006, a period of enormous
creative maturity in his career.
In addition, in a rural area too rarely exposed to contemporary
creative input, they also act as cultural mediators, spotlighting nationally
and internationally known artists
and presenting new aesthetic concepts
and artforms that reflect the diversity of the Cnap collection: monumental
sculptures, wall paintings, sound
and video
installations, procedural art, vegetal works
and more.
Stand - outs at the highly successful
and well - attended 7th edition of abc included: Daniel Steegmann Mangrané's immersive aluminum chain
sculpture presented by Esther Schipper; Douglas Coupland's
installation of painted globes entitled Optimism vs. Pessimism, which the artist showed with Daniel Faria Gallery; Beijing - based artist Guan Xiao's electrifying three - channel video
installation Kraupa - Tuskany Zeidler
and Antenna Space's shared booth drew droves of onlookers who often stayed for multiple rotations of the video loop;
and at Johann König, Camille Henrot presented her video Coupe / Decalé alongside Desktop Series, a series of small bronze
sculptures that reflect on the tension between immateriality
and the universal
creative space provided by the computer desktop.
Thus, instead of focusing on individual
creative disciplines (such as painting, printmaking,
sculpture, photography),
and attaching overriding importance to individual works of art, Fluxus artists worked together in order to blend different artistic genres (visual, literary
and musical) into a number of «events», involving
installation art, conceptualism, happenings
and photography as well as various types of performance art.
Installation view of DINH Q. LÊ, Empire, 2017, digital print on Awagami bamboo paper mounted on dibond, laser cut acrylic
and Saunders paper
sculptures, 1,000 × 150 cm, at «Monuments
and Memorials,» STPI —
Creative Workshop & Gallery, Singapore, 2018.
Creative partners, Honey Long (b. Sydney, Australia, 1993)
and Prue Stent (b. Sydney, Australia, 1993) are multidisciplinary artists whose work co-mingles photography, performance,
installation and sculpture.
The exhibition, spectacular
and intimate at the same time, offers an unprecedented opportunity to approach
and examine the work of the late Mike Kelley (Detroit, 1954 — Los Angeles, 2012), focusing on his
installations, videos,
and sculptures mainly from 2000 to 2006, a period of enormous
creative maturity in his career.
Peeling back our preconceptions, Strange's
sculptures, drawings, videos, photography
and mixed - media
installations transform the mundane into the marvelous while addressing issues of
creative identity, repetition, perspective, language, technology, biology
and nature.