Sentences with phrase «cube gallery space in»

Tuttle also manipulates the space in which his objects exist, forcing viewers to reconsider and renegotiate the white - cube gallery space in relation to their own bodies.

It's a really interesting approach to see Land art entering the white cube gallery space in such a way.

Tuttle also manipulates the space in which his objects exist, placing them unnaturally high or oddly low on a wall — forcing viewers to reconsider and renegotiate the white - cube gallery space in relation to their own bodies.

Not exact matches

Flying Cube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spCube, a white cube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery spcube floating in the center of the exhibition space, challenges gravity and activates the traditional gallery space.

But the works also pressure the standard white cube gallery, since Sánchez presented them in a dentist's office, a sanitary space which, as he points out, is another kind of white cube.

Danni Shen is the Curatorial Associate at Empty Gallery, a black - cube space dedicated to time - based, non-object-oriented, interdisciplinary practices as well as Asian diasporic artists and communities, physically located in Hong Kong.

Within that tradition, the space was conceived not as a typical white cube gallery, but as a new public space for the entire community — and this is reflected in a new approach to programming.

White Cube's exhibition programme extends across its four gallery spaces, two of which are in London; Mason's Yard in St. James's and Bermondsey Street in South London, and two further galleries recently opened in Hong Kong and São Paulo.

White Cube's exhibition program now extends across its four gallery spaces: Mason's Yard in St. James», Bermondsey Street in South London, Hong Kong and the recently opened gallery in São Paulo, the second location outside of the UK.

The cubic gallery space in White Cube's Bermondsey gallery measures 9 x 9 x 9 metres.

In its Bermondsey space in London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the UIn its Bermondsey space in London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the Uin London, the gallery White Cube presents Ibrahim Mahama's first solo exhibition in the Uin the UK.

In the gallery's second space a few blocks away, Ugo Rondonine, Raymond Pettibon, Arturo Herrera, and Michael Craig - Martin tackle the ultimate in Minimalism — the four sides of a freestanding near cubIn the gallery's second space a few blocks away, Ugo Rondonine, Raymond Pettibon, Arturo Herrera, and Michael Craig - Martin tackle the ultimate in Minimalism — the four sides of a freestanding near cubin Minimalism — the four sides of a freestanding near cube.

Close to Lambeth Bridge, Newport Street's sleek, White Cube style space stands midway between the galleries founded by Hirst's dealer Jay Jopling in Bermondset in 2011 and his former patron Charles Saatchi in Chelsea in 2008.

25) David Hammons: The artist's first major London gallery show (at White Cube) will certainly help the artist open his own planned art space in Yonkers, New York.

In the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallIn the summer of 2013, Raymond Pettibon took over one of David Zwirner's gallery spaces in New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallin New York, transforming the high - ceilinged, garage - like white cube into his studio in order to prepare a show of drawings and collages within — and sometimes directly on — its wallin order to prepare a show of drawings and collages within — and sometimes directly on — its walls.

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

These qualities are underpinned and stabilised by the architectural accuracy of his miniature interiors, which draw from broad influences, from classical Palladian or a White Cube gallery space, to the contemporary commercial kitsch of fast - food joints, or even a depiction of his childhood home as in the 18 Fortis Green series.

For Beyond The White Cube four curators associated with Center for Curatorial Studies, Bard College (CCS Bard) organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - proper.

To foster an ambience akin to the artist's own bedroom in Detroit, the normal white cube aesthetic of the gallery space has been transformed: its walls have been painted a pink similar to that of Soda's bedroom and its space decorated with pink - hued furniture pieces which have the dual function of both providing gallery visitors with a physically comfortable environment in which to view the work, while also replicating the «girly - pink - warm» atmosphere associated with the artist's work.

That boom was driven by a commercial gallery scene and auction - houses less interested in practices drawn from the neo-avant-garde, but instead in the type of works that grace white cube spaces — in particular, large paintings that were shifted profitably at auction.

The new walls radically alter the experience of the pristine white cube gallery space, in which Esra Ersen, originally from Istanbul, is showing an engaging documentary video with street children in her hometown.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.

Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to

White Cube's new space breaks the records for the largest commercial gallery in the UK, even Europe

He called his small premises there White Cube in reference to the influential collection of essays by Brian O'Doherty, Inside the White Cube: Ideologies of the Gallery Space, in which the author argued that the blank, box spaces of modern galleries had themselves become «the archetypal image of 20th - century art».

One of the world's leading contemporary art galleries, White Cube has spaces in London (Mason's Yard and Bermondsey Street) and Hong Kong.

In Dauerwelle — a new work commissioned for the gallery's tiny architectural element of a cube recessed into a wall — the singer's pitch black Cleopatra - coif wig rotates in mid-air, preserved like a relic, endlessly hovering in space like the spectre of a violent beheadinIn Dauerwelle — a new work commissioned for the gallery's tiny architectural element of a cube recessed into a wall — the singer's pitch black Cleopatra - coif wig rotates in mid-air, preserved like a relic, endlessly hovering in space like the spectre of a violent beheadinin mid-air, preserved like a relic, endlessly hovering in space like the spectre of a violent beheadinin space like the spectre of a violent beheading.

Installed within gallery's white cube space in chic neighborhood of Châtelain, the works show her wide sources of influences, but also, her meticulous paintings skills.

In 2008, kurimanzutto opened a permanent gallery space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original visioIn 2008, kurimanzutto opened a permanent gallery space in Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original visioin Mexico City, yet the gallery continues to search for places outside the white - cube to carry forward its original vision.

Made in Commmons at Stedelijk Museum Bureau Amsterdam; Liu Wei at White Cube Mason's Yard, London; Subodh Gupta: Everything Is Inside at National Gallery of Modern Art, New Dehli; Naiza Khan: The Weight of Things at Koel Gallery, Karachi; Liang Yue: The Quiet Rooms at Shanghart H - Space, Shanghai; Liu Ding: Lake Washington at Antenna Space, Shanghai; Marrakech Biennale 5; Florian Pumhösl at Miguel Abreu Gallery, Eldrige and Orchard streets, New York; 3rd Colombo Art Biennale: Making History; Bienal Internacional de Arte Contemporáneo de Cartagena de Indias \ n

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegaIn gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzviGallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvigallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

Rhode's upcoming exhibition at North Carolina Museum of Art opens September 26, 2015, adding to an impressive list of solo shows in the last decade that includes Artists Space in New York, Haus der Kunst in Munich, Hayward Gallery in London, Kulturhuset in Stockholm, Los Angeles County Museum of Art, Museum of Art Lucerne, National Gallery of Victoria in Melbourne, Neuberger Museum of Art at SUNY - Purchase, Rose Art Museum at Brandeis University, and White Cube in London.

His solo show at White Cube this summer, Breathing Room III, will consist of a «self - illuminating nest of 15 space frames» each identical in volume and together occupying one fifteenth of the total volume of the gallery.

White Cube now has gallery spaces in Hong Kong and São Paulo, along with its largest gallery space situated in Bermondsey in the UK capital.

To mark the occasion, GalleriesNow.net reveals their list of the world's most significant commercial contemporary art spaces: (in alphabetical order): David Zwirner, Gagosian Gallery, Galerie Perrotin, Galleria Continua, Hauser & Wirth, Lehmann Maupin, Marian Goodman Gallery, Matthew Marks Gallery, Pace, White Cube.

Tony Smith's seminal Die (1968) is an obvious point of reference, and although Smith's iconic Minimalist work is well known for activating the space that surrounds it, Serra's cubes are yet more explicit in their address to the gallery.

With his «drawings in air,» Ireland deconstructs gallery spaces, exercises that culminated in his theoretical treatise Inside the White Cube.

by Kostas Prapoglou Gilbert & George's current exhibition at White Cube in Bermondsey, entitled THE BANNERS, entails a series of ten new works, each of which is duplicated three times and colonizes the whole of the gallery space.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

For Beyond The White Cube four curators associated with CCS Bard organize projects outside of the museum's galleries in order to encourage endeavors that apply the curatorial beyond exhibition space - proper.

The Kanter - McCormick Gallery will become a curatorial laboratory for five quick - and - dirty shows proposed by participants involved in the Art Center's Oakman Clinton School & Studios, engaging the traditional «white cube» gallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts comGallery will become a curatorial laboratory for five quick - and - dirty shows proposed by participants involved in the Art Center's Oakman Clinton School & Studios, engaging the traditional «white cube» gallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts comgallery as a learning space while highlighting connections among Oakman Clinton School & Studios faculty, students, and the broader Chicago arts community.

He had his first show in New York at Lehmann Maupin last February, and is also currently represented by Almine Rech Gallery in Paris, White Cube in London, and Long March Space in Beijing.

The model of the gallery space refers directly to the notion of the «white cube», an art space deprived from external stimuli and ideal - in a laboratory - like shape - for political, economical, aesthetical and social experiments.

juxtaposes predator and prey by placing a wolf and a deer in a typical white cube gallery space.

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

By cladding the floor and walls in coloured tiles, he transformed the white - cube space, forcing the viewer to consider whether it was still a gallery space.

He also frequently uses brightly colored vinyl tape in his site - specific installations, demarcating the space of a gallery and countering the austere white - cube environment with exuberant color and unexpected materials.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

And you said that the pavilion at Dia was in part countering the white cube of Dia's gallery space.

His work was included in the recent Sydney Biennial (2010); It Is What It Is, National Gallery of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); Cubes, Blocks and Other Spaces, Musée d'art contemporain de Montréal, (2009); Getting Even, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Gallery, Vancouver (2008).