Not exact matches
In a neat piece of narrative structuring on Tanovic's
part, this David - and - Goliath story is told partially through the eyes of a
film crew making a documentary on Ayan's astonishing findings.
The
film doesn't pick sides for the most
part, showing respect for both
crews, and particularly both captains as they try to predict each other's moves.
The attempts at humour make me cringe and the whole vacation
part of the
film just seems like an excuse for the actors and
crew to go on vacation.
The plan is to make the six Americans pose as
part of the
film crew.
«Phil Lord and Christopher Miller are talented filmmakers who have assembled an incredible cast and
crew, but it's become clear that we had different creative visions on this
film, and we've decided to
part ways,» Lucasfilm President Kathleen Kennedy said in June 2017.
Part 1 (18 minutes), deals with the origins of the script and how Weir and his
crew molded it into the
film we have today.
«Phil Lord and Christopher Miller are talented
film - makers who have assembled an incredible cast and
crew, but it's become clear that we had different creative visions on this
film, and we've decided to
part ways,» Kennedy said.
A large
part of the
crew that worked on Woody Allen's latest
film, Café Society, is returning for another round.
Parts of Roma are a straight up documentary on the transit system or behind the scenes with Fellini's very
film crew.
A big
part of the problem is that director Baltasar Kormakur vastly overcomplicates the
film's simplistic setup by making the actual heist so unnecessarily complex that not even Danny Ocean and his
crew could pull it off.
Acknowledging that his own left - wing political agenda informed
part of the
film's narrative, Liman, whose father was an interrogator in the Iran - Contra trial, praises the perqs of studio filmmaking (while toning down the anti-Universal sentiments he expressed to the media last year), illustrates the importance of directing a French
crew in their native tongue, laughs at how coveted the «f» word was by the actors (the
film was allowed only one because of the PG - 13 rating), and so on.
To recap, the
crew was
filming a scene where two cowboys fight in front of a 1900's era church in rural Montana as
part of a promotional trailer for an upcoming title that they could not name.
The
film will be made as
part of the unscripted series Rebel Without a
Crew.
Blu - ray Highlight: Although it's appeared on previous editions, «The Art of the Sting» is an excellent three -
part retrospective that features interviews with Robert Redford, Paul Newman and other cast and
crew as they reflect back on making the
film, including the choice to use ragtime music for the score, cast chemistry and anecdotes from the set.
The
film, directed by Josh Trank, stars Kate Mara and Miles Teller as
part of a
crew of young outsiders who teleport to an alternate and dangerous universe which alters their physical form in shocking ways.
Aware of this conundrum, the screenplay uses the scenario for two key decisions on the
part of its leads: Kirk decides to break the central rule of Starfleet to save a member of his
crew, and while surrounded by lava and waiting for the timer on the device to hit zero (The
film uses a ticking clock a few times and to surprisingly successful effect), Spock kneels, outstretches his arms, and calmly accepts his fate.
I suppose the old Jimmy Stewart
film would never have shown the passengers working on the plane while shaking their asses to Outkast's «Hey Ya», or can claim to have the hip quotient of a Tyrese (2 Fast 2 Furious) or Sticky Fingaz (Lift) as
part of the
crew, but does anyone think these facets are worthy enough elements to make a whole new movie out of?
Although this isn't Hollywood's first attempt to turn a historically black superhero into the main event, headlining their own tentpole
film — consider Wesley Snipes run as the vampire - hunter Blade, Halle Berry's turn as Catwoman, Will Smith's alcoholic anti-hero Hancock or even Shaquille O'Neal's turn as Steel — this feels like a first in
part because of how much effort has been poured into its making and, more importantly, how readily it embraces its fundamental blackness, from its colorful African settings to its tribally - influenced makeup, hairstyle, and costumes to its predominately black cast and
crew, a verifiable assemblage of talent that'll turn even the most skeptical of heads.
But the first two - thirds of the 165 - minute
film are as good as anything its cast and
crew have ever taken
part in, quite a feat considering their respective filmographies.
The trailer also introduces such new team members as Bedlam (Terry
Crews) and non-superpowered newcomer Peter W. (Rob Delaney), a curious, mild - mannered beekeeper whom the Deadpool
film Twitter account is now following as
part of its social - media rollout (only the second account it follows after @HelloKitty).
The fact that the Star Trek
film series is now diverging into two paths is an interesting move on Paramount's
part, but if you've been enjoying the adventures of the alternate Enterprise
crew, you can now look forward to them starring in at least one more tale.
The
crew filmed for five weeks in 2012, mainly in a black sands area in the southern
part of the country near Reykjavik.
The whole
crew is back, and acquit themselves well for the most
part — Karl Urban is as crotchety as ever as Bones, Simon Pegg gets more to do in Scotty's expanded role, Zoe Saldana manages to kick ass as Uhura (despite the unfortunate need to make much of her role in the
film about her lover's quarrel with Spock), and so on.
Little has been revealed about Thandie's character, but from the
film's trailer it's clear that she's
part of the
crew that works alongside young Han Solo (Alden Ehrenreich) as he takes on the criminal underworld.
«Haunted Hospital: On Location» — Cast and
crew discuss what it's like to
film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the
film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress: On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences
filming «Insidious: Spectral Sightings» 3 -
Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effects
However, Eric Tsang, one of the key figures in Hong Kong cinema for the past 40 years, where he has served as director (Aces Go Places), writer (Tsui Hark's All the Wrong Clues (for the Right Solution), producer (Drunken Master II, Golden Chicken, After this Our Exile) and actor both comic (as
part of Sammo Hung's Lucky Stars
crew) and dramatic (as Maggie Cheung's husband in Comrades, Almost a Love Story), brings a lived - in reality to the
film that compensates for much of its contrivance.
Regarding Lord and Miller's departure from the project, Lucasfilm president Kathleen Kennedy had said, «Phil Lord and Christopher Miller are talented filmmakers who have assembled an incredible cast and
crew, but it's become clear that we had different creative visions on this
film, and we've decided to
part ways.
It looks at Eric Lomax's experience as a
part of World War II at large and devotes plenty of time to promoting the
film with clips, behind - the - scenes, and comments from the cast,
crew, and the real Eric and Patti Lomax.
First seen before the broadcast of Nation as a
part of NT Live, this
film features interviews with author Terry Pratchett, director Melly Stills and members of the cast and
crew.
Licking his ego - wounds after being suspended from the FBI, Finn wants no
part in playing bodyguard to the sinfully sensuous soap opera diva Julia Summers while the
crew of the movie River Road
films in the remote Cajun crossroads.
He made up his mind on the spot to return with a
film crew and the small villages of Savoca and Forza d'agro became
part of Hollywood history.
For the first
part of the press trip, my
film crew and I stayed at Wailea Beach Villas (Destination Resorts).
While earlier visitors had witnessed the autopsy of a curator made of cake as
part of Ash Çavu?o?lu's Murder in Three Acts, when I was there, the space just resembled a
film set with actors and
crew standing around.
Segments of the artist's ongoing video project, The Happy
Film, were on view in the gallery space, and Sagmeister brought in a
film crew to document the ICA exhibition, making it an integral
part of an even larger process and enhancing its longer - term impact.
Last summer I was honored to have a Japanese
film crew (and my friend, Gabriel Craft of Small and Tiny Home Ideas) over to my tiny house for a video interview as
part of the forthcoming SIMPLIFE Tiny House Documentary.
There is an edited 15 minute 16 mm colour
film recording taken by
crew members that shows the conditions over
parts of the time the vessel was on the surface at the pole in 1959, including activities to melt the ice on and about the submarine and showing
part of the Wilkins service.
The plaintiff was not
part of the
film crew or an extra but said he and other pedestrians were allowed to walk across the set one day after shooting.
As
part of his entertainment practice, Seth advises
film, television and web production companies, cast,
crew, talent, recording artists, producers, songwriters, artists and authors in connection with a wide array of media and entertainment industry matters.
Star Wars: The Last Jedi is one of the most monstrously divisive sci - fi
films in recent memory, thanks in no small
part to the forward - thinking actions of Rian Johnson and
crew.
To recap, the
crew was
filming a scene where two cowboys fight in front of a 1900's era church in rural Montana as
part of a promotional trailer for an upcoming title that they could not name.
If you have more exotic career aspiration with your media and entertainment cover letter, then look to become a senior photographer or
part of a real
film crew.