Not exact matches
With his
first film Home for Life (1966) Gordon established the direction he would take for the next five decades, making cinéma vérité
films that investigate and
critique society via the unfolding lives
of real people.
Well, Scott Foundas is
first out
of the gate with an extremely early
critique of the
film, and it's all thumbs up from Brett Ratner's best bud.
When Yahoo asked the actresses about their thoughts regarding the claims
of whitewashing being leveled at the
film, Portman and Leigh said this was their
first time hearing about it, but that the
critiques were entirely valid.
Functioning as a social
critique but operating
first and foremost as the driest, bleakest type
of comedy, the
film seeks not chuckles but gasps
of amused horror, a goal most ably and hauntingly achieved during a sick - joke finale in which the bubble is finally burst thanks to a sly bit
of pop - culture infiltration.
Raised in a strict Calvinist family in Michigan — he saw his
first movie in his late teens — Schrader's religious underpinnings and his obsession with
film entwined when he
critiqued Bresson's «Pickpocket,» about the misfortunes
of a thief.
Neshat, whose work
critiques the cultural construction
of difference, fully turns her attention to American culture for the
first time in this show and depicts the ambiguity
of feeling for an outsider through enigmatic images, haunting encounters and mystified points
of view in her
film and photography.