«The Hitcher is a complex beast: reviled at the time of its release, it has been adored in the long term as one of the most intoxicating, unrelenting highway
cult films ever made.
With that said, however, this week's offerings are even better, including several Oscar nominees and one of the coolest
cult films ever made.
It is my honest opinion that this movie is the best
cult film ever made.
Not exact matches
And
ever since some comments here got me digging deep into TRUE GRIT, I've learned to respect the
cult of the Coen Brothers, and to approach their
films with high expectations.
Even after The Disaster Artist gave his own story and his
cult - classic indie
film The Room — largely regarded as the worst movie
ever made — new prominence, little is known about where he comes from or who he truly is.
If there was
ever a
film developed solely for a
cult audience, it's this one.
The
film follows the making of «The Room» - directed by and starring Wiseau - which has been dubbed the worst movie
ever made but went on to gain a
cult following.
Original cast members Corey Feldman and Jamison Newlander present the first -
ever screening of the
cult classic's third
film, in which the lost boys and girls of San Cazador prepare to party under the Blood Moon — while an alpha vampire conspires to turn these unsuspecting ravers into an army of undead.
The thoroughly awful movie that resulted from their collaboration would go on to become a midnight
cult classic, one of the most highly regarded so - bad - it's - good
films ever made.
His cinematography and camera orchestrations are as sumptuous as
ever, almost worth watching without dialogue, and yet, he doesn't exactly offer anything new here — it occasionally seems like he is trying to remake his
cult classic, Chungking Express, for a Western audience, with some of the more interesting bits of his other
films tossed in for good measure.
The
ever - growing
cult behind Russell and his work will undoubtedly enjoy this riveting look back on the maverick director right in the midst of
filming his chaotic classic, which, negative press notwithstanding, ended up kicking off a series of successes in the 1970s.
The Disaster Artist, which is directed by James and out in wide release Friday, is a comedy chronicling the making of 2003's The Room — the
film written by, starring, and directed by Tommy Wiseau, which has been christened both the worst movie
ever made and, in the years since, a
cult classic.
This is amazing news for fans of the
cult 80's
film who have been clamoring for new stories set in the Starfighter universe
ever since its original release.
For foreign or
cult films start out with Facets Video, an incredible source of virtually every foreign
film ever put on video.
It was a hit that got overlooked when another 20th Century Fox science fiction
film, a little thing called Star Wars, opened just a few weeks later, but a
cult following kept it alive through revival house, college campuses, and video releases
ever since.
Utilizing recycled material, incompetent direction (Olivier Megaton doesn't deserve to make another
film in his life), and a complete lack of heart and consistency that made its predecessor the
cult film it's become, Taken 2 is without question one of the worst, most unnecessary cash grab sequels I've
ever seen in my life.
Marling — who also co-wrote and co-produced this with director Batmanglij (and has written two other
films including the
cult hit Another Earth)-- is clearly a roaring talent, and here she inhabits the role of the cold - hearted, all - business operative well, perhaps too well, as this is rather a cold movie, the only person you
ever really feel remotely sympathetic to being the shaky - handed, brain - damaged Doc.
Although he was just a background voice in his first
film, Jack's appearances in such television shows as The X-Files (1993), his breakthrough performance in High Fidelity (2000), and his rock - comedy band, Tenacious D, have created an
ever - growing
cult following.
The
film is based on the making of the terrible 2003 Tommy Wiseau movie «The Room,» universally panned as the worst movie
ever made that has now grown into a runaway
cult classic.
Ever since the French filmmaker Leos Carax announced Annette as his next
film, the project has seemed just too strange to survive the often perilous road to financing and production: an English - language musical from the director of The Lovers On The Bridge and Holy Motors, with original songs by the
cult art - pop duo...
The 127 Hours star's latest
film will be released on December 1, with the movie dramatising the making of Wiseau's
cult 2003 classic The Room — which has been dubbed «The Greatest Bad Movie
Ever Made».
The Room is a
cult film that since its 2003 release has frequently been lionized as the «worst movie
ever made.»
Based on a book about the making of The Room — a
cult hit widely considered the worst
film ever made — The Disaster Artist was directed by Franco, who also stars as its strange subject: Tommy Wiseau, who wrote, directed, produced, and starred in The Room.
A hilariously outrageous story based on real events, this
film recounts the making of the 2003 movie The Room, which is widely considered to be one of the worst
films ever made, even as it has developed a
cult following.
Hey, Rachael Leigh Cook, this is Kyle wondering if you
ever date nasally
cult film reviewers with zero future prospects?
«The Disaster Artist: My Life Inside «The Room,» the Greatest Bad Movie
Ever Made» was based upon Sestero's work as an actor in the 2003
cult film «The Room.»
film as director (or co-director) will be The Disaster Artist, about the making of the 2003
cult film The Room, regarded as the «worst movie
ever made.»
Nobody remembers this now, but back then, the trades were counting on the reunion of Silverado collaborators Lawrence Kasdan and Kevin Costner to deliver the sleeper hit of the summer; although back then everybody involved in the production tried to pawn off the
film's failure on the growing
cult of Tombstone, the fact is that Wyatt Earp is, if not the most boring movie
ever made, perhaps the second-most.
The
film released back in 1981 and has
ever since gained
cult status for its amazing murder scenes and insane visuals.
His
film The Room (the subject of James Franco's critically acclaimed biopic The Disaster Artist) is considered the best worst movie
ever made... solidifying itself as a modern
cult classic.
When Roger Corman made this original
cult classic «Death Race 2000» back in 1975 with David Carradine and Sylvester Stallone, I doubt he
ever though the
film will be remade or turn up with two prequels either.
It has essentially EVERYTHING your standard / substandard Mutant Reviewers from Hell reader would
ever desire in a
film: Michael Cera, the hot / fun «it» girls from various
cult (non --RRB- smashes of recent years, a thoroughly modern perspective towards diversity and human acceptance of differences, video game - inspired fight scenes, an uplifting and resonate (which is to say»80s
film - like) romance, and a rockin» soundtrack.
Since it's release in 2003, the
film quickly developed a very large
cult following and has been celebrating midnight screenings
ever since then like «The Rocky Horror Picture Show».
The Disaster Artist tells the true story of the making of the 2003
cult film The Room, which has been called «The Greatest Bad Movie
Ever Made».
Ever since news broke that James Franco would be bringing The Disaster Artist — a tell - all book about the making of infamously so - bad - it's - brilliant
film The Room — to the big screen, we've been waiting with spoons at the ready (if you're unfamiliar with the traditions and
cult following behind Tommy Wiseau's epic, read up on it here).