Sentences with phrase «cubist shapes»

There are examples of Cubist works with reference to mark - making in the cubist shapes and using coloured tones.

From cubist shapes to vivid watercolours, the Spring / Summer 2018 catwalks were awash with punchy, studio - inspired prints -LRB--RRB-.

This villa has cubist shape in black color and the other side has cubist shape in white color.

The cubist shape of this Arthus Armchair in aubergine purple, # 199, is softened by the curved armrests - a feature that's highlighted by the accent piping, and the sleek, straight lines complete the modern look.

Not exact matches

Look at the opening credits — a tasteful backdrop of triangular shapes and flickering lights and shadows suggests the cubist and semifuturist paintings of Lyonel Feininger.

Against one wall, a series of stencil cutouts by Matisse pulse with nearly - neon colors and abstract shapes and evoke a sense of movement and rhythm similar to a cubist print by Fernand Léger in another section of the exhibit.

My work relates to Cubists and Futurists paintings — in which the natural world is translated into a stark pictorial language of shapes, lines and angles.

Cubist artists like Pablo Picasso and Georges Braque rejected linear perspective and distorted the shape of the objects they painted, but still took objects as their subject.

By its focus on shapes and forms, it illustrates Rivera's interest in and knowledge of cubist techniques as well as the landscape painting of Cézanne.

In the late 1940s, Fine drew extensively from Cubist fragmentation as well as from the ideas of Hans Hofmann on the harmonics and formal tensions of color and shape.

Following the developments of Cubist and Futurist painting — in which the natural world was translated into a stark pictorial language of shapes, lines, and angles — Russia was one of the primary breeding grounds of pure abstraction, with Wassily Kandinsky doing much to popularize geometric art before gravitating to the gestural camp in later years.

His image Red and White Domesillustrates the avant - garde approach to art, which, as we have mentioned incorporates geometric shapes, and the flattening of the planes, one of the many characteristics of the Cubist movement.

While earning his BFA from the Universidad de Guanajuato and his MFA in Arts and Technology from The University of Texas Dallas, Nieto was exposed to the masters of Modern art who have shaped both his aesthetic and process such as Jackson Pollock's controlled drip technique, Robert Motherwell's graphic cubist collage, and Willem de Kooning's bold sense of color, among others.

In Bunker's Falling Fugue, Parkinson continues, «the figures (torn and cut shapes and gestural painterly marks), seem to occupy a fairly narrow cubist space, blues often being interpreted (by me at any rate) as sky, which sometimes opens up into a much deeper space than I was first perceiving.»

Instead, we're struck more by how the shapes interact, with how lines move through space and swerve into riotous, cubist clusters or disappear into irregularly shaped solids.

Showcased in 1925 at the International Exhibition of Modern Decorative and Industrial Arts held in Paris, Art Deco was essentially a reaction against Art Nouveau: replacing the latter's flowing curvilinear shapes with Cubist and Precisionist - inspired geometric forms.

Her style owes something to the «tubism» of Fernand Leger (1881 - 1955), a variant of Cubist painting which emphasizes cylindrical shapes, yet it retains a distinctive streamlined and modern elegance.

One outstanding untitled work (60 by 48 inches)-- a palimpsest of irregular rectangles, triangles and circular shapes in red, pink, orange, yellow and blue — hints at a classic Cubist landscape, albeit one heightened with rather raucous hues.

These gave way to monumental faces born of the lozenge - shaped eyes, linear scarification and mask - like bearing in Picasso's ferocious 1907 Cubist masterpiece, «Les Demoiselles d'Avignon.»

He confronts the viewer with cubist face structures, opaque masks of shapes that at first glance nothing to do with the genre with «Face — Off» have to do the portrait.

Cubist paintings such as Pablo Picasso's Les Desmoiselles d'Avignon (1907) and Marcel Duchamp's Nude Descending a Staircase No. 3 (1912) use geometric shapes as playful and haunting references to the organic shapes of the human body.

Their treatment of color and the shape directly led to Fauvist and Cubist art explorations and reductionistic depictions of nature at Henri Matisse and Georges Braque, consequently leading to Pablo Picasso and turn from Analytic to Synthetic cubism.

Thomas plays with perspective, layering fractured geometric shapes that reference the early cubist compositions of Romare Bearden.

The first symbolic forms I noticed when examining Marcus's works were the angular features which have been part of our art world universals since the Cubists became interested in the angular shapes of African masks and applied them to their art.

Paul Cezanne (1839 - 1906) Marked by the use of geometrical shapes, and new relationships between colours - and between form and space - Cezanne's later landscapes (and still lifes) exerted a major influence on Early Cubist Painting (c.1907 - 9).

Northern California Potter Woman (2015) presents its subject — a woman sitting over a piece of pottery — as a near - symmetrical array of coloured shapes and Cubist facets.

Seen as another arena for experimentation and moving away from the traditional understanding of modeling, Picasso's cubist sculptures showcased that these fresh objects also allowed the play with geometrical shapes, flattening of its surfaces, and fragmentation.

Artists representing various movements and geographical backgrounds are all there: Cubist, Dada, and Russian avant - garde artists of the 1910s and 1920s, with their images of flat, intersecting planes and floating shapes; artists associated with Minimalism, Op art, and hard - edge abstraction in the 1960s and 1970s, whose primary interest lay in the investigation of reductive form and color; and contemporary artists who continue to exploit the infinite potential of simple geometries.

A year earlier, in 1909, the French avant - garde painter Francis Picabia painted Caoutchouc, a proto - cubist work featuring unrecognizable geometric shapes enveloped in seemingly unrelated color fields.

The adoption of the Cubist aesthetic by the Swiss architect Le Corbusier is reflected in the shapes of the houses he designed during the 1920s.

Lachowicz's Cell: Interlocking Construction (2010), a pleasing array of blue pigment within stacked irregularly shaped Plexiglas boxes wrestled Cubist forms out of their 2 - D sepia purgatory.

At Bennington College, Vermont, she was infused with the spirit of cubism, and it was cubist space and structure that shaped her work even in her most apparently casual arrangements of colour.