Sentences with phrase «cultural artefact for»

The «admiration» expressed by the guru character goes along the lines of «if we want to fight them properly, we need to learn from them so that we can wallop the bejasus out of them asap» It's a deeply, deeply, nasty piece of writing — but an interesting cultural artefact for all that.

Not exact matches

The Chale Wote Street Art Festival, currently, runs for a whole week with a tall lineup of musical performances coupled with art showcases and sale of cultural craft and artefacts.

On the one hand, emotional manipulation has always been at the heart of our cultural artefacts; in fact, we have always lauded the best artists, writers, film - makers, composers and the like for their seamless skills in moving us and enlarging our horizons.

cultural and historical artefacts, the BMAG also boasts the Edwardian Tea Room, ideal for some relaxed coffee and cake.

In The Death of Cinema: History, Cultural Memory and the Digital Dark Age, Paolo Cherchi Usai noted that the Zapruder tape sold in August 1999 for $ 16 million, at that time making it «the largest amount ever paid for a motion picture artefact» 2 Eight years earlier, Oliver Stone made this material the centrepiece of his Oscar - winning blockbuster JFK.

Beijing, the enormous capital, is known for its ultra-modern buildings juxta - positioned against the city's millennia - old history, the Tiananmen Square and the National Museum of China, featuring an array of fascinating cultural artefacts.

The campaign will encourage tourists to make informed decisions and help reduce demand for trafficking in persons, cultural artefacts, wildlife, fauna and flora such as ivory products, as well as counterfeit goods, and illicit drugs.

On North Island explore Auckland «City of Sails» and Bay of Islands made up of over 140 subtropical islands, known for its stunning beaches, big - game fishing and Maori cultural artefacts.

Certainly, Nathan Drake's success and appeal — despite his treatment of global heritage sites and artefacts — makes for an interesting exception in a developing public dialogue around cultural imperialism.

The appearance of Albert Bierstadt's landscape Mountain Scene (1880 - 90) in both The Age of Innocence (1993) and The Hunger Games (2012) serves as the basis for Mathis Gasser's Grasshopper (Mountain Scene)(2015 - 16), in which he reproduces the original painting twice and hangs the pair beside a screen playing footage from the 2015 - 16 TV adaptation of Philip K. Dick's Man in the High Castle, a series that deals with the role of cultural artefacts in imagining counterfactual histories.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Starting from the idea that abstracted knowledge is stored in cultural goods and artefacts, Vulsma's works reflect the interaction of historical relationships - such as India's leading role in the history of textile production, the rapid development of a European market and the desire to copy the Indian form language for Europe's own production - and the contemporary hierarchies in an unequal global distribution of labour.

Meanwhile, Recycle Group's sculpture reflects on what our time will leave behind for future generations, what artefacts archaeologists will find after we are gone, and whether these artefacts will find their place in the cultural layer referencing technology and social media.

In the northern hemisphere only; in summer but colder in winter; for reasons completely unlike today; not with 6.7 billion people trying to maintain large - scale agriculture; then we hit the Subatlantic period around 5,700 years ago and cultural artefacts in the historical record suddenly change.

personal, domestic and communal purposes including the purposes of drinking, food preparation, washing, manufacturing traditional artefacts, watering domestic gardens, cultural teaching, hunting, fishing, and gathering, and for recreational, cultural and ceremonial purposes.