Sentences with phrase «critics like»

Bernstein, who doesn't see technology as «inherently dangerous,» suggested that Facebook critics like Common Sense are also tainted by accepting $ 50 million in donated air time for a campaign warning about the dangers of technology addiction.

The original iPod (whose successor, the iPod Classic, has been sadly discontinued, though Apple still sells three other iPods) wasn't the last product to wow critics like me with its combination of beauty and functionality.

Critics like to call the iPhone X a $ 1,000 emoji machine.

Regarding scrutiny from his clients, Mr. Nix said, «Any CEO who didn't address critics like that very seriously would be remiss.»

Despite the informative value of the exercise, some critics like Graham Cluley are wondering if they are in violation of the Computer Misuse Act 1990, which states,

However critics like The Council of Canadians issued a statement suggesting it appears there will be limits on federal, provincial, and municipal governments in Canada to favour local companies on a range of construction, supply, and service contracts.

Perhaps if you (and the criticism would apply equally to Omar, since he and I have had this debate here before, as well as numerous other benchers and law society bureaucrats) actually addressed the substantive concerns — perhaps actually cited a source for the purported obligation to promote equality, diversity and inclusion generally — rather than dismissing the critics of this proposal for being inadequately woke, you might win over critics like me (and many of the people I've spoken with).

There are critics like Kowalski who say the law firm model is broken but Mackay maintains the model is just changing.

Climate change critics like Richard Lindzen try to say «There's no consensus on global warming.»

Those who don't want to be seen to be swivel - eyed lunatics associate with Nigel Lawson's Global Warming Policy Foundation and critics like Roger Pielke Jr. (which is why Pielke hated being named by Foreign Policy as a top «skeptic»).

Ridley complained that «Rather than attack my arguments, my critics like to attack my motives.»

When it comes to pressuring insider critics like Judity Curry to shut up and go along, and trying to delegitimize outsider critics like Steve McIntyre, we are out of the passive - not - active realm where charity is appropriate.

In other words, global warming — «climate change» — is really all about redistribution of wealth and power, according to critics like Monckton and Robinson.

Critics like me recognise that Channel 4 is entitled to its own opinions.

For more on Tom's point above about the futility of scientists trying to fight fire with fire in responding to critics like Marc Morano, have a look at Randy Olson's post on what makes Mr. Morano «such a good communicator.»

For SP to write, «[T] he politically - charged and subjective tone expressed by critics like Senator Boxer and Physicians for Social Responsibility only serves to weaken their stance» begs the question: Why is the White House editing a CDC report?

Around this time, academic critics like Hal Foster championed Prince's work as part of a postmodern critique of commodity culture and as a definitive break with the fusty traditions of high modernism.

Critics like Clement Greenberg and Meyer Schapiro earned their intellectual chops by sticking up for American art.

Pollock, de Kooning, critics like Harold Rosenberg (below, seen centre talking with Irving Sandler) and Thomas Hess — they all passed through its doors.

The critics like to group people together» — James Rosenquist

Picture after picture in this exemplary show is so stunning that you know exactly why artists like de Kooning idolized him and critics like Harold Rosenberg and Clement Greenberg regarded his death as the loss of one of the premier painters America had produced.

Ringgold's style combined folk art techniques with modernist images and content inspired by her contemporary outspoken social critics like James Baldwin, Lo Roi Jones and Amiri Baraka.

Super Dakota's Damîen Bertelle - Rogier on Why the Art World Needs Honesty, Transparency, and Unmerciful Critics Like Robert Hughes

The critics like to group people together.

Some critics like to trace Sehgal's work back to the influence of the 1960s Happenings or Fluxus movements or to the Relational Aesthetics work of the 1990s.

The days of power critics like Clement Greenberg or Harold Rosenberg ended decades ago; writers have been eclipsed by globe - trotting curators, mega-dealers — even, in recent years, collectors.

Critics like her too: Jerry Saltz wrote that «Dana Schutz and Katherine Bernhardt are among the liveliest American painters to emerge in this country in 15 years.»

Best known for his portraits of dogs, his tendency to humanize his subjects in order to add sentimental narrative to the picture, horrified art critics like John Ruskin (1819 - 1900), but delighted the public.

Because of her formidable wit, she was a source of intellectual nourishment to critics like Clement Greenberg as well as artists like de Kooning, Gorky, and her husband Jackson Pollock.

You even included excerpts from very interesting panel discussions, which I thought were well mixed between the artists and critics like Tom Hess, Harold Rosenberg, and Frank O'Hara.

Critics like to characterize Bess» work as «visionary abstraction.»

Egged on by critics like Clement Greenberg (1909 - 94), abstract expressionists concentrated on purely formal criteria (line, shape, colour and the two - dimensional picture plane) while ignoring (or at least trying to ignore) representational and emotional content.

The exhibition was considered controversial because it championed figurative painting at a time when abstraction reigned, particularly in the United States under the long - term tutelage of critics like Clement Greenberg.

Fashion brands soon popularized the bold patterns of Op Art through their «Mod» designs, while art critics like Clement Greenberg critiqued the movement for its gimmicks and commercial appeal.

Is it Péladan's Rosicrucian and mystical Catholic beliefs that have caused critics like the New York Times's Jason Farago to use dismissive terms like «garbage spiritualism» and «mystical mumbo - jumbo»?

It had been nearly two decades since the 1993 segment in which he derisively lumped together the work of Jeff Koons, Cy Twombly, Robert Ryman, Robert Gober, Christopher Wool, Felix Gonzalez - Torres and Jean - Michel Basquiat while inviting conservative art critics like Hilton Kramer, who died last week, to confirm that it was all indeed overpriced tripe — «the emperor's new clothes,» as he put it.

She called them Infinity Net paintings and they were a hit with smart young artists and critics like Donald Judd, who saw in them something new being forged from something old, high art being conflated with craft, masculinity with femininity, individuality with multiplicity.

Brilliant, brilliant critics like Clement Greenberg, who is the high priest of modernism, wrote criticism of Jackson Pollock and helped shape the way we look at Pollock.

«By the 1970s, thanks largely to formalist critics like Clement Greenberg and Donald Judd, painting had been flattened and emptied of figures, subject matter and illusionistic space....

The 1969 Alvin Loving: Paintings was immensely successful; critics like Dore Ashton placed Loving's work directly in the context of modernist art in a transitional moment from abstract expressionism to op art and other minimalist approaches.

Critics like Jerry Saltz have been singing praise and the cats have been finding homes.

The fantastical nature of the lush setting also conjures thoughts of that racially charged no - place, the jungle, which postcolonial critics like Chinua Achebe have identified as the primordial hellscape of the 19th - century European literary imagination.

His «negative Pollockism,» as he called it, appeared to many artists and critics like a vicious parody, while his titles included a puzzling array of references: obscure New York bars, jazz songs, Brooklyn tenement buildings, and Nazi propaganda.

Critics like Jerry Saltz have been singing praise and

And in the hey day of Modernism, critics like Clement Greenberg pursued a narrative which saw Modernist painting as a «peculiar form of tunnel vision leading away from pictorial depth and compositional complexity towards flatness, all - overness and the absence of association.»

Museums are giving trashy spectacle its due, with Peter Fischli and David Weiss, between architecture and a wrecking ball, just as mainstream critics like Roberta Smith are turning against it and Europe is coping, badly, with its economy.

Critics like to praise Mary Heilmann with faint damns.

She studied under Norman Lewis at the Art Students League, showed work in a buzzy exhibition curated by Ana Mendieta at the feminist art hub A.I.R. Gallery, and rubbed elbows with influential curators, gallerists, and critics like Lowery Stokes Sims, Betty Parsons, and Lucy Lippard.

keep asking, but they can sure trip up critics like Ken Johnson by answering yes and no.

This simplistic scheme comes up again and again among critics like Perl, Roger Kimball, Barry Gewen, and Raphael Rubinstein.