The sheer audacity of a Hollywood studio turning a very British
cult movie into an American caper might have been considered foolhardy.
Not exact matches
The friendship arc continues to have a touch - and - go handling and the
movie itself egregiously abridges the film's natural, long ascent
into cult status with its ending, the strangest of its kind since Danny Boyle's «Steve Jobs.»
It is hard making a painfully bad
movie that slips
into a
cult favorite spectacle of baddie goodness.
One of our favourite
movies of the latter part of this year in the upcoming The Disaster Artist, James Franco's feature that looks
into the making of the
cult film The Room, one that is heralded as being the Citizen Kane of bad
movies.
The film tells the tale of the making of Hollywood dreamer Tommy Wiseau's dreadful
movie The Room, a wannabe serious drama that turned
into a certified
cult comedy classic on the midnight show circuit — certainly not by original intention.
The film tells the tale of the making of Hollywood dreamer Tommy Wiseau's dreadful
movie The Room, a wannabe serious drama that turned
into a certified
cult comedy classic on the midnight show circuit — certainly not by original... Read
Notable
cult flick Ninja III: The Domination (1984) delves deep
into occult weirdness and the supernatural than previous
movies.
The Room turned the real Wiseau
into a
cult icon, as he continues to show up at screenings for his
movie as it still plays in theaters with a fair amount of audience participation.
«Bravo is continuing its push
into original scripted programming, adding five dramas
into its development pipeline including a reboot of 1980s
cult movie Heathers,» writes The Hollywood Reporter.
As
cult movies go, this one's definitely Z - grade, but just try telling that to the misty - eyed sci - fi fan who's moved at the sight of aliens dropping their warlike ways and getting
into the holiday spirit.
Hereditary may well be destined to change
into a
cult movie within the vein of The Babadook, It Follows, The Witch, and maximum just lately It Comes at Night, because of this.
Adapted from J.G. Ballard's 1975
cult favorite novel, this
movie starts well, but as the story descends
into chaos, the
movie follows, losing the thread of what it wants to say and why we should care.
But when the theater suddenly catches fire and Max cuts through the projector screen in order to escape, the group is mysteriously sucked
into the
cult horror classic where they must team up with the
movie's fictional characters in order to battle its machete - wielding killer.
Not unlike CBS» planned «Rush Hour» and «Limitless»
movie - to - television series orders, «Galaxy Quest» is yet another nostalgia - soaked
cult favorite that has found new life born out of obscurity in the post-Blockbuster rental world (and back
into our PC and MAC connected TV sets).
Maybe lovers of bad
movies will turn this
into a
cult film with the challenge: you have to see this and tell me what you think.
It was sold as a second feature and then fell
into the public domain, where it became a
cult movie a generation later, thanks to cheap videotape copies.
The film is based on the making of the terrible 2003 Tommy Wiseau
movie «The Room,» universally panned as the worst
movie ever made that has now grown
into a runaway
cult classic.
some people are being picky and trying to pass themselves of as a know it all film critic... if you went
into this
movie with your brain in anything higher than 1st gear you are a fool, i went looking for a bit of action and a salute to a
cult classic and i got what i wanted @ 25 «if anybody thinks either Topher Grace or Adrien Brody could stand - up to a Predator seriously needs to consider suicide.»
This little gem features American treasure and all - around genre cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror
cult classic They Live, going
into detail about such things as the conceptual ideas behind the
movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the great Keith David.
Chase, of course, was instrumental in escalating the beloved humor magazine — co-founded in 1970 by Doug Kenney, who'll be played by Will Forte in the
movie — from
cult success
into a mainstream name with his starring role in the brand's various Vacation films.
The king of the 1980s buddy - cop
movie, writer - director Shane Black crafted the screenplays for Lethal Weapon and The Last Boy Scout before falling
into a slump, rebounding impressively in recent years with the
cult hit Kiss Kiss Bang Bang and then directing and co-writing Iron Man 3.
Robin Williams pretty much set the template for comedians breaking
into movies: start out as a wildly popular
cult comedian, get your own network sitcom tailored specifically to your style of comedy and then begin accepting starring roles in Hollywood films.
«A tense, absorbing pursuit Western that turns
into a Grand Guignol gorefest, Bone Tomahawk is what you might get if you crossbred The Searchers with The Texas Chain Saw Massacre, or maybe Cannibal Holocaust... There's an elegance to Bone Tomahawk that doesn't let up even when it veers
into cult -
movie territory.»
In the vein of such divisive
cult favorites as «Primer» and «Upstream Color,» Mike Cahill's crazy - ambitious sophomore feature (after «Another Earth») refuses to let a modest budget constrain its larger - than - life - itself concept, cramming everything from the existence of God to a new, all - encompassing theory of reincarnation
into the guise of a sexy, globe - trotting detective
movie that very nearly collapses under the weight of its own mumbo - jumbo.
An American Werewolf in London is a
cult horror film that will most likely please those
into horror
movies on the irreverently funny side, especially ones that don't skimp out on gore or bits of wry humor.
Based on the best - selling tell - all book about the making of the
cult - classic disasterpiece The Room, «The Disaster Artist: My Life Inside The Room, the Greatest Bad
Movie Ever Made», by Greg Sestero and Tom Bissell, and written for the screen by Scott Neustadter & Michael H. Weber, The Disaster Artist tells the hilarious true story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau — an artist whose passion was as sincere as his methods were questionable —
into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds.
People couldn't help but be won over by the utter ineptitude they were witnessing, and soon The Room had become something akin to a modern - day Rocky Horror Picture Show — the stuff of midnight
movie legend, with a devoted group of fans initiating their friends
into an ever - growing
cult movement.
On paper, the marriage of
cult film director David Cronenberg and
cult novelist Don DeLillo is no doubt an ideal one, but
movies require bringing dozens or even hundreds of other random factors
into the mix, and it's the director's job to bring all of it together
into one cohesive vision.
Faults, although a little too controlled, is a worthy addition
into the modern canon of «
cult»
movies and places Riley Stearn firmly
into the «ones to watch» category of modern independent cinema
One Missed Call was a novel written by Yasushi Akimoto that was adapted
into a
movie by
cult director Takashi Miike.
Those hiccups aside, though, The Endless rapidly develops from a mysterious, elliptical story about
cult survivors and strained relationships
into a much larger and stranger
movie, essentially the Aliens to Resolution's original Alien.