Sentences with phrase «creative visual effects»

The newly launched NVIDIA Quadro CX accelerates high - quality video and creative visual effects, allowing for real time previews and faster rendering of even the most complex video projects.

Not exact matches

5:15 PM Vicki Dobbs Beck, executive in charge, ILMxLAB; John Knoll, chief creative officer / senior visual effects supervisor, Industrial Light and Magic, Lucasfilm

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

Miller, a title sequence animator and visual effects supervisor on video games, was in the process of working on the Deadpool 2 script when the creative differences arose, with sources telling The Hollywood Reporter that star Ryan Reynolds and Miller differing on the direction of «the Merc with a Mouth.»

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

The best zombie movies don't contain buckets of senseless gore or just ninety minutes of the visual effects guy getting creative with his walking cadaver designs.

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

Directed by Andrew Stanton (Finding Nemo) with the animation wizards at Pixar, it takes on the challenge of delivering an animated feature that is predominantly wordless (and even some of those used are closer to sound effects than dialogue) and succeeds with both creative humor and visual grace.

(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production designers, Lou Romano, Celine Desrumaux; sound designer (Dolby Digital), Tim Nielsen; supervising sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual effects supervisor, Pascal Bertrand; character designer, Peter De Seve; co-character designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production designer and character designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.

The film, even when it slips into fiasco, has considerable polish with cinematographer Dante Spinotti's («L.A. Confidential») clever eye and a crack creative crew that includes Kristi Zea («Revolutionary Road») on production design and Mark Russell («The Adjustment Bureau») responsible for some major palm - sweating visual effects.

Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).

Behind the scenes, the creative team was led by director of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day, composer Alexandre Desplat, visual effects supervisor Tim Burke, and costume designer Jany Temime.

The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.

«Guillermo's approach is to just show his passion,» says visual effects supervisor John Knoll, the chief creative officer of Industrial Light and Magic.

The creative production team includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).

Unfortunately, such is the case with writer - director Marcus Dunstan with his latest film, «The Collection,» which tries to emulate the special and visual effects and creative, detailed characters featured in his «Saw» films.

The Australian filmmaker has previously served as a producer and creative designer for Will Young Live in London and worked on the visual effects for...

The Australian filmmaker has previously served as a producer and creative designer for Will Young Live in London and worked on the visual effects for quite a few projects.

The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).

Among the topics tackled are the creative processes of Koepp and Gervais, leading characters, the minimal use of visual effects, filming in New York, and belief in ghosts.

Commissioned by Ed Vaizey, then minister for culture, communications and the creative industries, it was intended as a review of the skills needs of the video - games and visual effects industries, long seen as economically valuable sectors of the UK economy.

Spell effects are absolutely gorgeous, and combined with the elaborate setpieces and creative enemy designs, DS3's visuals are unmatched among dungeon crawlers.

Steven M. Ilous is a creative wunderkind; games, movies, tv productions, photo, music, commercials, visual effect are all part of his forté.

The charming and creative gameplay of Star Allies is joined by some truly impressive visuals (my goodness, the water effects!)

Chosen from more than 500 applicants, she was one of the seven members of the core creative team for the opening and closing ceremonies of the Beijing Olympics in 2008, as well as the chief designer for visual and special effects.

While her visual sensibility recalls the work of the American artists Romare Bearden, Richard Yarde, and Mickalene Thomas, whose two - dimensional works are heavily textured through their use of color and pattern, Akunyili Crosby casts off in a singular direction, fusing African, European, and American influences and creative traditions while pondering the personal effects of living in an increasingly global, hybridized society.

provides students with the opportunity to explore traditional and digital skills related to creative designers, artists, and storytellers in motion graphics, modeling, animation, visual effects and concept art for film, television, video games and advertising industries.

The Digital Media Minor provides students with the opportunity to explore traditional and digital skills related to creative designers, artists, and storytellers in motion graphics, modeling, animation, visual effects and concept art for film, television, video games and advertising industries.

ODETTA presents, If This, Then What an exhibition of 8 visual artists who explore cause and effect relationships through creative technology.

Paul Hobson, Director, said: «The current reduction in public funding for the arts, combined with alarming proposals to remove art subjects from the curriculum in England and the unaffordability of higher education for those who would have wished to pursue a career in the Arts, will have a devastating effect on our creative economy and visual culture in Britain a decade from now.

In thinking about him one can not remain within the limited and relatively simple categories of the evolution of visual form: one is forced to consider the spiritual character of the man, the problem of the effect upon talent of certain kinds of experience in the modern world, the problem of the relation between traditional forms of intellect and the creative impulse in this world — and other questions of an equally unmanageable sort.

The company has hired creatives in 3D animation, music, video editing and visual effects to have them produce real projects and pinpoint the «bottlenecks,» whether it's the computer design or an app feature.

Tyldum and the film's creative team also do an admirable job of crafting some breath - taking visual effects that make the movie feel fresh and stand out among the year's crowded field of outer - space adventures.

Get creative with visual effects and make your content reader friendly.

Computer and Creativity — Creative activities involving symbolic manipulation and computer graphics, animation, dynamic storytelling, computer music, visual effects, Web publishing, computer games, artwork, and multimedia.