This is what
my critique group told me just last night.
Not exact matches
In the fall of 1980, when a
group of senior education scholars was coming to NORC to
critique the first drafts of «Public and Private Schools» and the other reports emanating from the «High School and Beyond» baseline data, Coleman
told his graduate students that we were expected to attend the sessions and the associated luncheon.
In one
telling email, obtained and posted by Douglas County Parents (a political
group opposing the board majority), Fagen
critiques a photo intended for promotional use:
I had to review a fantasy book for a writer, and I could
tell right away that he'd let his mixed genre
critique group have too much control.
We are always
told we need a
critique group, but sometimes the wrong
group could be detrimental to our work.
And then I
told him I'd be happy to read for him, but I no longer had need of a
critique group.
Sometimes a
critique group will
tell you: we're done.
I have a dear friend always pulls back from the real conflict in his first draft and our
critique group has to keep
telling him to be meaner to his characters.
So the schoolmarmish know - it - all in your first
critique group who
told you in a nasty tone of voice that only terrible writers use the word «was» may have trapped you forever in the mindset that «was» is a taboo word.
Filed Under: The Publishing Business, The Writing Life, Writing Craft Tagged With:
critique groups and criticism, developing your writing style, newbie advice, show don't
tell, writing rules
A helpful woman in one of my
critique groups kept
telling me to join the Romance Writers of America, but I paid no attention.
But when you're part of a workshop or
critique group, you must
tell writers WHY something didn't grab you (without making them cry).
My husband kept
telling me to start my own
critique group, but I didn't know enough writers in the Des Moines area.
A crackerjack
critique group quickly taught me point - of - view nuances and the difference between showing and
telling.
Recently, in my
critique group, my fellow writers
told me I had come into a scene TOO LATE.
But what we really need are folks — a trusted beta reader or a good
critique group — who will
tell us «This ain't working.»
If all your
critique group members
tell you a particular section of your children's story is age inappropriate, listen.
A
critique group is a bunch of strangers who have no power over your life, while reading your work,
telling you what's wrong with it, and giving you tips to fix it.
I find many commonalities and universal truths... show don't
tell, don't be afraid to be bad in first draft, don't join a
critique group that meets on Wednesdays, etc..
Recent
group exhibitions include Year of Cooperation, curated by Christabel Stewart and Anke Kemkes, Broadway 1602, New York and
Critique & Clinic, Berlin Film Festival, Berlin (2012); British Art Show 7, Nottingham Contemporary, Nottingham and Hayward Gallery, London (2010); Asking, Not
Telling, Institute of Contemporary Art, Philadelphia (2009); You have not been honest, Museo D'Arte Contemporanea Donna Regina, Naples (2007); Art Now Lightbox, Tate Britain, London (2006); Archaeology of Today, Els Hanappe Underground, Athens (2005); Revolution is Not What it Used to Be, S1 Artspace Sheffield (2004); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Emotion Eins, Frankfurter Kunstverin, Frankfurt am Main (2004); Fresh and Upcoming, a project with Luke Fowler at Frankfurter Kunstverein, Frankfurt am Main (2003) and Old Habits Die Hard, Sparwasser HQ Berlin and Norwich Gallery (2003).