Another interpretation of this choice revolves around
the criticism of contemporary architecture and its eccentric, over-designed, pretentious facades and expensive, exotic materials.
Not exact matches
And the Pulitzer Goes To... — Phillip Kennicott, the Washington Post journalist who pens the paper's column on art and
architecture, has been awarded this year's Pulitzer award for
criticism based on his articles on the Kevin Roche exhibition at the National Building Museum, photography at the Corocoran Gallery, and representations
of the first family in
contemporary images, stating that he was «especially happy to win at a time when arts
criticism is not doing well.»
The key subject
of the course is the Exhibition as Communicative Space and will include: discussions about
criticism and analysis
of comprehensive phenomenon
of how
contemporary art, design,
architecture, sound and performance, and publications as dominant art forms
of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems
of value judgment on today's market - led cultural phenomenon and cultural movement, and the role
of curator as a cultural translator and mediator between the two; and exploration
of alternatives for ecological health
of increasingly globalized art and culture.
The full program will feature Hans Ulrich Obrist in conversation with Hairy Who Artists; Diego Perrone, Eugenio Re Rebaudengo, Letizia Ragaglia and Ilaria Bonacossa on
contemporary art in Italy; Matthieu Poirier and Daniel Buren on the intersections
of art and
architecture; Dan Cameron, Anthony Elms and Irene Hofmann on the difference between American and European international exhibition models in «Biennale Biennial;» a discussion on
contemporary photography with curator and author
of Photography is Magic, Charlotte Cotton, in conversation with various artists through the Aperture Foundation; the impact
of contemporary design
criticism and its discourse featuring Alice Twemlow among others; and Thelma Golden, Solveig Øvstebø and Franklin Sirmans in conversation with Jacob Proctor on the global influence
of museum collections and exhibitions.