Much like its loveable CGI star, Paddington 2 has proved to be that rarest of creatures, a sequel that surpasses the original, and now it's replicating
the critical success at the box office.
Not exact matches
Even with the potential for major flops, Hollywood's movie franchise model is here to stay, but history shows us that the studios that aim for
critical success with their sequels tend to land more hits
at the
box office.
This Disney animation about a city where animals have assumed all the human roles was both a
critical hit and a monster
success at the
box office.
Whether you're looking
at contemporary cinema or the classics, the Tomatometer can serve as shorthand for a film's
critical reception, if not its
box office success.
Blame its proximity to the similarly themed Olympus Has Fallen (which, on the whole, received similar
critical reaction but comparatively more
box office success) if you will, but having watched and enjoyed the heck out of the film last night I believe
at least some of the blame lies
at the feet of Sony's marketing.
At the pinnacle of Buster Keaton's renowned career, the film didn't receive
critical or
box -
office success when released, but it has aged tremendously.
Critical approval is often not necessary for
box office success, and despite dreadful reviews the sequel to the 2015 comedy debuted
at No. 2 with $ 30 million, edging out the star - studded murder mystery, which placed third with $ 28.2 million.
Upon its release in July, «Mr. Holmes» found
success as a rare independent film that went up against the summer blockbusters and not only found
critical acclaim, but also performed exceedingly well
at the
box office.
That movie was a
success by pretty much any available metric:
box office (an eye - popping $ 980 million worldwide),
critical appraisal (89 percent approval on Rotten Tomatoes), and the countless millions of American children (two of whom reside in my house) who spent weeks singing the movie's anthem, «Let It Go» — a likely shoo - in for Best Song — from the moment they got up in the morning to the moment they were asleep
at night.
As Logan continues to ride the wave of
critical and commercial
success (it has now passed the $ 500 million mark
at the worldwide
box office), director James Mangold had some brutally honest choice words for the less refreshing and not so ambitious tentpole releases.
A huge
success at the
box office (read our review), earning more than big - budget tentpoles Tomorrowland and Terminator Genisys, it was also Apatow's biggest
critical hit since Knocked Up.
She wrote, directed and starred in three feature films, Sudden Manhattan, I'll Take You There and Waitress, which premiered
at the 2007 Sundance Film Festival, was purchased hours later by Fox Searchlight Films, and went on to
critical acclaim and
box -
office success.