Sentences with phrase «cultural arts participants»

Extensive interior renovations on all aspects of the venue were made to serve everyone from preschool youth and athletes, to fitness and cultural arts participants, to birthday party and private rental customers.

Not exact matches

Additional participants in the Jamaica Now Planning Initiative include: 165th Street Business Improvement District, 180th Street Business Improvement District, Jamaica Center Business Improvement District and Sutphin Boulevard Business Improvement District, A Better Jamaica, A Better Way Family & Community Center, Addisleigh Park Civic Association, Alliance of South Asian American Laborers, America Works, Antioch Baptist Church, Brinkerhoff Action Associates, Inc., Center for Integration & Advancement for New Americans, Center for New York City Neighborhoods, Chhaya Community Development Corporation, Citizens Housing & Planning Council, Community Healthcare Network of New York City, Cultural Collaborative Jamaica, Damian Family Care Center, Edge School of the Art, Exploring the Metropolis, Farmers Boulevard Community Development Corporation, First Presbyterian Church in Jamaica, Fortune Society, Goodwill Industries of Greater New York & New Northern New Jersey, Greater Allen Development Corporation, Greater Triangular Civic Association, Indo Caribbean Alliance, Jamaica Center for Arts & Learning, Jamaica Hospital, Jamaica Muslim Center; Jamaica Performing Arts Center, Jamaica YMCA, King Manor, LaGuardia Community College Adult & Continuing Education, Mutual Housing Association of New York, Neighborhood Housing Services Jamaica, New York Alliance for Careers in Healthcare, Queens College, Queens Council on the Arts, Queens Economic Development Corporation, Queens Hospital, Queens Legal Services, Queens Library; Queens Workforce1 Center, SelfHelp, Sikh Cultural Society, Sunnyside Community Services, Inc., The Jamaica Young Professionals, The Jamaica Youth Leaders, The Tate Group, Upwardly Global, Visiting Nurse Service of New York, and Y - Roads.

Participants in the moodle can share and seek information on cultural arts programming through various forums on the Moodle.

Participants will understand the value of using art and objects for increasing cultural competencies and critical thinking; experience pre - and post-museum trip activities that can be used to develop observation, deduction, and language skills, explore themes, and reinforce program learning objectives; and share their own ideas / resources for effective museum - based learning.

Participants engage and interact with community and civic leaders in areas of Military / Aerospace, Cultural Arts and Diversity, Public Safety, Youth and Education, Health and Human Services, Business and Economic Development, Government, Media and Technology, and Agriculture.

This collection includes tours which cover wider cultural themes such as food, drink and design, as well as art and architecture, to give participants a real sense of place.

Drake has received a National Endowment for the Arts Award, a New York Foundation Fellowship and in January 2016 was chosen to be a participant in the Two Trees Cultural Space Subsidy Program.

Participants: Sharon Matt Atkins, Vice Director of Exhibitions and Collections Management, Brooklyn Museum Catherine L. Futter, Director of Curatorial Affairs, Nelson - Atkins Museum Katherine Anne Paul, Curator of the Arts of Asia, Newark Museum Qizhi Wang, Deputy Director, Nanjing Museum Heng Wu, Deputy Director of Cultural Exchange Center, Nanjing Museum

Participants: Session One (10:00 --- 11:15 AM) Karen Atkinson, Get Your Sh*t Together David Terry, New York Foundation for the Arts Travis Laughlin, Joan Mitchell Foundation Gia Hamilton, Joan Mitchell Center, New Orleans Kendal Henry, NYC Department of Cultural Affairs» Percent for Art Program Session Two: (11:30 AM — 12:20 PM) Christopher Carroll, Skowhegan School of Painting & Sculpture Melissa Levin, Lower Manhattan Cultural Council Reps from the CUE Art Foundation Reps from the Wassaic Project

Art on the Tracks — Los Angeles - based artist Doug Aitken has arranged for a motley band of artists, writers, chefs, and musicians, ranging from Urs Fischer, Dave Hickey, and Charlotte Gainsbourg, to join him on a three - week - long Levi's - supported train ride from New York to San Francisco that will take the participants to ten cities along the way, in an effort to desegregate art forms and raise money for cultural institutioArt on the Tracks — Los Angeles - based artist Doug Aitken has arranged for a motley band of artists, writers, chefs, and musicians, ranging from Urs Fischer, Dave Hickey, and Charlotte Gainsbourg, to join him on a three - week - long Levi's - supported train ride from New York to San Francisco that will take the participants to ten cities along the way, in an effort to desegregate art forms and raise money for cultural institutioart forms and raise money for cultural institutions.

#globalization #museums #access #representation #decolonization #history A recent conference at the Stedelijk Museum in Amsterdam, «Collecting Geographies — Global Programming and Museums of Modern Art,» invited participants to question the responsibilities accrued to arts institutions when they present works of global cultural production as a response to market interest.

She was a guest - artist - speaker at the 2016 September NY Photo Salon held at the School of Visual Arts, and an exhibition participant at the East Hawai'i Cultural Center / HMOCA in Hilo, HI, held from June - July 2017.

Exploring careers in the art world, participants take part in a combination of studio visits, writing workshops and professional seminars with some of New York's most significant artists and institutions, from diverse cultural backgrounds and generations.

Through the program, participants will conceptualize their art by engaging their own art practice and medium in critical perspective while observing cultural practices, including mortuary rituals, food offerings, and familial solidarity.

The SCAD Museum of Art joins such world - renowned cultural institutions as the Metropolitan Museum of Art, New York; the Art Institute of Chicago, Illinois; the M.H. de Young Museum, San Francisco, California; the Smithsonian American Art Museum, Washington D.C.; and the Dallas Museum of Art, Texas, as a Blue Star Museum participant.

Library in Johannesburg, and the Ale School of Fine Arts and Design, Addis Ababa University (AAU), 89plus invited select workshop participants from each session to submit proposals for a two - month residency program at the Google Cultural Institute in Paris for late 2016.

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

Beginning in 1953, participants in these discussions included Philip Guston, Willem de Kooning and Richard Lippold.10 Other artist groups that met there included the Federation of Modern Painters and Sculptors.11 The space even occasionally hosted public cultural events, such as a 1955 musical performance presented by the Inter-Arts Committee and the League of Present Day Artists.12 «That house was used very well for art», Nevelson later recalled.

A fun - filled exploration of Brides of Anansi: Fiber and Contemporary Art for participants of all ages that will include make - and - take workshops, interactive tours, a Story Teller's Circle, giveaways from local cultural institutions and more.

French fashion designer and cultural broker agnès b. has been a major participant in the international art world for many years — especially in New York, where her encouragement and support of numerous artists and institutions has made her a revered philanthropist and friend to many.

Joel has received grants from the Oregon Arts Commission, Ford Family and Mellon Foundations and was a participant in the Lower Manhattan Cultural Council's Workspace Program (2015 - 2016).

The Royal couple met with the young winners of our Page Turner competition, whose works hang in the gallery, pupils from Northdown Primary School and Hartsdown Technology College who were involved in activities in the Clore Learning Studio, and participants from our current and past community projects; Artworks, Blank Canvas, Cultural Ambassadors, The Great Art Quest, Generate and Art of Sound, as well as our Youth Navigators.

The list of participants included Heejin Kim of Art Space Pool, Seoul; Beijing - based independent curator Carol Lu; Victor Albarracin of Bogota's El Bodegon; Taipei - based independent curator Amy Cheng; Janet Chan of Asia Art Archive, Hong Kong; Nuraini Juliastuti of KUNCI Cultural Studies Center, Yogyakarta; Educardo Abaroa of SOMA, Mexico City; Thomas Lawson of East of Borneo, Los Angeles; Molly Surno from Kickstarter; Kris Kuramitsu of USA Projects, Autumn Rooney of Echo Park Time Bank, Elana Mann of The Artists Bailout, Bridget Kelly of Metabolic Studio / Annenberg Foundation, and Edgar Arceneaux of Watts House Project, Los Angeles; Abraham Cruzvillegas of La Galeria de Comercio, Mexico City; Wilson Diaz of Helena Producciones, Cali; Zoe Butt of San Art, Ho Chi Minh City, Mirwan Andan of ruangrupa, Jakarta; and Eric Kim of Human Resources, Los Angeles.

To celebrate the 10th anniversary edition of Night Plovdiv 2014, the Open Arts Foundation has invited the curatorial team of the Art Affairs & Documents Foundation to prepare a special program of events with Bulgarian and international participants focusing on the cultural locations in Plovdiv.

Instead, they are all participants in a cultural moment, in which painting has come to reign supreme, defined by virtuosic newness, of course, but more and more by the basic stylistic sameness valued by the art market and the art fair in particular.

The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate networking between young creators of the visual art scene and encourage international circulation of cultural projects.

The gallery provides a contemporary exhibition space for regional artists and is a cultural gathering place and active participant in the Philadelphia arts network.