Sentences with phrase «creative space organization»

I've included it in my latest post about creative space organization.

Not exact matches

Working for a disaster relief organization doesn't always allow a lot of free head space for being artistically productive, but I had a supportive and creative community around me to encourage me, along with a sister who has always been my biggest cheerleader.

Due to the limited space, we have had to get creative with storage and organization.

I'd read that Pixar had set itself on the path of being a constant learning organization, and I remembered that part of the impetus behind their mission had been attributed to their flexible, creative, and collaborative office spaces.

A travel entrepreneur passionate about storytelling and social good, Kelley Louise runs two sister organizations: The Culture Collective, a creative agency for brands in the travel and impact space, and a nonprofit, Travel + SocialGood, which is aimed at solving like poverty or inequality through business and leisure travel.

Four hundred or so painters, sculptors, musicians, poets, and other creatives, each hoping to grab one of just 57 available rewards: a space to live and work in a sparkling new building made possible — and affordable — by Artspace, a wildly successful national organization.

Using its own extensive history as a resource, the organization identifies, supports, and presents emerging and under - recognized artists who are making significant contributions to their respective fields, and it serves as a safe space for more established artists to take unusual creative risks.

Using its own extensive history as a resource, the organization identifies, supports, and presents emerging and under - recognized artists who are making significant contributions to their respective fields as well as serves as a safe space for more established artists to take unusual creative risks.

Creative Time, a public art organization, commissioned Walker to create a work in the abandoned space before it is transformed by developers.

Founded in 1973, Creative Time commissions public art projects, collaborating with artists to present ambitious and innovative works guided by the organization's core values: art matters, artists» voices are important in shaping society, and public spaces are places for creative and free expCreative Time commissions public art projects, collaborating with artists to present ambitious and innovative works guided by the organization's core values: art matters, artists» voices are important in shaping society, and public spaces are places for creative and free expcreative and free expression.

Youth artwork is selected by the participants through submissions from partner organizations, schools, and community - based organizations, and Youth Curators take on a central role in constructing their own vision of a creative space.

Joshua Jade, Director, received his MFA from California Institute of the Arts, a BFA and teaching certification from Lewis & Clark College, studied at New England Conservatory, and has produced, presented, worked for, and performed with such notable organizations as the Skirball Cultural Center, Highways Performance Space, Springstep Arts Center, Community Music Center of Boston, Conservatory Lab Charter School, Creative Arts for Kids, About Productions, LA Philharmonic Green Umbrella series, Boston Modern Orchestra Project, and more.

Consider applying to Creative Time, the arts organization that's funded public arts programs such as Duke Riley's LED - lit pigeons over the East River (above) and Tom Sachs» epic SPACE PROGRAM: Mars.

From September 6 through October 18, 2008, EFA Project Space invites you to IN RESIDENCE: Recent Projects from Sculpture Space, an exhibition celebrating the cultivation of the creative process and the crucial contribution organizations such as Sculpture Space (Utica, NY) provide to artists.

Each year, the selected artists receive free studio space for six months; are paired with a mentor; receive a $ 1,000 stipend; attend a two - week residency at the Hambidge Center for Creative Arts and Sciences; participate in studio visits from critics, curators and visiting artists; receive year - long memberships to local arts organizations including C4 Atlanta, Atlanta Contemporary and the Museum of Contemporary Art of Georgia; and attend and teach workshops and classes in addition to creating a body of work to be exhibited in a solo show at the gallery.

She is the Co-Founder and Executive Director of Autotelic Studios, a non-profit arts organization that serves the creative community on the northwest side of Chicago by establishing studios and programming in alternative spaces.

Using the Art Center as a model for how an arts institution can occupy the space of the middle to foster intercommunity connectivity and spur creative production, public programming and a printed catalogue will accompany the exhibition to offer analyses of how mid-sized organizations can serve and engage audiences.

She is the co-founder and executive director of Autotelic Studios, a nonprofit arts organization that serves the creative community on the northwest side of Chicago by creating affordable studios in alternative spaces.

As a creative activist over the years he has inspired and initiated many activities and organizations such as Space For Artists foundation, Amsterdam (SFA 2000 - 2006), Office For Contemporary Art, Amsterdam (OFCA 2007 - 2011), Yogyakarta Open Studio (YOS 2013 - ongoing) and Berlin Open Studio (BOS 2014 - ongoing).

Graphite is an L.A. arts organization dedicated to producing critical and creative projects in an integrated physical and digital space.

This lecture - cum - performance took place at The Galleries at Moore — the exhibition space maintained at Philadelphia's Moore College of Art and Design — as a part of Show - and - Share, a weekly program by local online journal - cum - arts - organization The St. Claire (the-st-claire.com), held in conjunction with Creative Time's traveling exhibition Living As Form: The Nomadic Version [January 26 — March 16, 2013].

This week Kimberly speaks with David Gersten and Troels Steenholdt Heiredal about Arts Letters and Numbers, a non profit arts and education organization dedicated to creating new structures and spaces for creative exchange across a wide range of disciplines including: Architecture, Visual Arts, Theater Arts, Film, Music, Humanities, Sciences and Social Sciences.

These spaces provide a vibrant backdrop for fundraising, social, or corporate events, and are especially suitable for like - minded organizations interested in visual arts, theater, music, dance, arts advocacy, or other creative endeavors.

The Project Space presents exhibitions and programs in collaboration with a diverse range of organizations, curators and artists to provide a comprehensive and critical perspective on creative practices.