By the end of the 70s, many artists turned to photography as a vehicle through which to
critique photographic representation and to subvert an art system premised on the notion of the original.
By the end of this decade, many artists turned to photography as a vehicle through which to
critique photographic representation itself and to subvert an art system premised on the notion of the original.
Not exact matches
Jo Spence (b. 1934 — d. 1992) was a key figure on the UK
photographic scene from the mid-seventies and was a crucial voice in debates on photography and the
critique of
representation.
Jo Spence (b. 1934 — d. 1992) emerged as a key figure in the mid 1970s from the British
photographic left, crucial in debates on photography and the
critique of
representation.
As is well known, artists such as Cindy Sherman and Louise Lawler emerged in the late 1970s with work that effected a
critique of
representation through the détournement of
photographic and filmic tropes.