He has few
credits as a composer in his own right - which would appear to be a great pity, if The 4 Musketeers is anything to go by.
Every participant who arranges and re-arranges the parts is
credited as a composer of the work.
In all cases, the lyrics and / or music is «eerily similar,» except that Jimmy Page is
credited as the composer.
Not exact matches
He was a last - minute addition to the movie at the insistence of Miramax's Harvey Weinstein, keen to add yet further to the movie's distinguished list of artistic and technical
credits by having a
composer as highly - regarded
as Horner.
Though also billed
as a commentator, French
composer Bruno Coulais talks alone for just four minutes over the end
credits.
Henze's original film output is relatively sparse, but fans of The Exorcist will no doubt recognize him
as the
composer of «Fantasia for Strings» - the stirring, harsh work that was excerpted by director William Friedkin in his effectively chilling pastiche score, and placed over the movie's final
credits.
There is an «IN MEMORY OF JAMES HORNER»
credit right at the end of the movie... it brought a lump to the throat
as the realization persisted that Cinema has lost one of its Greatest
Composers.
As the film draws towards its finale, so Howard finally really releases the shackles and allows the music to go full - pelt - «It's God» with a soaring trumpet theme; «The Final Climb» reprises a couple of earlier themes, Howard once again combining conflicting emotions with real class; and finally, a lovely end
credits piece which is very recognisably from this
composer, and one of the album's certain highlights.
Eno will receive an «Original music by...»
credit in the film, making it one of his rare outings
as a bona fide film soundtrack
composer.
Littered amongst the comic books are various props from various movies: a stunt Eye of Agamotto (the real one is with
composer Michael Giacchino), a model of an Orloni, the little alien Star - Lord uses
as a microphone in the Guardians of the Galaxy opening
credits, one of Captain America's real shields.
ThinkSpace Education's partner institution, the University of Chichester also has close links with the games community and the program liaison tutor Dr Stephen Baystead has a long list of
credits as a top game
composer (NEED FOR SPEED, PROJECT CARS and many more)
as well
as audio director at Slightly Mad Studios.
The most serious problem is writer / director Tom Gormican, whose only other
credit was
as a producer on Movie 43 and the
composer of a 2011 tweet expressing excitement at the prospect of attending Burning Man.
His
credits include games in the AAA console, indie, social, and mobile spaces
as an audio director, sound designer, and
composer.
Based in Seattle, WA, Akash has extensive experience in the game industry
as a
composer and sound designer, with
credits including Destiny, Hyper Light Drifter, and many more.
The music composition is
credited to Shiho Fujii, Atsuko Asahi, Ryo Nagamatsu, and Yasuaki Iwata, with longtime series
composer Kenta Nagata serving
as sound director with the music performed by the Mario Kart Band.
Designer Takashi Tezuka is
credited as «Ten Ten,» sound
composer Koji Kondo
as «Konchan,» programmer I. Marui
as «Marumaru.»
Most of the same staff, like primary art directors, some programmers, and
composer Tomoko Sasaki, would go on to develop NiGHTS... Into Dreams, which was published under the Sonic Team name (and thus
crediting the game
as such is not entirely inaccurate).
The only Uematsu track that remains is the Chocobo theme, and it's so thoroughly rearranged on this soundtrack that Uematsu isn't even
credited as the source
composer for the melody in the soundtrack's packaging.
Zig Gron,
composer of the sound track, is an experimental video artist who has also worked in Hollywood preparing temporary music tracks for films (including
credits as music editor on the all three of The Matrix films).