«The end -
credit outtakes include a gag in which a doctor (Carla Gugino) reaches between the pregnant Biel's legs and produces two DVDs for Marshall's «Valentine's Day» — a delivery that's no more stillborn than the DOA «New Year's Eve.»»
The title, of course, no longer makes sense, and O.G. «horrible bosses» Kevin Spacey (whose disengagement is palpable long before it's revealed that he's reading his lines off a piece of paper in a closing -
credits outtake) and Jennifer Aniston have only an ornamental application in the narrative.
There's is NOTHING remotely authentic about any of the situations in «Fist Fight», which is one of the reasons why there isn't a single element of humor in the entire, mercifully short, 91 minutes (including the lame final
credits outtakes).
Not exact matches
A word to the wise, stay for the closing
credit sequence to see a droll photo collage of
outtake events from the lost hours of darkness.
Oddly, his funniest scene is an
outtake that shows up in the end
credits.
The run time is a short 82 minutes, although that itself is padded out with a 10 - minute end
credits sequence that is injected with several
outtakes and alternate scenes that didn't make the final cut.
Don't forget to stick around for the
credits, and you'll be richly rewarded with a few minutes of equally - entertaining
outtakes.
Scattered scenes produce laugh - out - loud moments, up to and including the ad - libbed
outtakes during the closing
credits (which frustratingly suggest an even better movie was possible if the actors had been given even more room to roam).
James Mangold (Logan) spoke passionately about avoiding clichés and «cheats» that so many films use today to grab audiences who weren't grabbed by the movie — like
outtakes and «bonus scenes» in the
credit crawl.
To Johnny English's
credit, it's a well - enough observed spoof to include vast numbers of plot holes and a car chase with English's Aston Martin dangling from a crane that feels sarcastically culled from
outtakes of previous Bond adventures.
This is another example of a movie where some of the funniest and genuine moments are left for the
outtakes during the
credits.
Even Piven, normally worth a few laughs in any of his roles, is sadly without virtue until the
outtakes shown during the end
credits.
The second attempt to reboot the franchise after New Police Story in 2004, Lockdown is mostly a humorless bore until the obligatory bloopers and
outtakes in the end
credits — and even those are drawing from a flat vein, since there's so little play in the movie.
Inside the sub-menu is an «
Outtakes» reel (5:43)(SD), the same one that was found in the end
credits a month into its theatrical run, when it was added to incentivize return trips to the theater.
The commercials for that one featured jokes which were actually
outtakes played during the movie's end
credits.
The Sweetest Thing is a movie so devoid of worthwhile content, however, that its advertising resorts to
outtakes featured during the end
credits.
Offering an anorexic 80 minutes of «entertainment,» the film extends its run time by showing bloopers and
outtakes during the end
credits.
Hang on for the
outtake bloopers over the
credits and you'll see Aniston momentarily unsure how to take a joke at her expense.
Like many kitchen - sink comedies that end with
outtakes in the closing
credits, you can tell by the fact that the scenes that didn't make the cut are similar to scenes that did, except with different dialogue and mannerisms, which further cements the notion that any script these actors read from was merely a blueprint.
The first item here is a reel of
Outtakes (5:25), which were added to Toy Story 2's end
credits a month into its theatrical run as a way of thanking / encouraging repeat viewings.
During
outtakes in closing
credits we see Jackie Chan attempting movie stunts that sometimes failed, leaving Chan in obvious physical pain.
During
outtakes in closing
credits man makes sexual comments toward another man.
However, without these scenes, Frostbite wouldn't even have reached an hour in length, as the film itself ends (quite mercifully, I think) around the 75 minute mark, only to tack on some not - too - funny
outtakes, slow - crawling closing
credits, and a deleted scene that was not funny enough to keep in the movie, and definitely not worth sticking around for at the end.
In addition, the DVD includes the
outtakes that were added to the film's end
credits a month after its theatrical release, and the very first sneak peek of Monsters, Inc...
But inAPPropriate Comedy is a barren, laughless wasteland, and the ugliness of its racial stereotypes and crude sexual humor makes it seem about twice as long as its 83 - minute running time (which is really more like 75 minutes padded out with
outtakes, bloopers, and an unusually long end -
credits sequence).
This unique production, created by film archivist and restoration guru Robert Gitt (who eschews a director
credit in favor of: «Rushes selected and presented by Robert Gitt in collaboration with Nancy Mysel»), is composed almost entirely of
outtakes and production footage from the film.
A reel of
Outtakes (3:35) expand upon the lengthy bloopers that feature in the 13 - minute end
credits.