Bad Santa is directed by Terry Zwigoff, who has scored two acclaimed cult comedies in a row, Crumb and Ghost World, and there's probably
a cult audience for this film as well, although I suspect it's a much different audience for much different reasons.
Not exact matches
If there was ever a
film developed solely
for a
cult audience, it's this one.
Although the
film didn't connect as strongly with mass
audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house
film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved
cult classic, perfect
for drunken
film studies students and bored kids at slumber parties alike.
It's an instant
cult classic that I can see a lot of people discovering on the home video front and not so much theatrically, which is a shame, because
films like this need
audiences support to help fund future projects
for talented filmmakers like Martin McDonagh.
Refn clearly has a love
for the likes of Walter Hill and John Carpenter, as well as
cult classics like Silent Running and Logan's Run, a
film he was looking to remake
for some time; von Trier has grander aspirations as a filmmaker, a compulsive need to make the
audience feel something, anything, at the end of his works.
His cinematography and camera orchestrations are as sumptuous as ever, almost worth watching without dialogue, and yet, he doesn't exactly offer anything new here — it occasionally seems like he is trying to remake his
cult classic, Chungking Express,
for a Western
audience, with some of the more interesting bits of his other
films tossed in
for good measure.
While popular in New Zealand, these were mainly
cult films for international
audiences who had to purposefully seek out these quirky and raunchy examples of genre by the then - little known Kiwi auteur.
The Festival programme is organised into categories clustered around the themes of Love, Debate, Dare, Laugh, Thrill,
Cult, Journey, Sonic, Family and Experimenta — an approach designed to help Festival - goers find the
films that appeal the most to them and to open up the Festival
for new
audiences.
Wright has been a
cult icon
for years, a favorite among critics and Comic - Con goers, but «Baby Driver» broke through to another
audience, making over $ 225 million worldwide and counting (it's his first
film to break nine figures).
2014 didn't have a
cult film in the making like What We Do in the Shadows, or a true sleeper like Straight Outta Compton (or Spy,
for that matter), or a blockbuster hitting the sweet spot
for audiences and critics alike like Mad Max has done, or a traditional standalone nonfranchise blockbuster like The Martian, or an animated
film with the acclaim of Inside Out, or a little horror movie that could like It Follows, or an unexpected independent drama that ran forever like Room....2015 was a year like 1999 or 1994.
But in an interview with VH1 celebrating 10 years since the release of the
cult movie, the director has revealed the two stars - who captured the
audience's hearts with their chemistry - fought during
filming, and Ryan even asked
for Rachel be taken off the project.