Sentences with phrase «cubism at»

Lee Krasner was an artist who studied cubism at Cooper Union and worked as a painter as part of the New Deal's Federal Art Project.

These paintings also, arguably, beat cubism at its own game.

Krasner, who studied cubism at Cooper Union and then painted murals for the WPA, also studied with Hans Hoffman.

Drawing from nature too, will incorporate the natural world at some point, focused on the nude and expressionists cubism at the moment, times call for it.

Not exact matches

Rubik's cubism Ernö Rubik, a lecturer at the Academy of Applied Arts and Design in Budapest, Hungary, made the prototype of his famous cube in 1974, as an exercise in design and structural problem solving.

My cubism seminar is at eight thirty...» She smiled.

... if one looks at oils like «The Homely Protestant» (1948) or even the ur - version of «Elegy to the Spanish Republic» (also 1948), one sees that he has learned to combine straight lines with curves and rounded forms, not really surrealist but liberated from the strictures of cubism.

It was at this point that he and his friend Picasso engaged in a rigorous analysis of form and developed cubism.

At the close of the 1920s and into the 1930s he experimented with cubism, eventually moving to surrealism.

I saw these [interactive works] as extensions of cubism, because you're looking at something from all sides.

For Maurer the departure from Paris was painful, but he continued to increase his mastery of modernism, assimilating aspects of cubism and even venturing into abstraction at a time when such developments were anathema to popular opinion in the United States.

Drawing from the art - historical lineage of cubism, graffiti, cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Aaron Curry's eagerly awaited survey exhibition at CAPC musée d'art contemporain de Bordeaux next summer is as much about the breakdown of the human condition as it is the absurdities that define the perils of human evolution.

Keppler spoofed the most talked - about works in the 1878 exhibition, and twenty - five years later, Glackens turned his gaze on cubism, which was among the most discussed and derided styles of art at the Armory Show.

Building on the history of portraiture, Hurzlmeier plays with our perceived notions of what it is to look at a portrait (á la cubism).

Ena Douglas (1926), for example, one of 50 portraits by Morris exhibited at his one - man show in 1938 at Peggy Guggenheim's Jeune Gallery in London, combines aspects of Neue Sachlichkeit (primarily those verging on the grotesque) and cubism, whereby the viewer is almost able to see both sides of the subject's face at once.

This welcome shift away from white - cubism continued at Sadie Coles, where all - around, red wallpaper by the late Angus Fairhurst framed both drawings by the artist and one of his mirror - gazing gorilla bronzes.

Geometric Abstraction At roughly the same time as cubism was developing, Russia made extraordinary contributions to the current of nonfigurative art.

The destruction of traditional perspectival space in the picture plane has defined everything from cubism through Ellsworth Kelly and Andy Warhol all the way up to Takashi Murakami at the turn of the millennium, making «flat» one of the prime qualities sought in good, honest painting.

Their treatment of color and the shape directly led to Fauvist and Cubist art explorations and reductionistic depictions of nature at Henri Matisse and Georges Braque, consequently leading to Pablo Picasso and turn from Analytic to Synthetic cubism.

The exhibition title derives from Smith's recollection that his concept of «cubes and anarchy» stemmed from the painter John Sloan, his teacher at New York's Art Students League in the 1920s, who exposed him to cubism, constructivism, and progressive social movements.

The gallery's autumn show will be dedicated to Klee, a pivotal figure in 20th century art, who taught at the Bauhaus school and whose intense, radiant paintings, replete with symbolism and references to the unconscious, draw on cubism, surrealism and primitive art.

LACMA «s exhibition title derives from Smith «s recollection that his concept of — cubes and anarchy ‖ stemmed from the painter John Sloan, his teacher at New York «s Art Students League in the 1920s, who exposed him to cubism, constructivism, and progressive social movements.

This edgy painting hints at a bridge between two modes of painting declared by Clement Greenberg to be mutually exclusive — illusionistic cubism and flat, postpainterly abstraction.

«At first glance, Dimitri Kozyrev's work is grounded in a combination of traditional landscape painting and the analytic cubism of early Modernism.

The juxtaposition of flat, geometric, black - outlined shapes continues the artist's espousal of synthetic cubism — he was the first American artist to fully adopt the style — which he saw when he met Pablo Picasso (Spanish, 1881 - 1973) at Gertrude and Leo Stein's famous salon in Paris in 1912.

For example, the juxtaposition of flat, geometric, black - outlined shapes evidences his interest in synthetic cubism, which he saw in Pablo Picasso's paintings at Gertude and Leo Stein's famous 1912 salon in Paris, where he also met the artist.

Poet Charles Simic writes of Resika's recent works: Stripped of any hint of allegory or fable, they recall at different times expressionism, cubism and even surrealism.

At Bennington College, Vermont, she was infused with the spirit of cubism, and it was cubist space and structure that shaped her work even in her most apparently casual arrangements of colour.