Sentences with phrase «crime scene images»

Not exact matches

He added that the author's comments were «dismissive of children being harmed», saying it was «naivety at best and, at worst, a dismissal of understanding that when we talk about indecent images of children, we're talking about a crime scene where children have been abused.»

Under this program, all new handguns sold in the state must be test fired and the shell casing imaged and entered into an electronic databank for possible crime scene identification.

Basically, an investigator sits in a dark room wading through thousands of images of soles, hunting for similarities between, say, the bloody shoe prints photographed from one crime scene and those from another.

Best known for his role as Warrick Brown, the detective with a marked predilection for risk (and an ongoing gambling addiction), on CBS's blockbuster series CSI: Crime Scene Investigation, the easygoing, congenial, and memorably handsome African - American actor Gary Dourdan has built his life and his public image around uniqueness and originality.

Rated R For: strong violence, a rape, disturbing images, and language Runtime: 107 minutes Genre: Action, Crime, Mystery After Credits Scene: No Starring: Jeremy Renner, Elizabeth Olsen, Graham Greene, Eric Lange, Julia Jones Directed By: Taylor Sheridan

Bluefin has released a batch of promotional images for Blitzway's upcoming 1 / 4th scale Catherine Tramell collectible statue which is based on the likeness of Sharon Stone as the femme fatale in the famous interrogation scene from Paul Verhoeven «s 1992 crime thriller Basic Instinct.

By Alexander Russo There are graphic images of dead and injured students and teachers from the Marjory Stoneman Douglas high school shooting out there — gruesome crime scene photographs and disturbing images captured by -LSB-...]

Some of the crime scenes are incredibly visual, gory and disturbing as well — even though they are only images, they still shocked me in some places!

Multiple parts will have you surveying a crime scene, looking for evidence, connecting the pieces together and drawing a vivid image of what happened, who done it and where to go to get the justice that Gotham deserves!

The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL Face & Figure: Contemporary Art, Museum of Fine Arts, Boston, MA Rrose is a Rrose is a Rrose: Gender Performance in Photography, The Solomon R. Guggenheim Museum, New York, NY (catalogue), Traveled to The Andy Warhol Museum, Pittsburgh, PA Scene of the Crime, Hammer Museum, Los Angeles, CA Selections from the Audrey & Sydney Irmas Collection of Photographic Self Portraits: 1940 - 96, Los Angeles County Museum of Art, Los Angeles, CA This End Up: Selections from the collection of Robert J. Shiffler, Cleveland Center for Contemporary Art, Cleveland, OH

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

In two complimentary paintings entitled «Hello» and «Goodbye», Andersson uses a found image of the interior of a burgled clock shop, taken from a photograph of the crime scene.

The series draws on contemporary documentary practices to reflect the bewildering atmosphere of the region, using pictures of foreboding landscapes and festivities, alongside images of locals uncovering crime scenes, and found material selected from different sources.

A bottle of water abandoned on a bathroom sink and a closet door left open appear to be clues to a crime (or at least a bigger story waiting to unfold), while the artist's placement of the image on the canvas, with strips of gray dissecting the scenes, positions his paintings in a more conceptual realm of art where we are reminded that we're looking at images rather than an actual scene.

For example, he chose an image of the empty frame in the crime scene, rather than an image of a security guard bound and gagged in the basement with duct tape around his head.

The images in this series are taken from crime scenes and altered into something beautiful.

They should also have strong photographic memory, and mostly those artists who draw for crimes scenes and courtroom scenarios, and hand, fingers, wrist dexterity, a good attention to details in order to come up with an image that best represents the particular object.