Sentences with phrase «creativity in terms»

In addition, while the inbuilt karaoke element can be seen as offering the PeaRoeFoam factory workers a lighthearted respite, it also provided a comment on readymade creations, of which the PeaRoeFoam «do - it - yourself» kits were proponents — while allowing for creativity in terms of singing, the songs themselves, of course, were not new and participants would merely allow the initial product a chance to propagate itself.

Authors at the moment can make a living and can also fulfill their creative intentions and whatever their aims and goals are around their creativity in terms of everything from self - expression to full on engagement with readers whereby they kind of set up a working system, an ecosystem of readers that supports them.

It's much more durable than painter's tape and allows for more creativity in terms of shapes and patterns.

These vehicles undergo more design work, more research, and even more flexibility and creativity in terms of design and function.

This process requires a great deal of creativity in terms of planning as well as visual design.

From the lack of creativity in terms of tactics... we keep playing the same bull crap formations and tactics.

Not exact matches

How can we apply the growth mindset to creativity in practical terms?

In terms of outcomes, should we put a greater emphasis on innovation, creativity, and employee engagement, rather than just productivity and efficiency?

«A good idea, a long - term perspective, and the creativity to implement a strategy to profit from your insight are necessary to prosper in finance» Leon Levy

«If intelligence is the ability to integrate, creativity is the ability to integrate information from seemingly unconnected sources, and a measure of both abilities is necessary for long term success in markets.»

Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the various biblical narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have used within the Bible literary forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the story of Jesus in the Gospels or to consider what it might mean that they write that story from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take as givens might have been different for the biblical authors.

I see the argument against the term «atheist,» but I don't like «non-believer,» either, because I believe in lots of things — science, truth, empathy, the power of creativity, etc — just not in anyone's god (s).

In a sense, the entire cosmic process depends on him and the question arises of whether he or creativity is more ultimate in these causal termIn a sense, the entire cosmic process depends on him and the question arises of whether he or creativity is more ultimate in these causal termin these causal terms.

In a similar way for the philosophy of organism, God and creativity are related in terms of panentheisIn a similar way for the philosophy of organism, God and creativity are related in terms of panentheisin terms of panentheism.

On the other hand, because of the continuous interaction of the one and the many, creativity may only be interpreted in terms of the dynamic.

In terms of the liturgy this meant a culture of «creativity» based on the idea that liturgy is the expression of the local community.

The situation is somewhat different with Lewis Ford, whose article in the collection, «The Nature of the Power of the Future,» continues his long - term effort to forge a bridge between Whitehead and Pannenberg.4 The crux of Ford's project is to reconceive God as pure becoming and the source of all becoming (creativity, novelty).

For example, by way of a modest proposal, process thought seems singularly well equipped to develop a theology of work, in the full Marxist sweep of the term: man's self - creativity in society.

According to Artigas, it is the emergence of rational beings possessing the sort of creativity attested to by the natural sciences that gives this process of self «organization value, and hence allows it to be described in theological terms.

The material component is creativity, this restless activity of unification, present in terms of the occasion's own act of becoming a unified being.

Longer - term pre-marital counseling and growth group experiences can prove to be excellent investments in a couple's future happiness and marital creativity.

In Daniel (1913) we find Buber's concern for unity, realization, and creativity expressed for the first time entirely in its own terms and not as the interpretation of some particular thought or religious or cultural movemenIn Daniel (1913) we find Buber's concern for unity, realization, and creativity expressed for the first time entirely in its own terms and not as the interpretation of some particular thought or religious or cultural movemenin its own terms and not as the interpretation of some particular thought or religious or cultural movement.

Moore proposes instead that if we accept Whitehead's conviction that as creativity operates in living things it aims at the enhancement of life, we then will interpret human behavior in terms of the will - to - life.

The conflict arises - with religion and much else - when art is understood exclusively in terms of «individual creativity,» meaning self - expression.

In the philosophy of organism this ultimate is termed «creativity»; and God is its primordial, non-temporal accident.

The fact that, in terms of explanation, God is logically subordinate to the category of creativity, does not weaken the contention that, if there is any creativity whatsoever, there is a consequent nature of God.

They point to aspects of the phenomenon of creativity in a way — a metaphorical way, perhaps — that more technical terms in a longer discussion would not.

God could then be conceived in terms of a universal creativity which becomes particularized into many present acts of creativity individualized by indefinite subjective aims.18

Further, in using the term «possible,» I want to emphasize the point that whatever conditions are relevant to creative acts, these conditions are not guarantees, but at best are necessary if not sufficient for occurrences of radical creativity.

The chief advantage in calling on these terms in order to bring into focus the integration of telos and spontaneity in creativity is that these two notions are both rich and heuristically powerful.

It is true that anguish and painful effort are often associated with creativity, yet creative processes have also been described in terms of fulfillment, ecstasy and love.

These two points, that the creative process includes the lure of a telos and that the agent of creativity is responsible for its activity, serve as a basis for the suggestion that self - determination in creative processes can be conceived in terms of two notions familiar to the philosophical tradition: eros and agape.

«8 It errs again in its interpretation of the vitality of man when it ascribes to the biological what obviously belongs to the creativity of the spirit.9 Freudianism makes this error when it explains man's complex spiritual phenomena in terms of biological sexual impulses.

The second has to do with the relation of intuition in creativity to its past — memory, tradition, style, etc. — and in turn with the expression of intuitions in communicable terms.

Studies of creativity indicate that it is a highly complex function, in no sense childlike as Berne uses the term.

The attempt is to explain the way in which God is related to actual occasions, eternal objects, and creativity, in such a way that at no point do we attribute to him a mode of being or relation inexplicable in terms of the principles operative elsewhere in the system.

In the philosophy of organism this ultimate is termed «creativity»; and God is its primordial, nontemporal accident.

In terms of our previous discussion of the rhythm of education, the subject matter and an interesting manner of presenting it, the challenge of new ideas hopefully touches the recesses of creativity within each student, and stimulates their interest, prompting interest in further inquirIn terms of our previous discussion of the rhythm of education, the subject matter and an interesting manner of presenting it, the challenge of new ideas hopefully touches the recesses of creativity within each student, and stimulates their interest, prompting interest in further inquirin further inquiry.

In Whiteheadian terms this «That» is understood to be the nonspecific experience of the ultimate process of reality, creativity understood as universal subjectivity.

Without doubt, Whitehead in that book stresses creativity most often in terms of concrescence.

Because of the fact that the ultimate is conceived in terms of creativity, this «ultimate» can explain ongoingness (the creative advance).

This requires me to articulate my theory of God as the source of the creatures creativity in monotheistic terms.

St. Augustine's view of history was ultimately optimistic since its end term is the Kingdom of God; but we have seen how this was adjusted to a patient and complex view of history in which the two cities of church and world are mingled in cultural creativity and conflict.

Since God's creation ex nihilo of a new entity is the establishment of that entity as a free subject, it follows that it would be a contradiction in terms to imagine that God (or any other agent), at the level of creativity - characterization, could eliminate that concrescence's subjectivity, reduce its range of options to zero, or wholly destroy its freedom.

Because the claim that the creativity in any one actual entity is the same as the creativity in some other actual entity is meaningless, and because, at the same time, creativity guarantees the particularity of each actual entity, it follows that each actual entity is its own act of existence (to use the Thomistic term), its own subjectivity, its own concrescence.

We can also recast, in terms of my revised doctrine of creativity; Whitehead's own reason for the priority of the mental pole in God.

In Jobs» speech, the featured terms are love and heart (individual preferences or feelings), creativity, and intuition (repeated thirteen, four, and two times, respectively).

In terms of process philosophy, therefore, in one sense God is not responsible for the character of the conditions through which creativity workIn terms of process philosophy, therefore, in one sense God is not responsible for the character of the conditions through which creativity workin one sense God is not responsible for the character of the conditions through which creativity works.

While Wieman was certainly a process thinker in the broad sense, his use of the key terms «process» and «creativity» was often very different from Whitehead's.

The Beatles, Mary Quant and The Rolling Stones changed the landscape in the 1960s as Britain led the way in terms of creativity.