Sentences with phrase «cultural arts space»

The space has two galleries and is acontemporary cultural arts space which hosts art exhibitions as well as music performances.

Ballroom Marfa, a nonprofit contemporary cultural arts space in Marfa, was alerted by the Presidio County Commissioners that its multi-million dollar Drive - In project could be in jeopardy if the art gallery doesn't lay out how it plans to let the public use the event space.

The space has two galleries and is acontemporary cultural arts space which hosts art exhibitions as well as musicperformances.

Ballroom (Marfa) is a dynamic, contemporary cultural arts space that provides a lively intellectual environment where varied perspectives and issues are explored through visual arts, film, music and performance.

Ballroom Marfa is an independent contemporary cultural arts space which supports emerging and established artists working in the visual arts, film, music and performance and in particular, on projects that would be impossible to stage in traditional gallery or museum settings.

Once completed, the redevelopment will provide a hotel, approximately 192 units of affordable and market rate residential rental apartments and approximately 25,000 square feet of commercial retail space and approximately 25,000 square feet of cultural arts space.

Fairfax Dorn is the co-founder and artistic director of Ballroom Marfa, a non-profit cultural art space dedicated to exploring varied perspectives and issues through the visual arts, film, music and performance.

He is a founding member and artist in residence of Mana Contemporary, a cultural art space in Jersey City.

Not exact matches

For example, referring to the «institutional field of cultural production» that «rapidly and radically transformed... the rigid dichotomy between «high» and «low» «(for academics like Professor Rainey, dichotomies are always «rigid» and high art always needs scare quotes), he tells us that «Modernism's ambiguous achievement... was to probe the interstices dividing that variegated field and to forge within it a strange and unprecedented space for cultural production, one that did indeed entail a certain retreat from the domain of public culture, but one that also continued to overlap and intersect with the public realm in a variety of contradictory ways.»

The large center walkway will be a large space for events and a constant changing display of community art and cultural displays.

Art exhibitions, mini-concerts, art - jamming, handcraft workshops and cultural seminars are planned to be organised in this spaces on regular basis — Keep your eye out for these by joining the 22 ° N Facebook page HEArt exhibitions, mini-concerts, art - jamming, handcraft workshops and cultural seminars are planned to be organised in this spaces on regular basis — Keep your eye out for these by joining the 22 ° N Facebook page HEart - jamming, handcraft workshops and cultural seminars are planned to be organised in this spaces on regular basis — Keep your eye out for these by joining the 22 ° N Facebook page HERE.

Art Museum of the Americas: Providing Spaces for Cultural Expression and Meeting Like - Minded People

India takes giant step to manned space mission The successful launch of India's first rocket equipped with an astronaut module brings it closer The Collection in Context presents the Asia Society's collection of nearly three hundred works of art in their historical and cultural context.

A New Orleans based cultural organizer, philanthropy strategist, and curator with 13 years experience at the forefront of the arts and culture sector, her organizing and advocacy is focused on building spaces for the most marginalized to create work, and redirecting resources to communities of color as a matter of justice.

Summit County Recreation, Arts and Parks (RAP) is responsible for maintaining the County's park space and encouraging cultural and arts activitArts and Parks (RAP) is responsible for maintaining the County's park space and encouraging cultural and arts activitarts activities.

About that Penna (2004, p. 23) says: «The current LDB (Brazilian guidelines for law), stating that «art education will be obligatory curriculum at various levels of basic education in order to promote the cultural development of students» (Law 9394/96 — Art. 26 paragraphs 2), provides a space for the arts in schools, as established in 1971 with the inclusion of art education in the full curriculum.

These conversational spaces and the work done within them are the activities of the language arts, they represent our cultural practices.

With two performance venues, meeting space, an art gallery, and more, Sunset Cultural Center, Inc. serves the communities of the Monterey Peninsula through artistic and educational programming.

Comics studies occupy a unique multi-disciplinary middle - space, one that encourages cross-disciplinary pollination and a convergence of distinct knowledges: literary and cultural studies, visual arts and media, modern languages, sociology, geography and more.

Our mission is to progress the graffiti and street art culture by creating a cultural space and community of artists, fans, and like minded organizations.

Freedom of Expression Youth Art Exhibit is supported by the SOMArts Cultural Center's Affordable Space Program, which provides subsidized, large - scale affordable space and technical assistance to nonproSpace Program, which provides subsidized, large - scale affordable space and technical assistance to nonprospace and technical assistance to nonprofits.

A lift drops down to the Cutaway, a vast subterranean gallery / cultural space carved out from the rock below, which hosts art, music, foodie events, and festivals.

Housed in the original Venice City Hall building in Venice, Beyond Baroque is a nonprofit public space dedicated to cultivating new writing and expanding the public's knowledge of poetry, fiction, literature, and art through cultural events and community interaction.

Florida's Space Coast's cultural arts community is made up of multiple theater groups, including the Historic Cocoa Village Playhouse and the Henegar Center, professional orchestras and dozens of theatrical and musical performances throughout the year.

Featuring Piotr Adamczyk (program manager at the Google Cultural Institute), Lauren Cornell (2015 Triennial curator), Jennifer Foley (director of interpretation at the Cleveland Museum of Art), and Sree Sreenivasan (chief digital officer at the Met), this American Federation of Arts - sponsored panel will discuss the effects of technology on the physical museum space over the past few decades.

Since the nineties, however, the city's art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries, alternative project spaces or residencies that have positioned the city as a cultural center rivaling Mexico City.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

2003 Lower Manhattan Cultural Council Manhattan Community Arts Grant, New York, NY Artist in the Marketplace: Bronx Museum of Arts, Bronx, NY Artists Space: Independent Project Grant, New York, NY

The works presented within the art space are the stories of loss and hope, stories of changes in society's reaction towards people affected by HIV / AIDS, stories of how the need to survive shifted cultural boundaries of what was and what was not appropriate to discuss publicly.

Drake has received a National Endowment for the Arts Award, a New York Foundation Fellowship and in January 2016 was chosen to be a participant in the Two Trees Cultural Space Subsidy Program.

In addition to transforming abandoned buildings into vibrant art spaces and cultural hubs, Gates has an experimental blues band called the Black Monks of Mississippi.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

2005 Log Cabin, curated by Jeffrey Uslip, Artists Space, New York Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, curated by Adriano Pedrosa, Centro Cultural Tijuana, Tijuana and San Diego Museum of Art, San Diego, CA

Mirroring the vision of the Ballroom itself, a non-profit cultural space founded on the belief that art can impact the human spirit positively, OPTIMO brings together nine artists whose work celebrates life, incorporating visual pleasure, humor, interactivity, color, technology, industrial design, politics, landscape, spirituality, and popular culture.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

«The Bronx Museum of the Arts is one of the city's more animated and resilient cultural spaces... and because the Bronx Museum's exhibitions reflect its constituency, this institution is an important player in shaping New York art of both the present and the future.»

Arlen Austin (b. 1981, Winooski VT), has worked on an uncompensated or below minimum wage basis for: Columbia University School of the Arts, Scaramouche Gallery, Chinese Staff and Workers» Association, Brooklyn is Burning, Public Art Fund Development Grant, Daniele Ugolini Contemporary, National Mobilization Against Sweatshops, Lower Manhattan Cultural Council, Mole Vanvitelliana, Ancona, Sweatshop Free Upper West Side, Volta NYC, Creative Time / Queens Museum, 6 - 9 Months Project Space, Fischer - Landau Center for Contemporary Art, Barefoot in the Head at Bruce High Quality Foundation, White Box and Frederich Petzel Galleries.

2017 — Take Care of Yourself, Linda Warren Projects, Chicago, IL 2014 — It Ended With My Putting it On, The Comfort Station, Chicago, IL Could Almost Feel it in My Hands Like an Egg of Air in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, IN

He has exhibited his work at the Museum of Contemporary Art, North Miami, the Miami Art Museum, the de la Cruz contemporary art space, The Art & Cultural Center of Hollywood, Bas Fisher Invitational, TwentyTwenty, The Girl's Club Collection, Ft. Lauderdale, The Far Side Gallery and Carol Jazzar ContemporaArt, North Miami, the Miami Art Museum, the de la Cruz contemporary art space, The Art & Cultural Center of Hollywood, Bas Fisher Invitational, TwentyTwenty, The Girl's Club Collection, Ft. Lauderdale, The Far Side Gallery and Carol Jazzar ContemporaArt Museum, the de la Cruz contemporary art space, The Art & Cultural Center of Hollywood, Bas Fisher Invitational, TwentyTwenty, The Girl's Club Collection, Ft. Lauderdale, The Far Side Gallery and Carol Jazzar Contemporaart space, The Art & Cultural Center of Hollywood, Bas Fisher Invitational, TwentyTwenty, The Girl's Club Collection, Ft. Lauderdale, The Far Side Gallery and Carol Jazzar ContemporaArt & Cultural Center of Hollywood, Bas Fisher Invitational, TwentyTwenty, The Girl's Club Collection, Ft. Lauderdale, The Far Side Gallery and Carol Jazzar Contemporary.

Wexford, Ireland, 2018 Foundation for Contemporary Arts Emergency Grant, New York, NY, 2016 Emerging Artist Fellowship 2015, Socrates Sculpture Park, Queens, NY, 2015 The Quarry At Marble House Project, Dorset, VT, 2015 Process Space, Lower Manhattan Cultural Council, New York, NY, 2014 Frans Masereel Centrum, Kasterlee, Belgium, 2014 Workspace, Lower Manhattan Cultural Council, New York, NY, 2012 - 2013 The Banff Centre, A PAPER A DRAWING A MOUNTAIN with Silke Otto - Knapp and Jan Verwoert, Banff, Canada, 2012 Mildred's Lane, Beach Lake, PA, 2011 With funds granted from Parsons, The New School for Design Atlantic Center for the Arts - With Jean - Marc Bustamante — New Smyrna Beach, FL, 2010 With funds granted from the Center and the Joan Mitchel Foundation Vermont Studio Center — Johnson, VT, 2009 Big Cypress National Preserve - Ochopee, FL, 2007 Rocky Mountain National Park - Estes Park, CO, 2006

He has been a Visiting Artist at UrbanGlass in Brooklyn and Sculpture Trails (Solsberry, IN) and has been an artist - in - residence at Dieu Donné Papermill, The Yard, Lower Manhattan Cultural Council, MacDowell Colony, Fine Arts Work Center, Yaddo, Sculpture Space, Robert Blackburn Printmaking Workshop, Lower East Side Printshop, Vermont Studio Center, Siena Art Institute and the Robert Rauschenberg Foundation.

Situated in City and Suburban — a mostly distressed inner city district where exclusion from economic advancement is palpable — Arts on Main is an award - winning development that has uplifted the area through cultural projects and spaces.

I am currently participating in Lower Manhattan Cultural Council's Process Space, a project - based studio residency at Building 110: LMCC's Art Center on Governors Island.

This project has unfolded over the space of a year in different locations including the print room in the School of Art, Design & Fashion at the University of Central Lancashire (UCLan) where Lubaina Himid is Professor of Contemporary Art, leading the Making Histories Visible Project — an exploration of the contribution of black visual arts to the cultural landscape.

Third Space: Shifting Conversations About Contemporary Art explores connections and shared cultural experiences between the American South and the Global South.

One of the historic alternative contemporary art centers in the United States, 18th Street is a leader in international residencies and cultural exchange, as well as the home base for seminal not for profit artist organizations Highways Performance Space, EZTV, and Electronic Café International.

Amid artist studios, a world - class art museum, creative business and experimental exhibition spaces, Girls» Club stands as a strong community leader pushing forward Fort Lauderdale's aspirations as a growing contemporary arts hub and cultural center.

As awareness of the cultural, economic, and artistic contributions art spaces make within local and regional areas rises, coupled with drastic reductions in public funding over the past several years; a second wave of «alternative art spaces» has emerged.

2011 Ordem e Progresso: vontade construtiva na arte Brasileira, Museu de Arte Moderna de São Paulo, São Paulo, Brazil Paradise Lost, Istanbul Museum of Art, Istanbul, Turkey (catalogue) The Luminous Interval, Guggenheim Museum Bilbao, Bilbao, Spain Measuring the World: Heterotopias and Knowledge Spaces in Art, Kunsthaus Graz, Graz, Austria (catalogue) Pandora's Box: Joseph Cornell Unlocks the MCA Collection, Museum of Contemporary Art, Chicago, USA Mappa Mundi, Berardo Collection, Lisbon, Portugal Mexico: Expected / Unexpected, Museum of Contemporary Art San Diego, USA (catalogue) Vestígios de Brasilidade, Centro Cultural Santander, Recife, Brazil (catalogue) Gigantes por su propia naturaleza, Institut Valencià d'Art Modern, Valencia, Spain Experimental station, CA2M Centro de Arte Dos de Mayo, Madrid, Spain Semana de Arte do Rio de Janeiro, Rio de Janeiro, Brazil Our Magic Hour: How Much of the World Can We Know, Yokohama Triennale 2011, Yokohama Museum of Art, Yokohama, Japan Keeping it Real: An Exhibition in Four Acts.

The residency at 18th Street has provided Štrukelj with opportunities for cultural exchange through internal programs for visiting artists such as tours of art spaces and studio visits with local curators, as well as public programs such as panels and artist talks that enhance 18th Street's everyday atmosphere of dialogue and exchange.