The way
the crew gets into this film's main plot is a bit odd and unnecessarily lengthy.
Not exact matches
Unlike other festivals that screen
films in the hopes of
getting a bigger distribution deal, Ellison's
crew plans to use social media and other tech to turn these
films into year round events, it says.
If you look at the start of the
film carefully, when the
crew is first
getting into the alien mothership, you can see what look like pockmarks on a wall from zap gun fire, I think.
No Escape — This was very cool; the cast and
crew talk about the aesthetic of the
film (the way it's largely swallowed in darkness) and director Fede Alvarez
gets into one of his favorite scenes to shoot, which was the fight in the basement that he shot in black and white.
Screenwriters John Logan (Skyfall, Spectre, Penny Dreadful) and Dante Harper attempt to make sense of it by playing on the
crew's fear of
getting back
into their cryosleep pods after what happened to the captain, but it still requires a significant suspension of disbelief that the
film doesn't earn.
The
crew of semi-anonymous British TV veterans behind the Crackle series Snatch have stumbled
into the kind of job that
gets pawned off on patsies and chumps: turn the Guy Ritchie movie of the same title
into a crime series with the approximate production value of a Guy Ritchie - influenced student
film.