Subtitled Line of Demarcation, the show is presented as a body of work that explores what a catalogue entry by Giulio Carlo Argan on a 1967 exhibition by the artist called: «
the critical point of passage from the state of the object to the state of the image and the contrary.»
Not exact matches
Consequently one feels less inclined to reject as unscientific the idea that the
critical point of planetary reflective consciousness which is the result
of the forming
of humanity into an organized society, far from being a mere spark in the darkness, corresponds on the contrary to our
passage (by a movement
of reversal or dematerialization) to another face
of the universe: not an ending
of the ultra-human but its arrival at something trans - human at the very heart
of reality.
In consequence one is the less disposed to reject as unscientific the idea that the
critical point of planetary Reflection, the fruit
of socialization, far from being a mere spark in the darkness, represents our
passage, by Translation or dematerialization, to another sphere
of the Universe: not an ending
of the ultra-human but its accession to some sort
of trans - humanity at the ultimate heart
of things.
I always look deeply into the contexts (historical, cultural, grammatical,
critical, etc)
of every
passage I study, and the context
of Luke 17 is pretty clearly
pointing in a homosexual direction.
The
critical point of planetary Reflection, the fruit
of socialization, far from being a mere spark in the darkness, represents our
passage, by Translation or dematerialization, to another sphere
of the Universe — not an ending
of the ultra-human but its accession to some sort
of trans - humanity at the ultimate heart
of things.