Sentences with phrase «critical than my reviews»

This series is far less critical than my reviews or even standard opinion pieces.

Not exact matches

Rather than disclosing the full extent of problems like fraudulent home appraisals and overextended borrowers, the bank adjusted the critical reviews, according to documents filed early Tuesday in federal court in Manhattan.

The project not only broadened the world's horizons on water with more than 750 peer reviewed studies and 120 graduate theses, but provided hard data on the impact of industrial activities on the world's most critical resource.

As John Cobb correctly noted in his review of the book, my aim in that book was to correct the many misinterpretations of Hartshorne that I had come across in my research, rather than to provide a critical discussion (MTh.

A forensic assessment of the filmed recordings by father and son team (Hypothetical Premier League) of every match played in the Premiership and the critical decisions made by referees shows that Arsenal would have finished top of the League (2 points more than they got) and Leicester should have been 2nd (9 points less than they got)-- if the use of video evidence had been used to review important decisions.

As Gov. Andrew Cuomo wrestles with whether or not to allow hydraulic fracturing in the state, a Queens councilman has lauded him for refusing to buckle to pressure and allowing a critical deadline to pass rather than speed up a review of the controversial drilling method's potential impact on public health.

For more than 45 years, SB&F (Science Books & Films), AAAS's online internationally - recognized critical review journal, has evaluated nearly 1,000 print and non-print science materials annually to find the best materials available for all audiences from kindergarteners to college students, parents, teachers, and librarians.

«Our critical review on the limited existing treatment mechanism studies,» explained co-author Dr. Jessica Black, «found that «common» processes, such as positive social support, rather than a particular treatment modality, account for positive adolescent substance use outcomes.»

A systematic review of studies from 2011 - 2016 led by Katherine Courtright, MD, MS, an instructor of Medicine in the division of Pulmonary, Allergy, and Critical Care and the Palliative and Advanced Illness Research (PAIR) Center at Penn, found that among more than 795,000 Americans who were part of 150 different studies, 63 percent had not completed any advance directive.

Just days before the mediators released their critical, detailed report, the commission issued its own review (by a secret panel known only to the commission and the HBP) that remained much less explicit than the mediators on governance problems but nonetheless mandated changes at the HBP.

In a 2014 meta analysis of more than 1,700 studies from the past decade, researchers writing in Critical Reviews in Biotechnology didn't find any dangers connected to GM crops.

British theatre actress Andrea Riseborough, who plays Riggan's co-star also avoids critical reviews «because [she finds] them debilitating, not because [she doesn't] respect them» Riseborough added that there's a certain element of fear when it comes to actors encountering critics, rather than hostility, especially in the world of theatre.

Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.

God of War PS4 reviews have been out for a few days now and the critical reception is more than amazing for this new gameplay reboot of Kratos.

Programmers» capsule descriptions tend to be more promotional than critical, and the same is often true of the few reviews by Anglo - American critics, some of whom have industry links.

«I think there was a little bit of extra critical hate towards it because it's changing the landscape of the movie business,» he said, «but I think «Bright» is maybe a movie that needs to be reviewed by public opinion rather than viewed through the highbrow prism of film criticism.»

Genisys may not be a smash hit or a critical darling (early reviews are even worse than they were on 2009's ill - received Terminator Salvation), but for a 31 - year - old franchise of modest origin to still be spawning serviceable pieces of entertainment is no minor achievement.

Average score: 80.6 Total value: $ 73.58 Skinny: Limbo, and a Stealth 2 that reviewed far better on Vita than consoles, helped August to the best critical month on offer from PS Plus.

A huge success at the box office (read our review), earning more than big - budget tentpoles Tomorrowland and Terminator Genisys, it was also Apatow's biggest critical hit since Knocked Up.

I never thought I'd see the day when Slant Magazine would be the one critical outlet reviewing a film on artistic rather than (knee - jerk) political merit.

Value - added assessment has been subjected to more independent and critical review than these institutionally accepted alternatives.

Of these earlier reviews, I found the second NYT review (by Knee) to be the most interesting, taking a business - oriented view of what happened that's no less critical of the process and the outcomes than anyone else.

That role is more critical than ever as the federal government reviews state ESSA plans to ensure states take responsibility for the future of our children.

The reviews are rolling in for the book I had the privileged editing, More Than a Score: The New Uprising Against High Stakes Testing, from the most prestigious book industry trade journals and progressive news outlets, and I am simply overwhelmed by the early critical acclaim — because what starts as a book club discussion, can end in an education revolution to reclaim assessment from the «testocracy.»

Reviewing the prerequisites for a variety of post-secondary courses, the authors find that academic content requirements vary much more than cross-disciplinary skills, such as critical thinking, time management, and goal - setting.

So rather than give Bridgeport's students the opportunity to review and prepare for the tests that actually matter (the exams that translate into grades), Bridgeport's corporate school leadership will be eliminating that critical instructional time so that students can take a standardized test similar to the one they took only ninety days ago.

Amazon reviews have proved to be critical for people looking to buy a product and have come to trust Amazon more than any other website.

That's an important and healthy dose of realism to remember if you're struggling with a less - than - stellar, especially if it's the first overtly critical review you've gotten.

Now the self - publishing world has exploded, and the dilemma self publishers face in obtaining credible, critical reviews has only worsened, while the need is greater than ever: with so many unvetted books out there, how will authors convince readers that their particular title is worthy of attention?

That is why you should avoid making mistakes that might annoy them, resulting in your book not getting reviewed or your book getting a critical review that might do more harm than good.

It's ironic, it's books we love that make us want to write a review, but figuring out what to say about them is often harder than reviewing a book we are critical of.

The first crossover between the Marvel Universe - proper and the Ultimate Universe was both a sales and critical hit, with each issue of the mini garnering no less than 4.5 stars from the CBR Reviews staff.

The RECOVER guidelines were produced through a series of systematic reviews conducted by more than 100 specialists in the field of emergency and critical care and allied specialties.

Rather than a traditional literature review, it's a critical analysis of the most commonly cited and t...

God of War PS4 reviews have been out for a few days now and the critical reception is more than amazing for this new gameplay reboot of Kratos.

Meanwhile, the vast majority of negative reviews appear to be genuinely critical of various aspects of the game or are random drive - by shitposts that have no ulterior motive other than to kick the wasp's nest.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

In his reviews and essays, Judd discussed in detail the work of more than 500 artists showing in New York in the early and mid-1960s, and provided a critical account of this significant era of art in America.

In his reviews and essays, Judd discussed in detail the work of more than 500 artists showing in New York in the early and mid-1960s, and provided a critical account of this significant era of art in America while addressing the social and political ramifications of art production.

PUBLICATIONS NURTUREart has produced more than 30 publications including exhibition catalogs, full - season exhibition reviews, and critical dialogues in contemporary art.

NURTUREart has produced more than 30 publications including exhibition catalogs, full - season exhibition reviews, and critical dialogues in contemporary art.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Retracing more than three decades of one of the world's most important contemporary art foundations through archival photographs, press clippings, critical reviews, correspondence and unabashed conversations with many main protagonists — Maurizio Cattelan, Jeffrey Deitch, Urs Fischer, Massimiliano Gioni and Jeff Koons, among others — this more than 850 - page book walks the reader through not only the extraordinary, artist - centric work, but also through the recent and entertaining history of contemporary art itself.

Even in reviewing past masters, he glorifies the ease of their achievements rather than risk a more patient critical explanations might diminish the magic.

Mr. Salle's essays are occasionally critical — in reviewing Frank Stella's recent show at the Whitney, for example, he says the artist's paintings of the last decade generally «leave us with a feeling of an awful lot of energy being expended to no particular end, of being more trouble than they're worth.»

In his reviews and essays, he discussed in detail the work of more than 500 artists showing in New York in the early and mid-1960s, providing a critical account of this significant era of art in America.

I felt bad after I posted mine because Im dissing another artists work, who has more than enough pedigree, talent and authenticity.Im just personally not interested in the rescuing sludge, yellow ochre that seems endlessly deep etc. [alan davie review abstract critical].

I don't know about all of you, but I do find that the uncertainty around e.g. the various issues related to ocean heat content or issues regarding connecting the Argo float network to other data networks is SO much better covered in Judith's bizarre and uniquely repetitive mischaracterizations of other scientists» comments, than by the published science and its critical review.

We are very pleased that, more than two years after the first article in Psychological Science became available, a critical commentary on our work was submitted for peer review.

This is a critical element of the draft environmental review because while State determined that tar sands is dirtier than conventional oil, it concludes that Keystone XL would have little impact on the expansion of tar sands and therefore policymakers and the public needn't consider the impacts of that expansion.