Zahra Ahmad consists of a well skilled and
creative team of designers who make valuable designs and produce the mystical prints.
The good thing is that a lot of those half - formed thoughts get made into actual beautiful things by our super
creative team of designers, photo editors, and all the outside contributors we work with.
Not exact matches
Allison Wood met her company's CTO,
creative director, art director and several freelance
designers through NEW INC. «It's been pretty awesome to have all that under one roof,» says Wood, co-creator and founder
of Reify, who now rents a second office in Brooklyn for her growing
team.
For less than half the cost
of hiring a marketing professional, we'll put our seasoned
team of skilled strategists, marketers,
designers, and
creative problem solvers to work for your brand.
A collection
of artists, branding experts,
designers, neuroscientists and engineers, Lightwave's specialty is designing high - end
creative and technology solutions that enable brands, artists, sports
teams and agencies to measure, analyze, visualize and utilize emotion.
This redesign has been in the works since July and we were so happy to work with a great
team of designers and user experience and programming experts (Eleven Eleven
Creative here in Chicago).
Our mission is exceeding clients expectations by providing excellent service, design and construction with enriching
team of craftsmen and
creative designers.
Vintage Japanese Motorcycle Club Motorcycle DVLA Dating Service We are a
team of creatives,
designers & developers who work together to create beautiful, engaging digital experiences.
Director Peyton Reed's
creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production
designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume
designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord
of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days
of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).
The
creative team includes director
of photography Lawrence Sher, production
designer Bill Brzeski, and editor Debra Neil - Fisher («Baby Mama»).
Director James Gunn's
creative team also includes director
of photography Henry Braham («The Legend
of Tarzan,» «The Golden Compass»); production
designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians
of the Galaxy») and Craig Wood («Guardians
of the Galaxy,» «Pirates
of the Caribbean: At World's End»); composer Tyler Bates («Guardians
of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume
designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age
of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates
of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
Behind the scenes, the
creative team includes frequent collaborators Tom Stern, who served as cinematographer on 13
of Eastwood's previous films, and Deborah Hopper, who has served as Eastwood's costume
designer on 17 prior films, editor Blu Murray, who most recently cut «Sully,» and the film's composer, Christian Jacob.
Behind the scenes, Spielberg reunited his
creative team from «Bridge
of Spies,» including Oscar - winning director
of photography Janusz Kaminski («Schindler's List,» «Saving Private Ryan»), Oscar - winning production
designer Adam Stockhausen («The Grand Budapest Hotel»), Oscar - winning editor Michael Kahn («Saving Private Ryan,» «Raiders
of the Lost Ark») and Sarah Broshar («The Post»), and costume
designer Kasia Walicka Maimone («Moonrise Kingdom»).
Reuniting with the director are members
of his Insidious
creative team — director
of photography John R. Leonetti, editor Kirk Morri, costume
designer Kristin M. Burke, composer Joseph Bishara — and his Saw production
designer, Julie Berghoff.
The film also reunited key members
of Todd Phillips»
creative team from the first two films: director
of photography Lawrence Sher, editor Debra Neil - Fisher and costume
designer Louise Mingenbach.
Behind the scenes, Dougherty's
creative team includes director
of photography Lawrence Sher, whose past credits include «War Dogs» and «Godzilla,» for which he handled additional photography; production
designer Scott Chambliss («Guardians
of the Galaxy Vol.
The
creative filmmaking
team includes director
of photography Simon Duggan, production
designer Patrick Tatopoulos, editors Wyatt Smith and David Brenner, and costume
designer Alexandra Byrne.
The behind - the - scenes
creative team is led by multiple Oscar - nominated director
of photography Caleb Deschanel («The Right Stuff,» «The Natural»), production
designer Nelson Coates («Flight»), editor Frédéric Thoraval («Taken»), and costume
designer Marian Toy (HBO's «Ballers»).
The behind - the - scenes
creative team includes Academy Award ® - winning production
designer Rick Carter («Avatar») and «Watchmen» and «300» veterans director
of photography Larry Fong, editor William Hoy and costume
designer Michael Wilkinson.
The behind - the - scenes
creative team includes director
of photography Roberto Schaefer («Finding Neverland,» «Quantum
of Solace»); production
designer Kirk M. Petruccelli («White House Down»); editors Ron Rosen («Godzilla»), Oscar nominee Chris Lebenzon («Crimson Tide,» «Top Gun») and Oscar nominee John Refoua («Avatar»); costume
designer Susan Matheson («The Big Short,» «Safehouse»); and VFX supervisor Jeffrey A. Okun («Clash
of the Titans,» «The Day the Earth Stood Still»).
The behind - the - scenes
creative team includes Oscar - winning director
of photography John Seale («The English Patient»); action unit director and stunt coordinator Guy Norris («Australia»); editor Margaret Sixel («Happy Feet»); production
designer Colin Gibson («Babe»); Oscar - winning costume
designer Jenny Beavan («A Room with a View»); and makeup
designer Lesley Vanderwalt («Knowing»).
Behind the scenes, the
creative team was led by director
of photography Eduardo Serra, production
designer Stuart Craig, editor Mark Day, composer Alexandre Desplat, visual effects supervisor Tim Burke, and costume
designer Jany Temime.
The behind - the - scenes
creative team included director
of photography Hoyte van Hoytema, production
designer Nathan Crowley, editor Lee Smith, costume
designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.
Among the
creative behind - the - scenes
team returning to Jackson «Äôs crew are director
of photography Andrew Lesnie, production
designer Dan Hennah, conceptual
designers Alan Lee and John Howe, composer Howard Shore and make - up and hair
designer Peter King.
The near future romance Her, written and directed by Spike Jonze, whose widely diverse resume ranges from the world
of music videos to MTV's Jackass to major motion pictures, brought together a
creative team that costume
designer Casey Storm refers to as «friends first, and co-workers second.»
Berloff's
creative team includes director
of photography Maryse Alberti («Creed»), production
designer Shane Valentino («Straight Outta Compton»), Oscar - nominated editor Christopher Tellefsen («Moneyball,» «A Quiet Place») and costume
designer Sarah Edwards (upcoming «Ocean's 8,» Showtime's «Billions»).
The
creative production
team includes Emmy nominated director
of photography David Moxness («The Kennedys»), production
designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume
designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).
The
creative team on A Monster Calls also includes production
designer Eugenio Caballero, an Academy Award winner for Pan's Labyrinth who previously collaborated with the director on The Impossible; costume
designer Steven Noble (The Theory
of Everything); and cinematographer Óscar Faura, who shot both The Impossible and The Orphanage for Mr. Bayona.
Behind the scenes, the
creative team includes frequent collaborators Tom Stern, who served as cinematographer on 13
of Eastwood's previous films, and Deborah Hopper, who has served as Eastwood's costume
designer on 17 prior films; editor Blu Murray, who most recently cut «Sully,» and that film's composer, Christian Jacob.
The behind - the - scenes
creative team includes director
of photography Phil Meheux, Oscar ® - nominated production
designer Tom Sanders, Oscar ® - nominated editor Stuart Baird, Academy Award ® - winning costume
designer Lindy Hemming and Academy Award ® - winning composer Howard Shore.
The
creative behind - the - scenes
team is led by director
of photography Andrew Lesnie, production
designer Dan Hennah, editor Jabez Olssen and composer Howard Shore.
- «Designing the World
of Harry Potter» - Explore how production
designer Stuart Craig and his
creative team brought J.K. Rowling's imagination to life on the screen.
The behind - the - scenes
creative team includes director
of photography Martin Ruhe («The American»), production
designer Sharon Seymour («Argo»), editor Dirk Westervelt («Journey to the Center
of the Earth»), and costume
designer Catherine Marie Thomas («The Heat»).
The behind - the - scenes
creative team included director
of photography Henry Braham («The Golden Compass»), Oscar - winning production
designer Stuart Craig («Dangerous Liaisons,» «The English Patient,» the «Harry Potter» films), editor Mark Day («Harry Potter and the Deathly Hallows, Parts 1 & 2»), and Oscar - nominated costume
designer Ruth Myers («Emma,» «Unknown»).
The behind - the - scenes
creative team was led by Academy Award ® - nominated director
of photography Tom Stern («Changeling»); Academy Award ® - nominated production
designer James J. Murakami, («Changeling»); Oscar ® - winning editor Joel Cox («Unforgiven») and editor Gary D. Roach; and costume
designer Deborah Hopper.
Thurber's behind - the - scenes
creative team includes director
of photography Barry Peterson («21 Jump Street»); production
designer Clayton Hartley («The Other Guys»); editor Mike Sale («The Hangover Part II»); and costume
designer Shay Cunliffe («The Bourne Legacy»).
The behind - the - scenes
creative team includes Oscar - nominated director
of photography Tom Stern («Changeling»); Oscar - nominated production
designer James J. Murakami («Changeling») and production
designer Charisse Cardenas; Oscar - winning editor Joel Cox («Unforgiven») and editor Gary D. Roach; and costume
designer Deborah Hopper.
The behind - the - scenes
creative team is led by director
of photography Tom Stern, production
designer James J. Murakami, editors Gary D. Roach and Joel Cox, and costume
designer Deborah Hopper.
Students work in
teams and adopt roles that model professional design practice (
creative, communications, finance) to respond to a real life brief set by leading
designers such as Barber & Osgerby
of Olympic Torch fame.
Under the supervision
of the Director
of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and
creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web
team, page
designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos
Our
creative team of instructional
designers, writers and artists get to work, making training that works and wows.
He works with a
team of students,
designers, and researchers to enhance the Media Lab's learning culture and community, and liaises with member companies and other partners to promote
creative learning outside the Media Lab.
Includes interviews with members
of the
creative team,
designer's sketchbook and influences for set, exercises and context sheets.
Essential Job Functions - eLearning • Produce dynamic, technology - enabled learning in eLearning, mobile and virtual delivery formats • Act in coordination with L&D consultants, business leaders and other managers and staff to identify eLearning needs, then match them with innovative self - paced and blended learning design solutions • Curate the best eLearning content to match requirements set by L&D learning consultants • Consult with members
of the L&D
Team and business leaders to deliver high - quality eLearning experiences that are instructionally sound, creative, visual and engaging through consultative design • Create and maintain tools for helping L&D team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use of the
Team and business leaders to deliver high - quality eLearning experiences that are instructionally sound,
creative, visual and engaging through consultative design • Create and maintain tools for helping L&D
team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use of the
team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional
designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use
of the LMS.
We have a
team of three people who work with authoring tools (Captivate, Articulate and iSpring), one
creative designer, from 10 to 15 subject matter experts, and we have about five instructional
designers including me.
Web design Bangalore can be our own
teams of really competent, qualified and also seasoned site
creative designers.
Wise Ink
Creative Publishing has a wonderful
team of editors, cover
designers, proofreaders, and formatters who helped me create the best possible version
of my book.
Justin oversees the internal
creative team consisting
of developers, copywriters and
designers along with the creation
of all - new branding and marketing initiatives.
Montréal, Québec About Blog A
team of creative digital marketers, search engine optimization experts, and graphic
designers with an extensive knowledge
of the real estate industry.
Our mission is exceeding clients expectations by providing excellent service, design and construction with enriching
team of craftsmen and
creative designers.