Sentences with phrase «creative team of designers»

Zahra Ahmad consists of a well skilled and creative team of designers who make valuable designs and produce the mystical prints.
The good thing is that a lot of those half - formed thoughts get made into actual beautiful things by our super creative team of designers, photo editors, and all the outside contributors we work with.

Not exact matches

Allison Wood met her company's CTO, creative director, art director and several freelance designers through NEW INC. «It's been pretty awesome to have all that under one roof,» says Wood, co-creator and founder of Reify, who now rents a second office in Brooklyn for her growing team.
For less than half the cost of hiring a marketing professional, we'll put our seasoned team of skilled strategists, marketers, designers, and creative problem solvers to work for your brand.
A collection of artists, branding experts, designers, neuroscientists and engineers, Lightwave's specialty is designing high - end creative and technology solutions that enable brands, artists, sports teams and agencies to measure, analyze, visualize and utilize emotion.
This redesign has been in the works since July and we were so happy to work with a great team of designers and user experience and programming experts (Eleven Eleven Creative here in Chicago).
Our mission is exceeding clients expectations by providing excellent service, design and construction with enriching team of craftsmen and creative designers.
Vintage Japanese Motorcycle Club Motorcycle DVLA Dating Service We are a team of creatives, designers & developers who work together to create beautiful, engaging digital experiences.
Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).
The creative team includes director of photography Lawrence Sher, production designer Bill Brzeski, and editor Debra Neil - Fisher («Baby Mama»).
Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
Behind the scenes, the creative team includes frequent collaborators Tom Stern, who served as cinematographer on 13 of Eastwood's previous films, and Deborah Hopper, who has served as Eastwood's costume designer on 17 prior films, editor Blu Murray, who most recently cut «Sully,» and the film's composer, Christian Jacob.
Behind the scenes, Spielberg reunited his creative team from «Bridge of Spies,» including Oscar - winning director of photography Janusz Kaminski («Schindler's List,» «Saving Private Ryan»), Oscar - winning production designer Adam Stockhausen («The Grand Budapest Hotel»), Oscar - winning editor Michael Kahn («Saving Private Ryan,» «Raiders of the Lost Ark») and Sarah Broshar («The Post»), and costume designer Kasia Walicka Maimone («Moonrise Kingdom»).
Reuniting with the director are members of his Insidious creative team — director of photography John R. Leonetti, editor Kirk Morri, costume designer Kristin M. Burke, composer Joseph Bishara — and his Saw production designer, Julie Berghoff.
The film also reunited key members of Todd Phillips» creative team from the first two films: director of photography Lawrence Sher, editor Debra Neil - Fisher and costume designer Louise Mingenbach.
Behind the scenes, Dougherty's creative team includes director of photography Lawrence Sher, whose past credits include «War Dogs» and «Godzilla,» for which he handled additional photography; production designer Scott Chambliss («Guardians of the Galaxy Vol.
The creative filmmaking team includes director of photography Simon Duggan, production designer Patrick Tatopoulos, editors Wyatt Smith and David Brenner, and costume designer Alexandra Byrne.
The behind - the - scenes creative team is led by multiple Oscar - nominated director of photography Caleb Deschanel («The Right Stuff,» «The Natural»), production designer Nelson Coates («Flight»), editor Frédéric Thoraval («Taken»), and costume designer Marian Toy (HBO's «Ballers»).
The behind - the - scenes creative team includes Academy Award ® - winning production designer Rick Carter («Avatar») and «Watchmen» and «300» veterans director of photography Larry Fong, editor William Hoy and costume designer Michael Wilkinson.
The behind - the - scenes creative team includes director of photography Roberto Schaefer («Finding Neverland,» «Quantum of Solace»); production designer Kirk M. Petruccelli («White House Down»); editors Ron Rosen («Godzilla»), Oscar nominee Chris Lebenzon («Crimson Tide,» «Top Gun») and Oscar nominee John Refoua («Avatar»); costume designer Susan Matheson («The Big Short,» «Safehouse»); and VFX supervisor Jeffrey A. Okun («Clash of the Titans,» «The Day the Earth Stood Still»).
The behind - the - scenes creative team includes Oscar - winning director of photography John Seale («The English Patient»); action unit director and stunt coordinator Guy Norris («Australia»); editor Margaret Sixel («Happy Feet»); production designer Colin Gibson («Babe»); Oscar - winning costume designer Jenny Beavan («A Room with a View»); and makeup designer Lesley Vanderwalt («Knowing»).
Behind the scenes, the creative team was led by director of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day, composer Alexandre Desplat, visual effects supervisor Tim Burke, and costume designer Jany Temime.
The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.
Among the creative behind - the - scenes team returning to Jackson «Äôs crew are director of photography Andrew Lesnie, production designer Dan Hennah, conceptual designers Alan Lee and John Howe, composer Howard Shore and make - up and hair designer Peter King.
The near future romance Her, written and directed by Spike Jonze, whose widely diverse resume ranges from the world of music videos to MTV's Jackass to major motion pictures, brought together a creative team that costume designer Casey Storm refers to as «friends first, and co-workers second.»
Berloff's creative team includes director of photography Maryse Alberti («Creed»), production designer Shane Valentino («Straight Outta Compton»), Oscar - nominated editor Christopher Tellefsen («Moneyball,» «A Quiet Place») and costume designer Sarah Edwards (upcoming «Ocean's 8,» Showtime's «Billions»).
The creative production team includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).
The creative team on A Monster Calls also includes production designer Eugenio Caballero, an Academy Award winner for Pan's Labyrinth who previously collaborated with the director on The Impossible; costume designer Steven Noble (The Theory of Everything); and cinematographer Óscar Faura, who shot both The Impossible and The Orphanage for Mr. Bayona.
Behind the scenes, the creative team includes frequent collaborators Tom Stern, who served as cinematographer on 13 of Eastwood's previous films, and Deborah Hopper, who has served as Eastwood's costume designer on 17 prior films; editor Blu Murray, who most recently cut «Sully,» and that film's composer, Christian Jacob.
The behind - the - scenes creative team includes director of photography Phil Meheux, Oscar ® - nominated production designer Tom Sanders, Oscar ® - nominated editor Stuart Baird, Academy Award ® - winning costume designer Lindy Hemming and Academy Award ® - winning composer Howard Shore.
The creative behind - the - scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, editor Jabez Olssen and composer Howard Shore.
- «Designing the World of Harry Potter» - Explore how production designer Stuart Craig and his creative team brought J.K. Rowling's imagination to life on the screen.
The behind - the - scenes creative team includes director of photography Martin Ruhe («The American»), production designer Sharon Seymour («Argo»), editor Dirk Westervelt («Journey to the Center of the Earth»), and costume designer Catherine Marie Thomas («The Heat»).
The behind - the - scenes creative team included director of photography Henry Braham («The Golden Compass»), Oscar - winning production designer Stuart Craig («Dangerous Liaisons,» «The English Patient,» the «Harry Potter» films), editor Mark Day («Harry Potter and the Deathly Hallows, Parts 1 & 2»), and Oscar - nominated costume designer Ruth Myers («Emma,» «Unknown»).
The behind - the - scenes creative team was led by Academy Award ® - nominated director of photography Tom Stern («Changeling»); Academy Award ® - nominated production designer James J. Murakami, («Changeling»); Oscar ® - winning editor Joel Cox («Unforgiven») and editor Gary D. Roach; and costume designer Deborah Hopper.
Thurber's behind - the - scenes creative team includes director of photography Barry Peterson («21 Jump Street»); production designer Clayton Hartley («The Other Guys»); editor Mike Sale («The Hangover Part II»); and costume designer Shay Cunliffe («The Bourne Legacy»).
The behind - the - scenes creative team includes Oscar - nominated director of photography Tom Stern («Changeling»); Oscar - nominated production designer James J. Murakami («Changeling») and production designer Charisse Cardenas; Oscar - winning editor Joel Cox («Unforgiven») and editor Gary D. Roach; and costume designer Deborah Hopper.
The behind - the - scenes creative team is led by director of photography Tom Stern, production designer James J. Murakami, editors Gary D. Roach and Joel Cox, and costume designer Deborah Hopper.
Students work in teams and adopt roles that model professional design practice (creative, communications, finance) to respond to a real life brief set by leading designers such as Barber & Osgerby of Olympic Torch fame.
Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos
Our creative team of instructional designers, writers and artists get to work, making training that works and wows.
He works with a team of students, designers, and researchers to enhance the Media Lab's learning culture and community, and liaises with member companies and other partners to promote creative learning outside the Media Lab.
Includes interviews with members of the creative team, designer's sketchbook and influences for set, exercises and context sheets.
Essential Job Functions - eLearning • Produce dynamic, technology - enabled learning in eLearning, mobile and virtual delivery formats • Act in coordination with L&D consultants, business leaders and other managers and staff to identify eLearning needs, then match them with innovative self - paced and blended learning design solutions • Curate the best eLearning content to match requirements set by L&D learning consultants • Consult with members of the L&D Team and business leaders to deliver high - quality eLearning experiences that are instructionally sound, creative, visual and engaging through consultative design • Create and maintain tools for helping L&D team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use of the Team and business leaders to deliver high - quality eLearning experiences that are instructionally sound, creative, visual and engaging through consultative design • Create and maintain tools for helping L&D team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use of the team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use of the LMS.
We have a team of three people who work with authoring tools (Captivate, Articulate and iSpring), one creative designer, from 10 to 15 subject matter experts, and we have about five instructional designers including me.
Web design Bangalore can be our own teams of really competent, qualified and also seasoned site creative designers.
Wise Ink Creative Publishing has a wonderful team of editors, cover designers, proofreaders, and formatters who helped me create the best possible version of my book.
Justin oversees the internal creative team consisting of developers, copywriters and designers along with the creation of all - new branding and marketing initiatives.
Montréal, Québec About Blog A team of creative digital marketers, search engine optimization experts, and graphic designers with an extensive knowledge of the real estate industry.
Our mission is exceeding clients expectations by providing excellent service, design and construction with enriching team of craftsmen and creative designers.
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