Pulp Fiction is a little different than most
cult movies because when it came out it was successful and critics loved it.
Not exact matches
The reason he was the driving force behind the films creation and promotion was not
because of the artistic merit he imparted to the work (not to say the
movie and book weren't excellent), but
because of the
cult of personality surrounding his own personal brand.
thinkingbpeople are rating it low
because it has a diverse cast to which i say die off like ur ignorant grandfathers and fathers before them!!!!! In addition, Cabin in the Woods is a fucking
cult success, it was well written and made for a network-esque
movie.
That
movie, in all its incompetent grandeur, is «The Room» (2003), which is now considered «the greatest bad
movie ever made»
because of its DVD popularity and
cult following.
If Platoon doesn?t have the
cult status of some other
movies on the Vietnam war, it?s not
because of the overall quality,
because it?s a really great
movie.
Hereditary may well be destined to change into a
cult movie within the vein of The Babadook, It Follows, The Witch, and maximum just lately It Comes at Night,
because of this.
As I touched on earlier, I'm actually glad that I didn't get to many new
movies this year,
because I liked being able (forced) to focus on the
cult films that make up the backbone of MRFH.
A remake of Tom Holland's
cult classic that was itself one of my VHS favourites (worn to breaking during my formative decade with the
movies), Fright Night is delightful
because it's absolutely certain of what it is and what it isn't, delivers everything it promises it will (in spades), and genuinely has fun with the 3 - D innovation that's the bane of most other
movies lately.
When: January 18th Why: Between the English - language debuts of Kim Ji - woon and Park Chan - wook, and Spike Lee's upcoming remake of the
cult classic «Oldboy,» the Korean invasion is in full swing, and deservedly so,
because they're making some of the best
movies at the moment.
Sci - Fi
Movie Page Pick: This extremely funny spin - off of the «
cult» television show may start off unpromisingly, but soon you'll find yourself rewinding the tape and watching it again
because you couldn't hear all the dialogue
because everybody watching it were laughing so loud.
Judged against the original 2001
movie version of Wet Hot American Summer — a film no one saw in theaters, before it became a
cult obsession in part
because then - unknown actors like Bradley Cooper, Amy Poehler, Paul Rudd, and Elizabeth Banks became huge stars — the two Netflix spinoff seasons (including 2015's First Day of Camp prequel) can't help but come up wanting.
In part
because the billboard stayed up for fucking years, and in part
because the
movie itself is so wackadoo, the
cult of The Room grew and grew.
Good thing Hollywood didn't bite,
because if they'd made it big, Tommy and Greg wouldn't have felt put - out and desperate enough to make their own
movie, in which case there'd be no
cult of The Room to speak of and, thus, no excuse for James Franco to do whatever the hell it is he's is doing in The Disaster Artist.
While the behind - the - scenes aspects of making 2003's infamously terrible
cult film The Room are undoubtedly entertaining (especially for those who are familiar with that
movie), the reason James Franco's The Disaster Artist is elevated above mere nudging and winking is
because of the co-dependent relationship at the center of the
movie.
Reviled by critics upon its initial release (Ebert dismissed it as a «freak show» for instance) and doing badly at the box office, this 1982 horror
movie by
cult director John Carpenter has undergone a bit of a rehabilitation recently — partly
because of Gen X fans who recall it vividly and partly
because horror flicks strangely enough became more tame and predictable with the years.
He starred in
cult»80s
movies Teen Wolf and Back to the Future, but Michael J. Fox has confessed he almost gave up acting to become a builder...
because he kept losing roles to Matthew Broderick.