As much
credit as auteur Mike Leigh deserves for changing the landscape of British cinema with his -LSB-...]
Not exact matches
The movie is
credited to two directors, Wanda Tuchock and George Nichols Jr., but film scholar Jeremy Arnold believes Tuchock, who also wrote the screenplay, should be regarded
as the film's sole
auteur: «This one has Wanda's fingerprints all over it.»
After all, he is now a true «
auteur», being
credited as the sole writer, producer and director of The Happening.
Resnais is also given a nice showcase via a lengthy, vintage Q&A session from 1961, where the camera stays on the director, and Resnais answers queries regarding his disuse of the possessive
credit («A Film By»), views on the
Auteur theory, his rather humbling self - classification
as a working editor, and his reply on the ever popular question by cinema tightwads, «Is Cinema dead?»
With only two films to his
credit — You Can Count on Me and Margaret — Kenneth Lonergan has already established himself
as one of the American cinema's truly inspired authors,
as well
as one of its strongest
auteurs.