In each video, he performs a single ritualistic action in slow - motion sequences set to
a creepy synth score — a nod to Bava and his fellow Italian horror director Dario Argento.
This film is actually terrible — I mean, yeah — it is scary in the sense that its
creepy, but I think, really, the film is just the byproduct of global DVD residuals from the directors father — allowing Panatos to string together a series of overproduced, overgrained interior sequences, cheap
synth score and a slasher movie ending, and trying to pass it off as a «cult movie», when really we, the audience, need to know who, what or where the protagonist is coming from, what her dramatic need is, who she interacts with, and so on.