Their work has been
critiqued by other writers, combed over by a hired editor errors, has a cover designed by a graphic artist, and has been e-book formatted either by a professional, or with a program like Scrivener.
Not exact matches
For the story I'm writing, well - known published
writers in our
critique group, who were getting their stuff published in paper
by CBA publishers commented, among
other things: - «The scene where Tammy throws her bikini up into the tree would never get published
by a CBA publisher.»
Having just a few
writers to talk to on a regular basis helps alleviate the loneliness of writing, gives you an outlet for your questions, allows you to help
other writers by providing answers, and can provide a built - in set of
critique partners.
I've met people who refuse to go to
critique groups because they've had an awful experience with a group — with members who needed to stroke their egos
by tearing
other writers down.
(also: if you're looking for
critique partners, feel free to connect with
other writers by leaving your name / genre / email /
critique availability in the comments)
I take recommendations from my
critique group,
other writers I know, and book reviews
by trusted reviewers.
Toss in the behind the scenes battle between executive resume
writers and The Ladders, and
other job boards, whose resume
critiquing practices routinely trash the resumes created
by some of the country's best
writers without even reading them — all as a tactic to sell their own resume writing services.