And stick around for what are hands down the best after
credits scene in movie history!
Not to mention, going back in time and killing the Wade Wilson from X-Men Origins: Wolverine, it's no wonder many are calling the mid-credits sequence in Deadpool 2 the «best after -
credits scene in movie history.»
Not exact matches
No recent
movie about The Troubles gives the audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the
credit going not only to Jack O'Connell, known to us mostly for his role as the rebellious prisoners
in «Starred Up» (never mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight
scenes, a series of breathless chases, and a sense of neighborhood that Demange found not
in present day Belfast but
in the English town of Sheffield.
Without fail, the dullest installment
in any superhero
movie franchise is the origin story, during which audiences anxiously awaiting The Big Bad Guy have to suffer through, yaaaawn,
scenes of childhood trauma, romantic tragedy, and other expository effluvia, by which point the closing
credits are fast approaching.
When he burst onto the
scene in 1994, it was the most improbable of rags - to - riches
movie narratives: bankrolling Clerks by selling his comic - book collection and running up thousands of dollars
in credit card debt.
If the Disney deal does go through, there may never be another R - rated comic book
movie like this, so take it
in, enjoy it, laugh, and make sure you stay until the end of the
credits, as there are post
credits scenes and an amazing song that is played at the very end.
Director Larry Charles may have had to cut some precious time from folks like Kevin Corrigan, Chris Parnell and J.B. Smoove (who does show up during the
credits in the blooper reel / extra
scenes bit) but it's to the benefit of the
movie, which gets
in and out
in the perfect amount of time (it should be noted B.J. Novak who was cast is nowhere to be seen; also, don't let anyone spoil the cameos for you).
Not a
movie so much as extended takes edited together (by no less than 3
credited editors) of improvised
scenes from previous characters
in another Judd Apatow
movie.
James Mangold (Logan) spoke passionately about avoiding clichés and «cheats» that so many films use today to grab audiences who weren't grabbed by the
movie — like outtakes and «bonus
scenes»
in the
credit crawl.
The only other
scene worth the film it's printed on is Colin Farrell at the supermarket, accosting the pharmacist (a snippet of which you can see
in the closing
credits of the
movie).
Some recognizable Lord - Miller touches survive
in the better bits of dialogue, particularly
in the
scenes with legacy characters (something the filmmakers, now
credited as executive producers, tried out via The Lego
Movie).
In case you missed the first five movies (and to show you how little the plot actually matters in these films), the opening credit scene summarizes them all in the span of one blaring pop son
In case you missed the first five
movies (and to show you how little the plot actually matters
in these films), the opening credit scene summarizes them all in the span of one blaring pop son
in these films), the opening
credit scene summarizes them all
in the span of one blaring pop son
in the span of one blaring pop song.
In this
scene from the
movie's opening
credits, Stanley...
Director Harold Daniels is no visual stylist and there's a slackness to many of the
scenes, but he comes to life
in a nighttime murder
scene that he transforms into a model of noir violence, an urban street fight
in the dark of the empty city picked out
in shards of light (
credit likely goes to cinematographer Nicholas Musuraca, RKO's crime
movie vet), and the screenplay co-written by Steve Fisher has a bite of irony
in its twists.
The film's cast includes the great Brad Dourif, who will once again voice the possessed doll Chucky, as well as some other returning characters, including Dourif's daughter Fiona, who is reprising her Curse role of Nica Pierce, and fellow franchise veterans Alex Vincent, who starred as Andy
in the first two Child's Play
movies and had a surprise cameo
in an after -
credits scene in Curse, and Jennifer Tilly, who voiced Chucky's soulmate Tiffany
in Bride of Chucky and Seed of Chucky and was also featured breifly
in Curse.
In this
scene from the
movie's opening
credits, Stanley Tucci and Dianne West are a robo - couple who make a baby — from a kit.
The clip above is an actual
scene from the
movie, which is a little different from what we're used to seeing
in the
credits of Marvel
movies.
The filmmaker has revealed that the
movie was going to close with T'Challa at the United Nations, but the decision was made to shift it to the
credits in order to focus on
scene of the kids playing basketball
in Oakland.
Tolerable while running, the
movie shrivels almost immediately following the end
credits, partly because Bier roots her story
in no plausible social reality outside Audrey's well - heeled suburbia, sketching an especially vague blueprint for drug rehabilitation (one early
scene finds Jerry inexplicably mopping the floor at a methadone clinic yet scorning methadone).
And hey, if you introduce the concept of time travel into a Deadpool
movie, what do you expect to happen
in the Deadpool 2 after
credits scene?
The next two end
credits scenes are meta high points
in a
movie that's all about being meta.
Wade Wilson told his fans
in the after -
credits scene of his solo
movie, last year's Deadpool, that a sequel is on the way.
Thankfully, there are more than enough examples of this kind of gory comedy to keep Deadpool 2 comfortably
in the successful column, right down to the closing
credits scenes that sit amongst the
movie's funniest moments.
Don't miss the extra
scene in the closing
credits... it's the lead
in to Avengers: Age of Ultron
movie coming
in 2015.
As the final Marvel
movie before the arrival of Avengers: Infinity War
in May, Black Panther brings some big expectations for its end -
credits scenes, with fans searching for a tease of what's next for the Marvel Cinematic Universe.
An extra
scene tacked onto the end of the
credit sequence neatly sets up the upcoming Marvel
movie The Avengers (just as this
movie was teased last summer
in the closing
credits of Iron Man 2).
There's a
scene in the post
credits stinger with LOUIE's current season - hijacker Sarah Baker where I thought, «That's your
movie!
The replication from page to screen is so complete that Rodriguez even gave Miller co-directing
credit for setting up the look and feel of the
scenes that were shot for the
movie, even though he didn't actually direct
in the traditional sense.
However, without these
scenes, Frostbite wouldn't even have reached an hour
in length, as the film itself ends (quite mercifully, I think) around the 75 minute mark, only to tack on some not - too - funny outtakes, slow - crawling closing
credits, and a deleted
scene that was not funny enough to keep
in the
movie, and definitely not worth sticking around for at the end.
His satirical - absurdist sensibilities are abundantly visible on You Don't Mess With The Zohan, where he's one of three
credited screenwriters, and gloriously glimpsed
in the «Dunkaccino»
scene of Jack And Jill, a bad
movie for which he is not a
credited screenwriter, but does receive a songwriting
credit on the fake Al Pacino - starring Dunkin' Donuts ad that is one of the
movie's few flashes of demented inspiration.
@lonesamurai1: probably not going to show up at all, marvel doesn't want to advertise characters for Fox which is why the entire Marvel roster is
movie characters (except Nova but I have a feeling he'll be
in the next after
credits scene)
Like all Berkeley musicals, the aesthetic split between the work of the
credited director,
in this case Lloyd Bacon, and the choreographer's takeover of the dance
scenes is so vast as make the film seem like two
movies stitched together.The final 20 minutes belong to Berkeley, who takes the blunt visual comedy and racy dialogue of the rest of the film and transforms it into visual poetry.
To its
credit, the
movie does a nice job of teasing us with the monster's appearance (more on that
in a moment), but one it hits New York, the
scenes with Godzilla are too few and far between.
Michael Shannon gives the
movie a jolt of menace as a suspicious cop with an Old Testament sense of justice, and Laura Linney, as Susan's monstrous high - society mama, leaves a mark even though she's only
in one
scene (her necklace alone, with glistening pearls the size of bowling balls, deserved its own screen
credit).
For example,
in the
movie there's a notable
scene where Jamie and Charles are dancing around
in joy at the thought of profiting once their
credit default swaps pay out.
Finally,
in keeping with the tradition of the Marvel
movies, is there a
scene after the
credits of «LEGO Marvel's Avengers» that hints at what the next «LEGO Marvel» game will be?