Jurassic World director Colin Trevorrow was set to direct Episode IX, but recently vacated the project over what Disney and Lucasfilm said were due to differences in
the creative vision for the film.
Not exact matches
Mean Streets did more than launch Scorsese's career: The
film solidified his
creative vision for turning a camera to stories that center around sin and grace.
In a memo distributed to staff, Cooper said, «Kim's curatorial
vision combines a voracious appetite
for films across genres with a
creative instinct
for the work that will affect audiences and culture.
The screenplay had originally been scripted by Edgar Wright (The World's End, Scott Pilgrim) and Joe Cornish (The Adventures of Tintin, Attack the Block), with Wright, who had cultivated the
vision of Ant - Man
for years, intending to direct, but
creative differences saw a divorce from the project (Marvel became more controlling as they grew to massive popularity — a queen ant that expects its workers to keep the colony running smoothly), leading to rewrites by Adam McKay (Anchorman 2, Talladega Nights), and eventually Rudd himself during
filming, while fluff - comedy veteran Peyton Reed had been brought in to mold it more in the shape that Marvel Studios had been seeking.
Lucasfilm president Kathleen Kennedy said that Phil Lord and Christopher Miller had left the production due to «different
creative visions»
for the
film, which stars Alden Ehrenreich as a young version of beloved Star Wars character Han Solo.
The highlight of the «2 - Disc Special Edition» DVD and Blu - ray editions is 30 - minute video interview with Quentin Tarantino and Brad Pitt (conducted by Elvis Mitchell
for his radio series «The Treatment») that brings out a calmer (yet still enthusiastic) QT to discuss the
creative ideas behind his
film, with Pitt in full support of his
vision and his collaborative engagement with actors.
Whether he's paying dazzling
creative homage The Red Shoes or The Creature from the Black Lagoon, Del Toro taps into the history of fantastical cinema
for his
film, ably abetted by production designer Paul Austerberry and cinematographer Dan Laustsen whose evocative helps bring Del Toro's
vision to life.
In exchange
for this freedom, short -
film practitioners must distill their
creative vision to its most vital essence, without wasting a single frame of
film, and take deliberate care to achieve a certain unique, singular effect.
Granted, Annihilation does come with some baggage; it is already known that there have been
creative «complications» between Paramount and Skydance as to Garland's
vision for the
film, and now Paramount is striking an international deal with Netflix on the
film's release strategy.
In 1968 the Directors Guild of America created the pseudonym Alan Smithee
for directors wishing to disown
films in which their
creative vision had been compromised.