Sentences with phrase «creative universe at»

«If Pierre - Auguste's artistic practice and creative universe at some points influenced Jean's art, Jean's films shed light on his father's paintings.

Not exact matches

God is, at the very least, a sentient creative imperative — of which, this universe is but one example, one expression.

The problem raised by any literal reading of the Category of the Ultimate may be put this way: how can an actual occasion be at once the creative synthesis of and a novel addition to the many occasions of its correlative universe?

If the following passage from Process and Reality is at all significant, the answer must be that that is precisely what Whitehead means: «The oneness of the universe, and the oneness of each element in the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self - identity of things and their mutual diversities» (347f).

Surely, whatever else Whitehead is saying here, he is saying that actual occasions are repeated (qua superjects only, never qua subjects), for among the «elements» in the universe relative to the origination of a novel creature are all those occasions which have already completed their becoming, i.e., those which are already superjects; hence, every superject accumulated in the wake of the universe's creative advance is repeated in each novel creature at the utmost verge of that advance.

The spirit of the universe is at once creative and destructive — it creates while it destroys and destroys while it creates, and therefore it remains to us a riddle [The Christian Century, November 28, 1934].

I hope he created the whole universe, and that he wants me to be creative too, and takes delight in my little attempts at creating things.

It only requires the principle that there would be no universe at all but for the creative activity of God.

What is revealed is not compulsion but persuasion, love not force, is at the heart of the creative process of the universe.

This affirmation is certainly not affected at all by the proposal that our universe is, somewhat mysteriously, inter-connected with other ones, and argues, a posteriori, for an immediately complimentary, creative mind which founds and sustains its order across space and time.

The manifestations of that Creative Being — life, knowing, power, will — are evident in the creation of this universe, which is intelligently based on established principles with everything put in its proper place and every deed performed at its proper time.

The Big Bang suggests that God's creative energy would have been extremely influential at the origin of our universe.

Nevertheless, if we say, as I think we should, that the subjective feeling of creative unification of the incomplete is at the heart of human experience and the universe, and that our ontology should reflect this by maintaining the fundamental contrast between creative becoming and accomplished being, then perishing is a very important doctrine indeed!

I believe in a Creator and Father, who desired man [and woman] as co-Creators and who gave (them) intelligence and a creative imagination to dominate the universe and to complete the Creation... and he constantly sends his Spirit to make the human mind fruitful, even as he made the waters fertile at the beginning of Creation.

It augments the general drive for good; it contributes, as we may dare to say, to the energies of love that are at God's disposal in his ordering of the onward movement of creative advance in the universe.

In simpler language, we may state that primordial objects in the universe (grounded in an ineffable reality) are causally transformed into a limited set of cosmological, biological and cultural entities, which at the same time, allows for an endless number of creative outcomes and novel possibilities.

Thus God, as principle of order and novelty, is understood here as the creative ground of the emergent universe, giving it its very being and presenting it with whatever possibilities for further emergent self - transcendence may be relevant at each particular phase.

One of them, a priest at a Shinto shrine, answered that it is the devotion to the creative forces in the universe in the bodily, the cosmic, the ethical, the intellectual, and the aesthetic realms.

In 1999, the luxury goods division of the Kering Group acquired Yves Saint Laurent and, under the creative direction of Anthony Vaccarello since April 2016, continues to position the house at the summit of the luxury universe.

In I'm Dying Up Here's attempts to reflect a diversity of experiences within the pursuit of creative satisfaction, it sometimes feels like everyone is working at the same club that's located in parallel universes.

From the outset, Lord and Miller decide to respect the idea of Lego while reserving the right to poke fun at anything and everything the brand encompasses, including (nearly) all the other creative properties that have licensed themselves to Lego in recent years — at least, all those that fall within the expansive Warners universe, plus some of the sillier one - offs (including mermaids and clowns and so on).

Anecdotal stories like how First Class and Kingsman director Matthew Vaughn wanted to re-cast Wolverine for DoFP only furthers the notion that there is indeed creative motivation to have a new crack at the X-Men movie universe.

Mark McGurl, an associate professor of English at the University of California, Los Angeles, and the author of a forthcoming book on the impact of creative writing programs on postwar American literature, agrees that writing programs have helped expand the literary universe.

I had the opportunity to get some hands on time with Creative Assembly's latest foray into the Warhammer universe at Gam...

That's a large undertaking for the team at Certain Affinity who were responsible for recreating the classic multiplayer maps that so many fans know and love, but the team was given creative freedom on the design of the maps from 343 Industries, «Aesthetically we were given a large amount of creative freedom, as long as the final art felt like it was a part of the Halo universe.

And the PlayStation Comic - Con panel fun continues this weekend: At 6 pm tonight, Twisted Metal co-director David Jaffe will reveal a Twisted trailer and a new boss in room 5AB; at 10 am on Sunday, Starhawk's creative director, writer and senior producer will discuss the genesis of the game's sci - fi universe in room 25AAt 6 pm tonight, Twisted Metal co-director David Jaffe will reveal a Twisted trailer and a new boss in room 5AB; at 10 am on Sunday, Starhawk's creative director, writer and senior producer will discuss the genesis of the game's sci - fi universe in room 25Aat 10 am on Sunday, Starhawk's creative director, writer and senior producer will discuss the genesis of the game's sci - fi universe in room 25AB.

Creative Assembly, the tactical masterminds behind the Total War franchise, is hard at work on a game set in Ridley Scott's - or James Cameron's, depending on preference - Alien universe.

As we started planning for year two, we wanted to surprise, engage and challenge those that have put in hundreds, if not thousands of hours of their personal time in to the universe,» said Luke Smith, creative director for The Taken King at Bungie.

The people in charge of compiling the artwork at Bungie could have just filled The Art of Destiny: Volume 2 with artwork without offering a literary input, but there has clearly been a huge effort to put each piece of artwork into words to bring Destiny fans closer to the creative processes behind the storyboarding and artistic approach to every character, weapon and environment situated in Destiny's gigantic universe.

Halo Wars 2 — Preview Recently I was lucky enough to be invited by the swell folk at Microsoft to check out an early build of Halo Wars 2 the follow up to their Creative Assembly developed real - time strategy set in the epic Halo universe.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

The current «Unfinished Business» exhibition at the Parrish Art Museum in Water Mill features three iconographic figures of recent contemporary art — Eric Fischl, David Salle, and Ross Bleckner — presenting important works from near the beginning of their careers that cemented their reputations as major players in New York's creative universe and beyond.