Sentences with phrase «cultural anxieties in»

Influenced by Sontag's 1965 essay «The Imagination of Disaster», Golden explores cultural anxieties in relation to visual culture; by painting the «unthinkable» — be it conflict, apocalypse or a long lost time - period — the artist exposes universal concerns of the human psyche.»

Immigration evokes both economic and cultural anxieties in particularly powerful ways, which is why it has become such a volatile issue.

Denis Villeneuve's hotly - anticipated sequel arrives a time of heightened cultural anxiety in the West.

Not exact matches

Similarly, few novelists have tapped into this era's motivations, anxieties and cultural eccentricities as Tom Wolfe's Bonfire of the Vanities did in the eighties or Jonathan Franzen managed a decade later with The Corrections.

This anxiety, Zhang says, stems from the Cultural Revolution (1966 - 1976), when friends and family members were pitted against one another and millions of Chinese were killed in political struggles.

This new cultural reality raises some anxieties, but it also presents many of us with an opportunity to rediscover Christian witness in a world that we do not control.

Anti Muslim (and, sadly, anti-Sikh) bigotry in the contemporary west has its own easily identifiable historical and cultural origins, as well — not least of them, anxiety and resentment over terrorism, and current wars.

Are we going to embrace the fear and anxiety of this cultural moment — not as a country, but as the Bridegroom of Christ — and close our doors, our arms, our families and our hearts to people who are far from God and in their deepest desperation?

These include: cultural beliefs and pressures (e.g. anxiety about breastfeeding in public, beliefs about adequacy of milk supply); lack of availability of trained support; legislation to protect women who are breastfeeding; and commercial pressures from marketing and advertising of formula by manufacturers (Save the Children 2013).

I remember myself at the beginning of this journey — the «need» for control in my parent - child relationship, the anger when my child didn't do as I thought she should have, the overwhelm of realizing how much I didn't know about parenting, the anxiety about whether I was doing it right or not, the complete lack of knowledge about healthy child development expectations, the frustration of realizing that I didn't know myself and how to handle my own emotions as much as I thought I did, the conflict between my mothering instincts and cultural advice promoting detachment and emotional distance.

These cultural anxieties are the best way into a debate about who is running this world, and in whose interests.»

Without all of the cultural anxieties attached to it, menopause can simply be thought of as a transition in a woman's life.

As Eric Klinenberg, Sociologist at NYU and author of the book Going Solo, says, «There's so much cultural anxiety about isolation in our country that we often fail to appreciate the benefits of solitude.»

A lot of our cultural anxiety about masturbation stems from 18th century theories, when the myths about illness and degeneration were first inscribed in advertising pamphlets parading as medical studies.

The missing footage was deemed too extreme and too provocative in its depiction of gay S&M subculture for mainstream audiences, and so this bid at reenactment is ostensibly meant to confront that controversy head on and, in doing so, upend deeply held cultural anxieties about gay male sexuality and sex.

As a master of literary fiction in the American Gothic tradition, Jackson always subverted the trappings of genre, using the classic tropes of the haunted house and the mysterious villagers to illustrate deep cultural and personal anxieties.

It was also a sign of cultural anxiety, each hashtagged, abusive tweet a hairline crack in the shifting landscape of games.

A leading figure of the burgeoning Cuban art scene, Capote creates psychologically resonant sculptural works in a myriad of media that address a multiplicity of themes - ranging from those of the human condition (isolation, anxiety, desire, claustrophobia, obsession) to cultural identity, migration, politics and the economy.

Those familiar with the artist's online animated identity know that the themes of cultural positioning, social anxiety and peer pressure are hallmarks of the concepts explored in the ongoing narrative he posts across a range of social media.

This recalls romantic and transcendental themes while also nodding to cultural anxiety about the «disappearance» of religion in America.

Close Readings brings together practices that are by turns invested in uncovering the frailty of language, prodding at cultural anxieties and individual pleasures, excavating and refusing legacies, asking for tenderness, applying pressure, attending to the complications and vulnerabilities of being together while we are implicated — politically, socially, personally — by artworks and their demands on us.

The question of gender's intersection with cultural constructions and racial anxieties are revealed in economic and industrial language, as well as props and costumes that take tropes to their humorous extreme.

In Temporarily Disconnected, artists — Ma'ayan Amir & Ruti Sela, Jannicke Låker, Erik van Lieshout, and Julika Rudelius — construct and enter into complex situations filled with social anxiety and cultural tension in their video workIn Temporarily Disconnected, artists — Ma'ayan Amir & Ruti Sela, Jannicke Låker, Erik van Lieshout, and Julika Rudelius — construct and enter into complex situations filled with social anxiety and cultural tension in their video workin their video works.

Rich with ambiguity, the phrases resist interpretation, while pointing to some of the psychological, cultural, and political anxieties at stake in present day Israel and Palestine.

«This Will Have Been: Art, Love & Politics in the 1980s» examines artists» responses to that decade's cultural upheavals, including the rise of gender politics, the fall of the Berlin Wall, Cold War anxieties, and President Ronald Reagan's malign indifference to the AIDS epidemic.

NYC - based artist Christopher Chiappa's first solo show in eight years, «High Fructose Corn Syrup,» boldly explores themes of cultural degradation, anxiety and industrialized sweeteners.

resist interpretation, while pointing to some of the psychological, cultural, and political anxieties at stake in present day Israel and Palestine.

Rich with ambiguity, the phrases — some culled from the history of Zionism, others artistic distillations — resist interpretation, while pointing to some of the psychological, cultural, and political anxieties at stake in present day Israel and Palestine.

The artist, writer, and media theorist (and former Rhizome editor and curator) continues her interdisciplinary methodology with Getting Ready — which invokes «the anxiety of preparation for public engagement and exploring the degrees to which online participation soothes or exacerbates social alienation» — and touches on themes that have become staples in her work, like the politics of participation, gender theory, and the cultural history of technology.

The installations engage elusive anxieties of belonging — states of non-conformity in cultural, political, and physical limbos — through the various movements and sounds encountered.

1994 Institute of Cultural Anxiety, ICA, London, UK Some Went Mad, Some Ran Away, Serpentine Gallery, London, UK Nordic Arts Centre, Helsinki, Finland; Kunstverein, Hannover, DE What Is in Your Mind?

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

In my sculpture, these cultural signifiers of wealth and good taste are infiltrated by images of cartoon violence, frenzied consumption, and clenched anxiety.

Traveled to Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn, Germany; and Castello di Rivoli Museo d'Arte Contemporanea, Turin (catalogue) Innovation: American Art of Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Chiba, Japan (catalogue) The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan (catalogue) Vehicle, Paolo Baldacci Gallery, New York 1995 Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close, Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel Weinberg Gallery, San Francisco Summer Group Exhibition: Richmond Burton, Peter Cain, John Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol, Matthew Marks Gallery, New York 25 Americans: Painting in the 90s, Milwaukee Art Museum (catalogue) 1994 Desire (Visionaire / DIFFA Benefit Exhibition), Charles Cowles Gallery, New York The Institute of Cultural Anxiety, Works from the Collection, Institute of Contemporary Arts, London (catalogue) 1993 Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice (under the aegis of the Venice Biennale)(catalogue) 1993 Biennial Exhibition, National Museum of Contemporary Art, Seoul A Series of Anniversary Exhibitions: Part III, Daniel Weinberg Gallery, Santa Monica, CA Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth, FL Everyday Life, Kim Light Gallery, Los Angeles Slittamenti, Venice Biennale The Return of the Cadavre Exquis, The Drawing Center, New York.

Using the surreal, familiar and the funny — a thing the press release describes as a quality that's «uniquely Californian» — Smith's layered temporal and cultural references continue her ongoing work dissecting «the motivations and anxieties that constitute everyday life in America».

In 1973, Ernest Becker, a cultural anthropologist cross-trained in philosophy, sociology, and psychiatry, invoked consciousness of self and the inevitability of death as the primary sources of human anxiety and repressioIn 1973, Ernest Becker, a cultural anthropologist cross-trained in philosophy, sociology, and psychiatry, invoked consciousness of self and the inevitability of death as the primary sources of human anxiety and repressioin philosophy, sociology, and psychiatry, invoked consciousness of self and the inevitability of death as the primary sources of human anxiety and repression.

Increasing alienation between the North and South in political discourse is fuelled by deep cultural anxieties..

A study out of Norway found that people who participated in cultural activities like joining a club reported lower levels of anxiety and depression as well as a higher quality of life.

• Provided compassionate and effective patient care under the supervision of LPN • Communicated precise information to patients and families • Observed changes in patient condition and communicated to the LPN • Took necessary measures to minimize fear, anxiety and cultural barriers • Created and maintained files and documents regarding patient care provided • Ensured confidentiality of patient information • Prioritized tasks as per needs of the patients, families, and staff • Maintained proper cleanliness of rooms and work area • Performing other duties and support functions as delegated by the LPN

I am here for you wherever you are in your journey of life... struggling with depression or anxiety... learning new skills... changing old behaviors... transitioning... exploring your personal / cultural / sexual identity... having relational problems... dealing with a serious physical illness... grieving losses... seeking the meaning / purpose of life... wondering if God exists at all.

Specialization: Abuse & Neglect in Childhood, Adjustment Disorders, Adolescents, Adoption, Anxiety, Attachment Disorders, Chronic Illness, Co-dependency, Cognitive / Behavioral, Cross Cultural / Multi-Racial Issues, Depression / Mood Disorders, Energy Psychology, Family of Origin Issues, Family Therapy, Grief / Loss / Bereavement, Hypnotherapy, LGBT Issues / Gender Identity, Pain, Performance / Creativity Enhancement, Relationship Issues, Religious / Spiritual Concerns, Self - Esteem / Empowerment, Sexual Abuse, Sexual Violence / Rape, Shame, Somatic Therapy, Stress Management, Trauma, Women's Issues, Work issues

Specialization: Abuse & Neglect in Childhood, Addictions / Substance Abuse / Compulsions, Adjustment Disorders, Anger Management, Anxiety, Bilingual — Spanish, Domestic Abuse, Co-dependency, Cognitive / Behavioral, Couples / Marriage, Cross Cultural / Multi-Racial Issues, Depression / Mood Disorders, Family of Origin Issues, Grief / Loss / Bereavement, LGBT Issues / Gender Identity, Men's Issues, Psychodynamic, Relationship Issues, Sexual Abuse, Sexual Violence / Rape, Shame, Spanish Speaking / Latino, Trauma, Veterans / Active Duty Personnel

Specialization: Abuse & Neglect in Childhood, ADD / ADHD, Addictions / Substance Abuse / Compulsions, Adjustment Disorders, Adolescents, Aging / Older Adults, Anger Management, Anxiety, Attachment Disorders, Bipolar Disorders, Body Image, Death and Dying, Domestic Abuse, Co-dependency, Coaching / Life Transitions, Cognitive / Behavioral, Conflict Resolution, Cross Cultural / Multi-Racial Issues, Depression / Mood Disorders, Dissociation, Divorce / Separation, Early Trauma Protocol, Ego States Therapy, Family of Origin Issues, Grief / Loss / Bereavement, Men's Issues, Obsessive - Compulsive Disorder, Performance / Creativity Enhancement, Phobias / OCD, Relationship Issues, Religious / Spiritual Concerns, Self - Esteem / Empowerment, Sexual Abuse, Sexual Violence / Rape, Shame, Stress Management, Trauma, Veterans / Active Duty Personnel, Women's Issues, Work issues

It will prioritise research into: children who have experienced trauma; young people at risk of offending behaviour; carers — particularly those caring for someone with depression and anxiety; elderly Australians especially those in residential aged care; and Aboriginal and Torres Strait Islander people, refugees and other potentially vulnerable cultural minority groups.

Specialization: Abuse & Neglect in Childhood, ADD / ADHD, Addictions / Substance Abuse / Compulsions, Adjustment Disorders, Adolescents, Anger Management, Anxiety, Attachment Disorders, Bilingual — Japanese, Domestic Abuse, Children, Co-dependency, Couples / Marriage, Cross Cultural / Multi-Racial Issues, Depression / Mood Disorders, Divorce / Separation, Family of Origin Issues, Family Therapy, Grief / Loss / Bereavement, LGBT Issues / Gender Identity, Narrative Therapy, Parenting, Relationship Issues, Religious / Spiritual Concerns, Self - Esteem / Empowerment, Sexuality / Sex Therapy, Shame, Trauma, Veterans / Active Duty Personnel

Specialization: Abuse & Neglect in Childhood, Addictions / Substance Abuse / Compulsions, Adjustment Disorders, Adolescents, Aging / Older Adults, Anxiety, Bipolar Disorders, Body Image, DBT - Dialectical Behavioral Therapy, Death and Dying, Domestic Abuse, Chronic Illness, Cognitive / Behavioral, Cross Cultural / Multi-Racial Issues, Depression / Mood Disorders, Disassociation, Early Trauma Protocol, Eating Disorders, Ego States Therapy, Grief / Loss / Bereavement, LGBT Issues / Gender Identity, Phobias / OCD, Relationship Issues, Religious / Spiritual Concerns, Sexual Abuse, Sexual Violence / Rape, Trauma

In the second step of the mediation analysis, we examined whether cultural values of individualism — collectivism were associated with anxiety (electronic supplementary material, figure S1c) and mood disorders (electronic supplementary material, figure S1d) across cultures.

Importantly, in the current study, divergent validity analyses indicated that cultural values and allelic frequency of the serotonin transporter gene predicted global prevalence of anxiety and mood disorders, but not impulse control and substance abuse.

Hence, culture variation in the epidemiological prevalence of anxiety and depression is likely due to geographical variation in the cultural adoption of collectivistic social norms.

Analyses were conducted using aggregate published data on allelic frequency of 5 - HTTLPR, cultural values of individualism — collectivism and global prevalence of anxiety and mood disorders, which refers to bipolar disorder, dysthymia and major depressive disorder defined by DSM IV / CIDI criteria in the 2008 World Health Organization (WHO) survey, with nation as the cultural unit of analysis.