I first saw this gritty
crime flick back when I was a mere lad in the 1970s — its original title in Europe (where I was living at the time) was The Marseille Contract, so are we to assume its name was changed stateside to The Destructors to avoid confusion with The French Connection?
Not exact matches
The Canadian Moyle, whose inauspicious directorial debut was the 1977 tax - shelter
crime flick The Rubber Gun, discovered teenagers three years later with his oddity of a second film Times Square and has rarely looked
back since.
In equal parts an intense
crime drama and a goofy surrealist comedy, this
flick slowly draws you in with its densely layered screenplay and unbelievably charismatic cast, only to build up to a finale so ridiculous and over-the-top, the only thing you can do is sit
back and stare in awe.