American actor Kevin Conway's first
credited screen role was as Weary in the 1971 Kurt Vonnegut derivation Slaughterhouse Five.
Not exact matches
On the small
screen, Hahn's
credits include a
role in the Golden Globe ® award winning original series TRANSPARENT created by Jill Soloway, and a guest - starring arc on PARKS AND RECREATION.
That same year, she made her
credited screen debut starring opposite Sammy Davis Jr. in the drama A Man Called Adam (her first uncredited film
role was in 1959's Odds Against Tomorrow).
After stage work, Freeman began taking bit
roles in major - studio features in 1948, seldom getting
screen credit but always making a positive impression.
The film features some of the earliest
screen appearances of Emmy - nominated sitcom veteran Ed O'Neill («Married... With Children», «Modern Family»), playing a mercenary reluctant to go on the mission, and a young Jim Broadbent, who is lowly
credited but instantly recognizable in a brief background
role.
Note that her pretentious accent aigu was superimposed over Renée Zellweger's first name for the cover - art
credits of this disc (she's plain old «Renee» on
screen), and that, so far as one can tell, Tobey Maguire's expunged
role continues to reside in a vault somewhere.
Remaining in the end
credits is Tracy Brooks Swope, but she doesn't appear on
screen; in fact there are no women's
roles other than bit parts.
The pop star's
screen credits to date include brief appearances on CSI, Never Say Never — a 2011 concert documentary that showed The Bieb shooting hoops with his buddies backstage — and a guest
role in the forthcoming Men in Black III, in which he will play an alien.
Stan will reprise the
role in the sequel Captain America: Civil War (2016) Other film
credits include Summit Entertainment's Gone with Amanda Seyfried, Darren Aranofsky's Black Swan with Natalie Portman and Mila Kunis, Rachel Getting Married with Anne Hathaway, Spread with Ashton Kutcher, Hot Tub Time Machine with John Cusack and Chevy Chase, director Fred Durst's The Education of Charlie Banks, The Architect with Anthony LaPaglia, Isabella Rossellini and Hayden Panettiere and
Screen Gem's The Covenant.
They surely enhanced Megan Fox, making her skin duskier, her lips a brighter red, her eyes more piercing blue and her teeth all but glow in the dark while roughing it in the Egyptian desert, apparently enhancing everything except her cleavage, which by virtue of its central supporting
role deserves its own
screen credit.
Much
credit for the success of the flick must go to Jamal Woolard who makes an impressive
screen debut in the title
role here.
Phoenix is on
screen in practically every scene, and I do give him
credit for staying with this
role for the entire time.
In the final
credits, Andy Serkis receives top billing for his performance as Caesar, a
role that continues to redefine
screen acting in the digital age.
While there's certainly some unintended camp value which makes No Orchids for Miss Blandish notable, its titular leading lady, played by the decidedly un-captivating Linden Travers (whose biggest
screen credit is Hitchcock's The Lady Vanishes, 1938), is perhaps the film's greatest misstep (even though she's interpreting the same
role she played in the material's previous stage play version).
On
screen, the term body double refers to a situation where another person stands in for a
credited actor or actress in the same
role.
Despite his firm position as a silver
screen icon, James Dean has a very short list of movie
credits: he starred in three movies and had walk - on minor
roles in three others.
Part 1: The
role of
credit checks in tenant
screening.