Sentences with phrase «creative visual production»

Not exact matches

Services include creative direction, art direction, brand strategy, graphic design, film and stills production, digital and social media, product development, books, exhibitions, licensing, partnerships, in - store visual merchandising, and campaign asset strategy.

I was able to dive into classes that mattered to me, like Fundamentals of Textiles, Introduction to the Fashion Industry, Creative Fashion Presentations, Product Development, Fashion Merchandising, Art History, Visual Displays and Exhibition, Advertising Copywriting, Video Studio Production, Internet Marketing, Introduction to Business Law, Brand Management, Public Relations, and Event Planning to name a few.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

(Color, widescreen); editors, Matthew Landon, Carole Kravetz; music, Hans Zimmer, Richard Harvey; production designers, Lou Romano, Celine Desrumaux; sound designer (Dolby Digital), Tim Nielsen; supervising sound editors, Nielsen, Christopher Barnett; re-recording mixers, Nielsen, Barnett; visual effects supervisor, Pascal Bertrand; character designer, Peter De Seve; co-character designer, Barthelemy Maunoury; CG character supervisor, Hidetaka Yosumi; CG animation supervisor, Jason Boose; CG lighting supervisor, Adel Abada; stop - motion creative director, Jamie Caliri; stop - motion production designer and character designer, Alex Juhasz; stop - motion lead animator, Anthony Scott; associate producers, Brice Garnie, Olivier Rakoto; casting, Sarah Finn.

Signatures is a short film scheme for the making of live - action, fiction films that act as a proving - ground for Irish creative talents which aims to encourage strong, original storytelling, visual flair, and production values appropriate to the big screen.

Through Taymor's trademark visual flair and creative direction, the film presents even the most devoted Shakespeare fans an opportunity to experience one of the Bard's most beloved works in a unique and exhilarating new production.

The film, even when it slips into fiasco, has considerable polish with cinematographer Dante Spinotti's («L.A. Confidential») clever eye and a crack creative crew that includes Kristi Zea («Revolutionary Road») on production design and Mark Russell («The Adjustment Bureau») responsible for some major palm - sweating visual effects.

Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).

But the one full - blown production number, «Zara Dil Ko Thaam Lo» («Hold on to Your Heart»), arises where it makes story sense (and nicely mirrors the touchstone «Main Hoon Don» number in the first film), and Akhtar and West make it count in a big way, going all - out with the spectacle, marrying the memorable music with Viabhav Merchant's creative choreography and a stunning, silhouette - driven visual design.

Behind the scenes, the creative team was led by director of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day, composer Alexandre Desplat, visual effects supervisor Tim Burke, and costume designer Jany Temime.

The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.

Combine that tension with a beautifully disconcerting score (courtesy of one Giona Ostinelli), a starkly creative visual style (both in production design and cinematography), and, perhaps best of all, a freaky sense of ongoing unpredictability, and the result is a cool, brutal, and confidently satisfying indie thriller.

The creative production team includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).

The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).

Students of South Shores participate in intensive arts experiences such as primary grades creative productions, visual art shows, and for over three decades upper grades have put on a full - scale musical production in the campus theater at Cal State University Dominguez Hills, gaining a valuable real life professional theater experience.

Steven M. Ilous is a creative wunderkind; games, movies, tv productions, photo, music, commercials, visual effect are all part of his forté.

Led by Mothersbaugh and CSM Director Dean Sobel, the discussion will explore Mothersbaugh's spectral creative production — beginning from his work as a visual artist, while also exploring his new role as a curator as well as other areas of artistic expression.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

He is a 2012 Creative Capital Grantee in visual art as well as a 2014 MAP (Multi-Arts Production) Fund Grantee for performance.

Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production.

Based on the intersection of visual phenomena, critical studies, and creative production, the program combines aspects of a studio - based program and theoretical study, and can include art history, criticism, the general liberal arts, and studio practice.

Visual + Digital Arts residency programs focus on professional and artistic development, research, and creative production in digital and visualVisual + Digital Arts residency programs focus on professional and artistic development, research, and creative production in digital and visualvisual arts.

Appleton Square wishes to bring together indisputable names of the creative national scene — be it visual artists, designers or architects — mixed with the emerging production, on the brink of joining the mainstream.

The remarkable sense of creative urgency, radical cross-fertilization, and synthesis within the visual arts — and the aspirations among the Russian avant - garde to affect unprecedented sociopolitical transformation — wielded an influence on art production in the 20th century that reverberates throughout the course of modern history.

Taking this shift and the artist's penchant for experimentation across media as a point of departure, Winslow Homer and the Camera questions how new visual technology impacted the artist's production and engagement with subjects, and unveils how photography became increasingly a part of Homer's visual investigation and broader creative practice.

Harlem Postcards Fall / Winter 2016 — 2017 is the latest installment in an ongoing project that invites contemporary artists to reflect on the many sides of Harlem: as a site of cultural activity, political vitality, visual stimulation, artistic contemplation and creative production.

The curators underscore the imperative of analyzing the relationship between all analogous creative disciplines» impact on visual art by turning the Biennial into a platform for performance, including a rock concert, dance performances, theater productions, an avant - garde cinema, a publication platform, etc., all free with the cost of entry.

Services include: creative strategy and consultancy; trend reports; content creation including film, print and stills; visual direction; event curation and production; full image production services; casting; social media planning and activation.

Machona's current work engages with issues of migration, social interaction and xenophobia in South Africa, and explores the creative limits of visual art production through the use of decommissioned currency as a key medium.

Known for her elegant filmic investigations into visual gestalts, voyeurism, and perceptual memory, as well as her creative engagement with cinematic history, Rosalind Nashashibi presents several of her experimental 16 - mm productions from the past four years, including Bachelor Machines Part 2 (2007), which borrows footage and dialogue from Alexander Kluge's 1968 film Artists Under the Big Top: Perplexed; and The Prisoner (2008), a nod to Chantal Akerman's 2000 film La Captive.

A three - day event described as a «multidisciplinary performance - salon,» the weekend of activities focuses on «contemporary cultural production in the areas of dance, film, literature, music, theater, and visual art» and features creative talent from each discipline and a tribute to the late Terry Adkins.

You'll work closely with the strategy, creative and production teams to create strong visual representations of the brand for both clients and audiences.

Advertising copywriters work closely with other creative (visual) agency staff in the conception and production of the verbal and messaging elements of advertising campaigns.

To obtain a graphic design position utilizing my creative, visual and spatial, design, and production skills

My marketing expertise is complemented by a deep understanding of state - of - the - art technologies, creative writing aptitude, targeted marketing experience, the ability to translate production designs into unique visual concepts.

I have led creative teams for over 15 years and have a strong background with branding, advertising campaigns, design strategies, print production, photo styling and visual merchandising.

Tags for this Online Resume: Manufacturing, Product Launch, Sourcing, Real Estate, POS, Packaging, Advertising, PROJECT MANAGER, account manager, social media, marketing manager, ART PRODUCTION, PRINT PRODUCTION, CREATIVE, VISUAL MERCHANDISING, STORE DESIGN, Brand Management, Identity Branding, Retouching, Color Management, Design, Editing / Proofreading, Marketing, POP, Print, Digital, UX / UI, HTML, SEO, Product Development, Creative Services, Web Development / Production, Video, CreativPRODUCTION, PRINT PRODUCTION, CREATIVE, VISUAL MERCHANDISING, STORE DESIGN, Brand Management, Identity Branding, Retouching, Color Management, Design, Editing / Proofreading, Marketing, POP, Print, Digital, UX / UI, HTML, SEO, Product Development, Creative Services, Web Development / Production, Video, CreativPRODUCTION, CREATIVE, VISUAL MERCHANDISING, STORE DESIGN, Brand Management, Identity Branding, Retouching, Color Management, Design, Editing / Proofreading, Marketing, POP, Print, Digital, UX / UI, HTML, SEO, Product Development, Creative Services, Web Development / Production, Video, Creative CREATIVE, VISUAL MERCHANDISING, STORE DESIGN, Brand Management, Identity Branding, Retouching, Color Management, Design, Editing / Proofreading, Marketing, POP, Print, Digital, UX / UI, HTML, SEO, Product Development, Creative Services, Web Development / Production, Video, Creative Creative Services, Web Development / Production, Video, CreativProduction, Video, Creative Creative Producer

Creative Producer - with diverse background in digital, design, print and art production, as well as account and project management - seeking to leverage strong creative, organizational and communication skills in the fields of design, visual merchandising, packaging, product development, marketing, advertising and strategic bCreative Producer - with diverse background in digital, design, print and art production, as well as account and project management - seeking to leverage strong creative, organizational and communication skills in the fields of design, visual merchandising, packaging, product development, marketing, advertising and strategic bcreative, organizational and communication skills in the fields of design, visual merchandising, packaging, product development, marketing, advertising and strategic branding.