Piri Halasz, From the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call
of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror
Eye» documentary video 2005 Allen M. Jones «The Prescience
of a Cranky
Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton
Critic» L.A. Times 2004 Donald Kuspit, «A
Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton
Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a
critical eye», Clement Greenberg, a
critic's collection, Princeton
critic's collection, Princeton Univ..
In the»70s, photographer (and videographer, and rigorous cultural
critic, and possible genius) Martha Rosler brought a
critical eye, politically and philosophically, to the medium's seductive pretenses
of objectivity.