Sentences with phrase «creative use of colour»

Five elegant suites featuring original art, American blinds and the creative use of colour are perfect as a base whilst whale watching or escaping for the weekend.

If «ethnic chic» in all the high streets or celebs like Beyonce going mad about Stella Jean's creative use of colour isn't enough to convince you, just consider the success of -LSB-...]

Not exact matches

Keeping in mind the festival and occasions, the creative designers generally make use of bold and dark colours like Red, Shocking pink, Black, dark brown, navy blue, orange etc..

The way it is sewn, the way it suits you, the colours, the creative use of the labels (sewn with the same thread....

We wanted a laid back, creative style, someone who could make use of the colour and lighting in the venue, and Nicola certainly did!

His use of light and vibrant, oversaturated colours keep in tune with the bold use of technicolor from Sirk's melodrama's and is absolutely exquisite work.Haynes» intention is to capture the nuclear, corporate family living the dream of white picket fence America and he does so with a confidence and hugely creative eye.

I drew this shark for my students to colour in and use in their creative writing session as part of our modules on the ocean, animals, environments, and conservation.

Colour tone an image using blend modes Complete lesson ideally suited to Post 16 education detailing the use of layers and masks in Photoshop for creative practice.

Use colour tone and texture This session highlights the use of: - Composite layers Multiple Exposures Creative layer masking Manual sharpening Fake depth of field Colour toning The session comes complete with Lesson Plan, an in depth Handout covering the two examples shown, Extension activity, Video and Tutor examplUse colour tone and texture This session highlights the use of: - Composite layers Multiple Exposures Creative layer masking Manual sharpening Fake depth of field Colour toning The session comes complete with Lesson Plan, an in depth Handout covering the two examples shown, Extension activity, Video and Tutor exacolour tone and texture This session highlights the use of: - Composite layers Multiple Exposures Creative layer masking Manual sharpening Fake depth of field Colour toning The session comes complete with Lesson Plan, an in depth Handout covering the two examples shown, Extension activity, Video and Tutor exampluse of: - Composite layers Multiple Exposures Creative layer masking Manual sharpening Fake depth of field Colour toning The session comes complete with Lesson Plan, an in depth Handout covering the two examples shown, Extension activity, Video and Tutor exaColour toning The session comes complete with Lesson Plan, an in depth Handout covering the two examples shown, Extension activity, Video and Tutor examples.

Next is 10 fully resourced learning experiences that will help your little learners to develop their understanding of phonics, writing and spelling Included as well are 60 colouring pages designed for children in the EYFS, which can be used as you wish, but we recommend using them to inspire writing, creative describing and language development.

Creative Abstract Art Activity Templates with coloured examples and photographs, using watercolour paints, oil pastels, felt tip pens to give you ideas of how to use them a) hidden acorn in squares b) hidden acorn in diamonds / triangles c) hidden oak leaf in squares d) hidden oak leaf with random lines e) hidden maple leaf with random lines f) hidden apple in squares 4.

There are many patterns available to suit all designs, but I have recently used this type of self - coloured board with regularly spaced circular holes, for both wall and ceiling panels in a creative arts building.

But should you find that your creative flair required to create your very own walking fashion disaster, the game also gives you a large selection of pre-made armour and colour choices, which can also be used as a starting point for your creative genius.

This exhibition focuses on the analysis of a set of works from the Berardo Collection in which the artists have made free and creative use of line, form and colour, elements which are intrinsically linked to our lives, to all that we see, touch and feel and can be considered the main building blocks of abstract art since the beginning of the 20th century.

Her own creative breakthrough took the form of long wall pieces shaped like giant nail files, using dripped beeswax built up in coloured, visceral layers.

After the event he noted, «perhaps I feel happiest when, during the creative process, I simply let work «pour out», so to speak, without critical intervention or editing»; he also noted that this series was «unadulterated automatism».4 Black ink was used in the initial stages of the suite, and as it developed he introduced coloured inks, and sometimes gouache.

Experimentation, bouncing ideas and lots of personal craftsmanship were essential elements of this meeting of minds, which saw various types of paper layered, folded, mixed in their colours, piled up and, thanks to the creative use of a cutting machine, continually re-shaped and formed.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

Providing lots of opportunity for creative expression, encaustic tiles can be used in a multitude of ways and in an endless variety of colours and patterns.

«If your inner creative self is longing for rich tones but your more practical head is saying choose something timeless, consider using a brighter hue inside cabinetry for a stylish colour fix,» suggests Kiran Noonan, Marketing Director, John Lewis of Hungerford.