Sentences with phrase «cubist figures»

San Francisco based artist Zio Ziegler (covered here) has an eclectic style; a few of his pieces portray Cubist figures, some more detailed than others, and then there are his more color - based pain...

Least interesting are the more abstractly simplified sculptures: Cubist figures made of neatly assembled mirror facets and others defined by gnarly, tubular webs.

San Francisco based artist Zio Ziegler (covered here) has an eclectic style; a few of his pieces portray Cubist figures, some more detailed than others, and then there are his more color - based paintings.

Titled «Women of Venice», after a group of plaster figures that Giacometti consented to be displayed in the French Pavilion in 1956, the exhibition sets seven striking, royal - blue sculptures by Bove — a response to Giacometti: upright and planar, like cubist figures rendered in sheets of Fimo — in the pavilion's enclosed courtyard.

Using clay in unorthodox and experimental ways, she combined modeling, carving, incising, and assembling in sculpture that suggests the shifting planes of cubist figures, the mythology of Greek gods and goddesses, and a largely feminine sensuality and corporeality that seems to have morphed and merged organically into place.

[11] In the 1940s, she began producing Cubist figure studies in materials such as stone, bronze, terra cotta, and wood.

Not exact matches

Rail: When I look at the reproduction of the painting «Four Children,» the feeling for the simplicity of form, which suggests the potential for monumentality, and the way you invent the diagonal and horizontal lines around the figures, function like cubist structure.

11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 1945.

The figures are rendered in a self - consciously arty style — call it «mass - market modern» — that is a kind of Cubist faceting squashed flat.

«Walking Figure by Pool» (2011) is based on a photo of the French artist Francis Picabia, a surrealist and cubist who died in 1953.

Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, Washington University on Face and Figure in European Art, 1928 — 1945.

Though her paintings may at first glance evoke the Constructivist or Cubist tendencies of the avant - garde of yesteryear, the newly minted art star Avery Singer's paintings are in fact eminently contemporary, utilizing Photoshop and Google SketchUp to render figures in the current idiom of blocky avatars and clear gradients.

I bought a large Henry Moore single figure and a cubist Georges Braque.

Recent major projects include his installation Expanded Anxiety, Secession, Vienna (2013), which focused on the work of the Czech Cubist sculptor Otto Gutfreund (1889 - 1927), a cubist - expressionist figure who attempted to mirror the surrounding of his sculptures, within the sculptures themsCubist sculptor Otto Gutfreund (1889 - 1927), a cubist - expressionist figure who attempted to mirror the surrounding of his sculptures, within the sculptures themscubist - expressionist figure who attempted to mirror the surrounding of his sculptures, within the sculptures themselves.

Robert and Sonia Delaunay were pivotal figures in the transition from Impressionism to Modernism, challenging the silvered palette of the Cubists with prismatic color that spawned an independent contemporary group of American painters, such as Stanton MacDonald - Wright and Morgan Russell.

In Bunker's Falling Fugue, Parkinson continues, «the figures (torn and cut shapes and gestural painterly marks), seem to occupy a fairly narrow cubist space, blues often being interpreted (by me at any rate) as sky, which sometimes opens up into a much deeper space than I was first perceiving.»

The conundrum of the season in the New York art world is the identification of either the Nude figure or the stairway in a canvas entitled «Nude Descending a Stairway,» in the Cubist room of the Armory at Lexington Ave. and 25 St., where the first International exhibition of modern art, organized and managed by the American Painters» and Sculptors» Society, is in progress.

But while the figures are cubist in formal terms, their interpretation by the artist is inspired by surrealist thought.

The exhibition proceeds into the visual art revolutions in which the artist figured heavily, including landmark pieces of the Cubist era and onward.

Thus the classic Cubist interpenetration of forms becomes a symbol of the cohesion of people: of the family unit in Family Group and of the two «heroes» of Two Figures.

Using 3 - D — modeling software, the New York artist assigns Cubist qualities to her dynamic figures.

Having had the opportunity in recent years to study a number of excellent exhibitions in which Cubist paintings have figured prominently — including the 1980 Picasso exhibition at the Museum of Modern Art and the Essential Cubism exhibition recently mounted at the Tate Gallery — may we endorse John Richardson's recent petition in your columns that any Cubist paintings that are still unvarnished should be left in the state in which their authors intended them to be seen?

Outstanding in the first room is his absolutely stunning picture postcard painting «Santa Margherita Ligure», 1964, and a painting of the famous cubist painter «Portrait of Juan Gris» 1963, one of the artist's early works, intriguing for its predominate figure, as he produced few figurative paintings; advancing to the fifth room where light and shadows are being used in Caulfield classic twee interior scenes to understand the depth of pictorial space.

A Kurt Weill song is linked to a figure painting by Max Beckmann, an orchestral piece by Darius Milhaud to a Georges Braque Cubist still life, moments from John Cage's prepared piano «Sonatas and Interludes» to a Robert Rauschenberg «combine» painting.

Established in Paris, 1986, Helwaser Gallery has organized exhibitions showcasing works of significant artists, including A Gathering of Figures: Jean Metzinger, Andre Masson, Bernard Buffet, Pablo Picasso (2004), and The Cubists: Albert Gleizes, Roger de la Fresnay, and Andre Lhote (1995).

The figures and paintings are displayed together in an interesting juxtaposition of clean brightly colored cubist two dimensional works accompanied by rough handmade figurines.

Macuga adds a documentary film on the Spanish war, and also a bust of Powell at the podium, made in a Cubist style, showing «a figure who is falling apart morally»; plenty of archive material.

Another important figure in the development of Colour Field painting was Helen Frankenthaler (b. 1928), who began as a Cubist before exploring Abstract Expressionist styles in the early 1950s, making a significant development of Pollock's «drip» technique.

The Day Sale features the masters of the modern, with over 50 sculptures such as a stunning carved green marble work by Barbara Hepworth, a selection of undulating polished bronze forms by Jean (Hans) Arp, two whimsical sculptural figures by Joan Miró and an early, Cubist bronze by Alberto Giacometti.

These exiles included figures like the Armenian - born Arshile Gorky, who settled in the US in 1920, and the German - born Hans Hofmann who migrated to America in 1930, as well as the German Expressionist George Grosz (1893 - 1959), the Cubist Fernand Leger (1881 - 1955), the Bauhaus abstract painter Josef Albers (1888 - 1976) and the geometrical abstractionist Piet Mondrian (1872 - 1944).

Rather than rely on Cubist precedent and correlate the figure to the ground, she doubles down on her targeted point of interest, the center, and then does all she can to demolish it via a wholesale effusion of solvents.