Sentences with phrase «critical cultural production»

There is an entire field of creative and critical cultural production that is deemed «postcolonial».

Not exact matches

They hold media industries accountable for what they produce and distribute, and propose critical analysis of the cultural, social, political and economic influences on media messages, the development of creative production centers that create community, and taking personal and public action to challenge government and industry abuses.

Trap Door: Trans Cultural Production and the Politics of Visibility (Critical Anthologies in Art and Culture)

Director of Critical Studies and MA / PhD programs in UCLA's Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production.

She continues: «Critical theories about cultural production, about aesthetics, continue to confine and restrict black artists, and passive withdrawal from a discussion of aesthetics is a useless response -LSB-...] Black artists concerned with producing work that embodies and reflects a liberatory politic know that an important part of any decolonization process is critical intervention and interrogation of existing repressive and dominating structuresCritical theories about cultural production, about aesthetics, continue to confine and restrict black artists, and passive withdrawal from a discussion of aesthetics is a useless response -LSB-...] Black artists concerned with producing work that embodies and reflects a liberatory politic know that an important part of any decolonization process is critical intervention and interrogation of existing repressive and dominating structurescritical intervention and interrogation of existing repressive and dominating structures.»

Located in the historic Old Market district, Bemis Center serves a critical role in the presentation and understanding of contemporary art, bridging the community of Omaha to a global discourse surrounding cultural production today.

This panel will reflect on critical issues in urban development with regard to contemporary cultural production.

Cannonball is a non-profit, 501 (c)(3), arts organization dedicated to supporting artists, innovative forms of cultural production, and education to advance critical discourse and understanding of contemporary art practice.

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

Established and directed by Illya Haro in 2012, Laboratory supports artistic and cultural projects that inspire critical dialogue relating to the production of contemporary art.

First staged in 2005, BLT's primary aim is the production of discursive sites, wherein cultural producers engage in dialogue on a variety of critical issues.

Each ACAW edition provides a concentrated, critical examination and contextualization of the ever - expanding discourses and cultural production coming out of Asia through collaborative initiatives and curated programs.

I read this as an undergraduate with particular relationship to Chicana / o studies, but it remains critical to me for offering a meaningful way to understand the inextricably related nature of cultural production, power and context, something so often elided when we begin to stratify high art and popular culture.

Bringing a poetic yet critical sensibility to the international stage, her work revolves around subjects such as the global economy, commerce and transportation often based on the classic gesture of the ready - made that is uncovering how collective memory and sociopolitical imperatives can define cultural production.»

Deconstructing and rearranging recognizable historical narratives throughout this installation, Bosmans takes a critical survey of larger holistic patterns and idiosyncratic cultural connections that reinforce power, production, and knowledge.