Sentences with phrase «criticism as art critic»

I have written about art for a number of years, specializing in first - person art criticism as art critic for the Village Voice, then in the Soho News.

Not exact matches

When I came to movies as an adult critic, I tried to write religious film criticism, in the sense that I saw art in religious terms.

2 X 50 Years ends with a moving tribute to French film criticism — using that term broadly enough to include precursors as well as poets, art critics, and filmmaker - theorists — by furnishing us with a honor roll of 15 individuals, from Denis Diderot to Serge Daney, each of whom is accorded a portrait, a page of text, and an offscreen recitation of a brief passage read by Mieville or Godard.

As many of the best critics have stressed, film criticism's function is to resist becoming part of the machine for promoting films at either the mass market or indie / art film level, repeating the press notes and feeding the hype.

His book, Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth (PRH / Penguin; Recorded Books; OverDrive Sample), addresses criticism itself as well as the process of being Criticism: How to Think About Art, Pleasure, Beauty, and Truth (PRH / Penguin; Recorded Books; OverDrive Sample), addresses criticism itself as well as the process of being criticism itself as well as the process of being a critic.

Kuspit is one of America's most distinguished art critics with many accolades such as the Frank Jewett Mather Award for Distinction in Art Criticism in 1983, the Tenth Annual Award for Excellence in the Arts from the Newington - Cropsey Foundation in 2008 and in 2014 he was the first recipient of the Gabarron Foundation Award for Cultural Thougart critics with many accolades such as the Frank Jewett Mather Award for Distinction in Art Criticism in 1983, the Tenth Annual Award for Excellence in the Arts from the Newington - Cropsey Foundation in 2008 and in 2014 he was the first recipient of the Gabarron Foundation Award for Cultural ThougArt Criticism in 1983, the Tenth Annual Award for Excellence in the Arts from the Newington - Cropsey Foundation in 2008 and in 2014 he was the first recipient of the Gabarron Foundation Award for Cultural Thought.

Schwabsky, art critic for The Nation and an editor for international reviews at Artforum, is a practitioner of what curator James Meyer describes as «a criticism of varied interests and passionate opinions.»

Using Still's storied relationship with critics as a point of departure, Smith and Saltz will explore the realm of art criticism today, sharing insights about their work, process, and criticality in looking at art.

Twice winner of the College Art Association award for distinguished art criticism, Rose has been a contributing editor to Art International, Artforum, Arts, and Art in America as well as an art critic for New York MagaziArt Association award for distinguished art criticism, Rose has been a contributing editor to Art International, Artforum, Arts, and Art in America as well as an art critic for New York Magaziart criticism, Rose has been a contributing editor to Art International, Artforum, Arts, and Art in America as well as an art critic for New York MagaziArt International, Artforum, Arts, and Art in America as well as an art critic for New York MagaziArt in America as well as an art critic for New York Magaziart critic for New York Magazine.

His best criticism was collected in The Changing Forms of Art; long out of print when the Tate published another collection, Painter As Critic, to make available again some of the most perceptive and trenchant English criticisms of 20th century modernism.

Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture.

Jerry Saltz, who has served as the senior art critic for New York magazine since 2006, has been named the 2018 winner of the Pulitzer Prize for Criticism «for a robust body of work that conveyed a canny and often daring perspective on visual art in America, encompassing the personal, the political, the pure and the profane.»

Twice winner of the College Art Association award for distinguished Art Criticism, Rose has been a contributing editor to Art International, Artforum, Arts, and Art in America as well as an art critic for New York MagaziArt Association award for distinguished Art Criticism, Rose has been a contributing editor to Art International, Artforum, Arts, and Art in America as well as an art critic for New York MagaziArt Criticism, Rose has been a contributing editor to Art International, Artforum, Arts, and Art in America as well as an art critic for New York MagaziArt International, Artforum, Arts, and Art in America as well as an art critic for New York MagaziArt in America as well as an art critic for New York Magaziart critic for New York Magazine.

Peter Plagens is best known to the general public for his work as Senior Writer and staff art critic at Newsweek (1989 — 2003), for which he continues to write occasional art criticism as Contributing Editor.

This, then, constitutes perhaps my oldest criticism in and of art, the juvenile consideration that marks my very beginnings as an art critic: why not make it lighter?

Kramer fought against leftwing political bias in art criticism, and what he perceived as the aesthetic nihilism characteristic of many 20th century working artists and art critics.

Last September, I was invited as guest art critic to give an update on the status of art criticism in the digital age to the Art Student's League of Denvart critic to give an update on the status of art criticism in the digital age to the Art Student's League of Denvart criticism in the digital age to the Art Student's League of DenvArt Student's League of Denver.

Among his many honors he has received a Penny McCall Foundation Grant for painting, a Norton Family Foundation Curator Grant, and honorary doctorates from the School of the Art Institute of Chicago and the Maine College of Art, as well as awards from the American Chapter of the International Association of Art Critics, a special AICA award for Distinguished Contribution to the Field of Art Criticism, an ICI Agnes Gund Curatorial Award, and the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History from the Smithsonian Institution's Archives of American Art.

Writer and critic Brian Droitcour presents «Vernacular Criticism,» a talk that looks to writing about art outside the established channels of professional media as a potential source of ideas...