Sentences with phrase «creative your production team»

The creative production team includes Emmy nominated director of photography David Moxness («The Kennedys»), production designer Chris Cornwell («Ride Along,» «The Wedding Ringer»), costume designer Olivia Miles - Payne («Entourage,» «Ride Along 2»), visual effects producer Raoul Bolognini («Spider - Man 2,» «Zombieland»), visual effects supervisor Erick Geisler («The Day the Earth Stood Still»), and editor Scott Powell («24»).

Hoping to obtain work on a creative production team and to use my skills to their fullest potential.

Effectively collaborated with the promotion, research and creative production teams to ensure successful client campaigns in the San Francisco Bay Area on a local and regional scale.

Not exact matches

Prince William and Prince Harry toured Pinewood studios to visit the production workshops and meet the creative teams working behind the scenes on the Star Wars films.

The company also operates entirely with an in - house staff of 13 people, including the creative team, production team, and post production team.

While Cohl and Harris insisted that director Julie Taymor would remain part of the creative team, Philip William McKinley, a director of Broadway musicals and circuses with experience mounting productions in Las Vegas, has effectively replaced her.

For example, some content pieces (like videos or podcasts) may require more production resources than you have available; others may be well within your team's capabilities but might not be the best fit for your target audience; and some ideas might be brilliantly creative but just aren't likely to have the bottom - line impact you are looking to achieve.

Twelve years and multiple advancements from a creative agency Director of Production to Senior Director of Operations later, Katie Uphus has now joined the team as Vice President at TopRank Marketing.

So we had to form a new creative team of people who had never headed a movie production.

Tommy Hilfiger is now advertising for a number of creative production roles and an associate project manager in its business transformation team.

Working together with our production team to ensure that creative ideas are brought to life to the highest of standards.

Universal's creative team has been working closely with Stuart Craig and the production team from the Harry Potter films to make the new area as authentic and spectacular as possible — just as it did with The Wizarding World of Harry Potter — Hogsmeade.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

The creative team includes director of photography Lawrence Sher, production designer Bill Brzeski, and editor Debra Neil - Fisher («Baby Mama»).

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Behind the scenes, Spielberg reunited his creative team from «Bridge of Spies,» including Oscar - winning director of photography Janusz Kaminski («Schindler's List,» «Saving Private Ryan»), Oscar - winning production designer Adam Stockhausen («The Grand Budapest Hotel»), Oscar - winning editor Michael Kahn («Saving Private Ryan,» «Raiders of the Lost Ark») and Sarah Broshar («The Post»), and costume designer Kasia Walicka Maimone («Moonrise Kingdom»).

Before production begins on a movie, Lucchesi said he insists that the key creative team makes a point of «squinting» at the script in an effort to get ahead of potential problems.

Reuniting with the director are members of his Insidious creative team — director of photography John R. Leonetti, editor Kirk Morri, costume designer Kristin M. Burke, composer Joseph Bishara — and his Saw production designer, Julie Berghoff.

Set at a Hong Kong investment firm during the 2008 financial crisis, Office finds To and his creative team — which here includes production and costume designer William Chang, Wong Kar - wai's main man — visualizing the market through parallel narratives, geometric lines, and capital - M metaphors.

Behind the scenes, Dougherty's creative team includes director of photography Lawrence Sher, whose past credits include «War Dogs» and «Godzilla,» for which he handled additional photography; production designer Scott Chambliss («Guardians of the Galaxy Vol.

The creative filmmaking team includes director of photography Simon Duggan, production designer Patrick Tatopoulos, editors Wyatt Smith and David Brenner, and costume designer Alexandra Byrne.

Under the expert handling of the creative team they've assembled, the resulting production is so believable, you might suspect the movie theater is another portal into the Land of Narnia.

The behind - the - scenes creative team is led by multiple Oscar - nominated director of photography Caleb Deschanel («The Right Stuff,» «The Natural»), production designer Nelson Coates («Flight»), editor Frédéric Thoraval («Taken»), and costume designer Marian Toy (HBO's «Ballers»).

The behind - the - scenes creative team includes Academy Award ® - winning production designer Rick Carter («Avatar») and «Watchmen» and «300» veterans director of photography Larry Fong, editor William Hoy and costume designer Michael Wilkinson.

The behind - the - scenes creative team includes cinematographer Bruno Delbonnel, Oscar ® - winning production designer Rick Heinrichs («Sleepy Hollow»), Oscar ® - winning costume designer Colleen Atwood («Alice in Wonderland») and editor Chris Lebenzon («Alice in Wonderland»).

Reed's creative team also includes Oscar - winning cinematographer Russell Carpenter («Titanic»), production designer Sheppard Frankel («Identity Thief») costume designer Sammy Sheldon Differ («X-Men: First Class»), visual effects supervisor Jake Morrison («Thor: The Dark World»), stunt coordinator Jeff Habberstad («Iron Man 3») and six - time Oscar nominee, special effects supervisor Dan Sudik («Marvel's The Avengers»).

The behind - the - scenes creative team includes director of photography Roberto Schaefer («Finding Neverland,» «Quantum of Solace»); production designer Kirk M. Petruccelli («White House Down»); editors Ron Rosen («Godzilla»), Oscar nominee Chris Lebenzon («Crimson Tide,» «Top Gun») and Oscar nominee John Refoua («Avatar»); costume designer Susan Matheson («The Big Short,» «Safehouse»); and VFX supervisor Jeffrey A. Okun («Clash of the Titans,» «The Day the Earth Stood Still»).

The behind - the - scenes creative team includes Oscar - winning director of photography John Seale («The English Patient»); action unit director and stunt coordinator Guy Norris («Australia»); editor Margaret Sixel («Happy Feet»); production designer Colin Gibson («Babe»); Oscar - winning costume designer Jenny Beavan («A Room with a View»); and makeup designer Lesley Vanderwalt («Knowing»).

Behind the scenes, the creative team was led by director of photography Eduardo Serra, production designer Stuart Craig, editor Mark Day, composer Alexandre Desplat, visual effects supervisor Tim Burke, and costume designer Jany Temime.

The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.

Among the creative behind - the - scenes team returning to Jackson «Äôs crew are director of photography Andrew Lesnie, production designer Dan Hennah, conceptual designers Alan Lee and John Howe, composer Howard Shore and make - up and hair designer Peter King.

Berloff's creative team includes director of photography Maryse Alberti («Creed»), production designer Shane Valentino («Straight Outta Compton»), Oscar - nominated editor Christopher Tellefsen («Moneyball,» «A Quiet Place») and costume designer Sarah Edwards (upcoming «Ocean's 8,» Showtime's «Billions»).

The film was put into production at warp speed, with Mocosko Krieger quickly diverting Spielberg's creative team from what they thought would be their next project («The Kidnapping of Edgardo Mortara»), drafting screenwriter Josh Singer («Spotlight») to work with Hannah on rewrites, and assembling an A-list cast to begin filming in May.

The creative team on A Monster Calls also includes production designer Eugenio Caballero, an Academy Award winner for Pan's Labyrinth who previously collaborated with the director on The Impossible; costume designer Steven Noble (The Theory of Everything); and cinematographer Óscar Faura, who shot both The Impossible and The Orphanage for Mr. Bayona.

Next we find a Design Team track that includes remarks from production designer Grant Major, costume designer Ngila Dickson, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger.

The behind - the - scenes creative team includes director of photography Phil Meheux, Oscar ® - nominated production designer Tom Sanders, Oscar ® - nominated editor Stuart Baird, Academy Award ® - winning costume designer Lindy Hemming and Academy Award ® - winning composer Howard Shore.

The creative behind - the - scenes team is led by director of photography Andrew Lesnie, production designer Dan Hennah, editor Jabez Olssen and composer Howard Shore.

- «Designing the World of Harry Potter» - Explore how production designer Stuart Craig and his creative team brought J.K. Rowling's imagination to life on the screen.

The behind - the - scenes creative team includes director of photography Martin Ruhe («The American»), production designer Sharon Seymour («Argo»), editor Dirk Westervelt («Journey to the Center of the Earth»), and costume designer Catherine Marie Thomas («The Heat»).

The behind - the - scenes creative team included director of photography Henry Braham («The Golden Compass»), Oscar - winning production designer Stuart Craig («Dangerous Liaisons,» «The English Patient,» the «Harry Potter» films), editor Mark Day («Harry Potter and the Deathly Hallows, Parts 1 & 2»), and Oscar - nominated costume designer Ruth Myers («Emma,» «Unknown»).

The behind - the - scenes creative team was led by Academy Award ® - nominated director of photography Tom Stern («Changeling»); Academy Award ® - nominated production designer James J. Murakami, («Changeling»); Oscar ® - winning editor Joel Cox («Unforgiven») and editor Gary D. Roach; and costume designer Deborah Hopper.

Thurber's behind - the - scenes creative team includes director of photography Barry Peterson («21 Jump Street»); production designer Clayton Hartley («The Other Guys»); editor Mike Sale («The Hangover Part II»); and costume designer Shay Cunliffe («The Bourne Legacy»).

The behind - the - scenes creative team includes Oscar - nominated director of photography Tom Stern («Changeling»); Oscar - nominated production designer James J. Murakami («Changeling») and production designer Charisse Cardenas; Oscar - winning editor Joel Cox («Unforgiven») and editor Gary D. Roach; and costume designer Deborah Hopper.

The behind - the - scenes creative team is led by director of photography Tom Stern, production designer James J. Murakami, editors Gary D. Roach and Joel Cox, and costume designer Deborah Hopper.

«The New Maxima is another concept - based production vehicle following the 2015 Nissan Murano crossover, which debuted here last year,» said Shiro Nakamura, Senior Vice President and Chief Creative Officer, Nissan Motor Co., Ltd. «The bar was set even higher for the team to achieve our brand promise through design.»

Note that she's stressing in her last point that indies aren't just DIY savvy; they're also becoming increasingly good at forming the teams of pros they need for production and community, the DIWO aspect, which is progress in the commercial arena as well as creative progress.

We are a team of experts skilled in: author publicity, book marketing, public relations, social media, influencer marketing, creative writing, event planning, web design and development, content marketing, SEO, video production, photography, advertising and viral marketing.

Steven joined Sumo in 2011 and brings broad knowledge of all elements of the game production process, combined with a passion for building teams, environments and systems to deliver the most creative entertainment experiences.

This might be Blizzard's first new IP in 18 years, and something of a creative departure for its team of veteran RPG and strategy designers, but it's treating production like an independent project.

Following confirmation that the next Halo will release later this year, 343 Industries is shifting production up a gear with a reshuffle of its core creative team, which has led to a host of internal promotions and new hires.