Sentences with phrase «crossing painted lines»

If the Outback crosses a paint line without signaling a lane change, a chime sounds.

Not exact matches

When was the last time you saw us with a player stationed up and down the white paint looking to skin the full back get to the bye - line and whip in a cross?
But that has limits, and when some try to paint him as an old crackpot, and get away with it because he won't be goaded, I think a line is crossed.
BMW Modern Line serves the cause of progressive elegance through the use of matt aluminium for the design elements mentioned above and a body - coloured paint finish for the cross rib in the centre air intake.
This exhibition gathers Freilicher's paintings and drawings, as well as two videos by Rudy Burckhardt, and features four vitrines containing photographs, book covers, letters, and manuscripts — some poems with lines crossed out and handwritten additions in the margins — that point to the interrelated friendships between painter and poets, and to the development of work at hand.
A crack of synesthetic thunder sounded inside me as I felt the cold, hard marble through my shoes, grasped the lightness of the canvas by comparison, and came to terms with an artist bypassing Serra's fearsome weight and brawny power; finding essences between painting and sculpture, perception and experience, I crossed a delicate line between something I'd never seen before and something I already feared I'd never see again.
The works crossed the line between painting and sculpture and also the line between art and consumer products.
Gary Petersen paints progressively off - kilter geometries — quadrilaterals piled high, slipping against one another and crossed by colored disks, lines, or curves.
His paintings depart from white only with slim verticals and horizontals that cross at regular intervals, sometimes with thinner and darker lines at their center becoming darker still where they meet.
So at every intersection where lines crossed, I put a colored line to mark through that intersection, just because I didn't have anything else to do with the painting, it was so fucked up.
To the pluralist spectrum are artists who crossed the lines between representation and abstraction in the late 1990s — Chris Cran and James Lahey (Toronto), for example — and artists whose painting can not be easily categorized: Christian Eckart (Calgary - New York) Robert Fones (Toronto), Regan Morris (Toronto), Taras Polataiko (Ukraine - Saskatoon), Mary Scott (Calgary) and Renée Van Halm (Vancouver).
Paintings from the mid-1950s, like Arcade Women, featured an ominous perspectival grid, crossing lines articulating a matrix in which figures are caught.
Yet by his own time the dominant line of the tableau — which runs perhaps from the Greeks, as he says, but certainly from Renaissance perspective through the neoclassical tableau to modernist painting as defined by Clement Greenberg and Michael Fried; that is, painting «as a totality seen and understood all at once» — has crossed with his own genealogy.
Only the drawings and one or two paintings show Pousette - Dart's looser crossed lines or curves rather than all this precision, and one would never know that he really did lean heavily on symmetry for the rest of his life.
Crossing over each other, these form a flat - topped, loosely assembled mound, painted largely in pinks and reds, that sits on a featureless dark brown landscape, with the horizon's curving line and a nondescript sky behind.
Painted rails cross diagonally between the posts in an unfinished pattern that references Constantin Brancusi's 1939 proposal for an Endless Column, a sculpture to proceed beyond sight lines into the sky on the shores of Lake Michigan.
In 1967, he painted «Untitled (Alabama),» which consists of a predominately black background and two triangular shapes, tightly packed with white and black lines that conjure people, crosses, and Ku Klux Klan hoods; the triangles form a blade slicing through black space.
In Still Life, shot in black and white, appear lines that criss - cross the worksheets of the artist, who used to trace on them the exact positions of the objects he was going to paint.
All of the younger artists whose work is reproduced here cross the lines between painting and sculpture, and do not seem interested in the old issue of «what is it».
On the two side walls the viewer can engage with Mosset's monochromes and symbolic geometries: on one side an immersive blazing large orange canvas painted in the early 2000s, on the other a lengthy white surface Patricia's Pillow (1985), where a long bright yellow line harshly yet lightly crosses a white surface.
His monumental, layered works often painted after black and white photographs explore the shadow side of human ambition and investigate the line where ethical and aesthetical values cross.
Called «Schmagoo Paintings,» the group included one canvas with number 23 drawn on it, one with a cross and a third with just one horizontal line.
Pace Gallery will present «Agnes Martin, Richard Tuttle: Crossing Lines,» featuring Richard Tuttle's wire sculptures created in response to Agnes Martin's paintings.
«Barbaro's article — «Crossing the Line: How Donald Trump Behaved With Women in Private» — includes several widely reported incidents that have been shown to be questionable, but the story really started to unravel when the woman featured most prominently in the article, Rowanne Brewer Lane, started publicly calling out the authors for misleading readers by twisting her words to paint Trump in a negative light.»
- «claimed savings with a disclaimer» breach of REBBA - «buyers agents are great allies to sellers» - seems like lawyers would love to find those reps and I think this is yet another breach of REBBA as a misreprentation - «commenting on housing markets» - whoops you just crossed a big line with RECO - «commenting on fellow traditional agents» - you can not paint brush or tarnish or defame fellow registrants.
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