Sentences with phrase «cultural background artist»

she must be easy going, simple compromising, good to have some one from cultural background artist, actor, designer.

Not exact matches

Just as when I speak, I draw from the whole background of English, and my prior understanding of English forms, so the creative artist can draw upon the artistic organs with which the cultural history and his own training have endowed him.

Simply titled «Argentina» [pictured above], the movie uses musicians, dancers and artists on a simple yet colorful stage to honor the country's cultural backgrounds, from gauchos to indigenous storytellers.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

With varied backgrounds — Rachel is a voice - over artist and Ross is a visual artist and carpenter — we were intrigued to find out more about how Bon Volks came about, and what it offers to the local cultural scene.

Maria calls the Show de Bola exhibit a «social - cultural project» and notes that artists of all ages, backgrounds and styles can participate.

By reinterpreting American abstraction through the prism of their own varied cultural backgrounds and artistic heritage, the artists urgently reaffirm the diversity and openness in American culture, at a pivotal point in the nation's history.

«The artists involved come from diverse political, religious, cultural, and artistic backgrounds.

The bold color, pattern, and texture of the artist's paintings serve as a metaphor for the complex merging of relationships and cultural backgrounds that contribute to the artist's sense of self.

Both artists have extensive backgrounds with site - specific work, often addressing the history of a place and its cultural implications by illuminating its political and social context and exploring relationships among artist, audience, and institution.

Opening October 22, 2011 and on view through January 29, 2012, Prospect.2 is currently planned to feature 26 local, national and international artists with diverse cultural and generational backgrounds working in a range of artistic media.

While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.

In the first - ever installation of sound art on Dartmouth's campus, produced in collaboration with guest - curator faculty member Spencer Topel, the Hood Museum of Art will showcase the work of emerging and established international artists with diverse aesthetic and cultural backgrounds.

Artist Statement America is a collections of very diverse people, all with their own stories and cultural backgrounds.

Each artist incorporates their cultural background into their current work in unique ways, some producing work that clearly shows the resonance of their origins; others creating pieces that express ideas, even controversial ideas, about their roots, and still others are working in new and utterly original forms.

Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production.

The exhibiting artists span generations, cultural backgrounds and work with diverse artistic formats and themes.

Verónica Casado Hernández is a visual artist with a background in fiber and a cultural historian.

The artists in this show all emerged within the context of these radical transformations and represent a cross section of gay, straight, male and female artists from different racial and cultural backgrounds.

The variety of influences and means present in these six artists» works points to the diversity of their Asian backgrounds and to how, as a result, each artist's voice resonates as an individual contribution to the ever changing and expanding international cultural dialogue.

The four artists, though from a plurality of cultural backgrounds, respect each other's practices wholeheartedly, and look forward to seeing the results of their collaboration.

Using materials as cultural symbols, the artist draws on his extensive background in costume design, as well as a deep interest in meditation and the investigation of the mind.

The International Studio Program unites professional artists from varied cultural and aesthetic backgrounds.

«All of the artists, regardless of their specific cultural background, have been fearless in their approach to commenting on their respective times.

Re-launching the tradition of the avant - garde artist engaged with many cultural disciplines, his work attracts large audiences of different backgrounds and interests.

Her writing focuses on her own work, discussing its subject matter, its politics, background and source material, as well as its critical reception and her own cultural position as an artist.

Supporting artists of wide - ranging backgrounds, Theatre 167 ′ s collaborative process produces work that investigates cultural and artistic intersections, boundaries, and...

Rehistoricizing.org presents the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a «pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.

The Rehistoricizing Exhibition at the Luggage Store gallery presented the work of women artists and artists of color from varied ethnic and cultural backgrounds who worked in a» pre post — race» environment, an era in which the artist hero was almost always a white male, in particular among abstract expressionists.

The artist looks at the world, shows it to us, and we come to reflect on our own cultural background.

Exploring careers in the art world, participants take part in a combination of studio visits, writing workshops and professional seminars with some of New York's most significant artists and institutions, from diverse cultural backgrounds and generations.

With an academic background in intellectual history, archaeology, and heritage studies, he focuses on the practice of artists and curators in galleries, museums, heritage sites, and public spaces, especially the application of social practice in the constitution of cultural heritage.

Like any exhibition curated on the basis of a common theme or cultural background, the intentions among or between the artists are rarely identical in spite of the concept governing their selection.

The works of the exhibiting artists illuminate varied perspectives on an object or matter, as is exemplified in the title and the opening date of the show, where the number «13» can be interpreted either as an unlucky number or as a lucky number, depending on the cultural background and historical context.

Taking their own widely differing cultural and religious backgrounds as a starting point, the artists investigate individual thematic sequences of The Divine Comedy.

The artists» varied backgrounds contribute to an inclusive point of view on the larger cultural reality of the contemporary world.

SN: The level of exposure New York provides by being truly an intersection for a wide range of artists from different cultural backgrounds, continuously feeds my mind.

In the same statement, Cassel Oliver said, «There are artists from myriad social and cultural backgrounds who are not fully represented in today's art world, and we need to ensure their stories are part of the rich narratives we bring to life in our museum.

«The curator's selection and interpretation of the pieces is influenced by a different cultural background than the artists who created them.

STAMINA brings together two female artists from very different backgrounds exploring psychological, social and cultural ways of viewing and valuing the labor of women's work.

«There are artists from myriad social and cultural backgrounds who are not fully represented in today's art world, and we need to ensure their stories are part of the rich narratives we bring to life in our museum.

Review panels of respected professionals in the field were selected based on their perspectives and experiences working with artists of diverse practices and cultural backgrounds.

These environments serve as spaces for individuals of different social, economic, and cultural backgrounds to exchange ideas and experiences, spurring the development of new artistic disciplines and approaches.In today's New York City, artists working in this social practice find themselves increasingly challenged in their search for logistical and financial backing.

Each come from distinct backgrounds and tradition; the four artists will examine the vast and rich historical, natural, hypothetical, and cultural landscapes that have shaped them as artists.

The eight artists selected for this exhibition — Jaishri Abichandani, Ameen Dhillon, Chitra Ganesh, Mariam Ghani, Shilpa Gupta, Raj Kahlon, Bharti Kher, and Samina Mansuri — could be said to represent the diversity of current artistic practices of South Asian women in their reflection of a multiplicity of cultural backgrounds, including Pakistan, India, Canada, the United States and the United Kingdom.

It contains 11 bylined articles and detailed artist portraits as well as extensive photo features that explore Germany's contribution and its cultural and sociopolitical background.

With national boundaries becoming more porous and artistic connections happening between artists and viewers from a broad range of cultural backgrounds, the flow of ideas and images crisscrossing the planet becomes a crucial component of any contemporary art survey.

As an educator, she has taught artists of diverse ages, cultural and socio - economic backgrounds, as well as individual emotional and learning needs.

Both artists share same cultural background, and furthermore, the same concerns regarding identity and historical memory, but they employ two different starting points in their practice.

From varying ethnic, racial, and cultural backgrounds, each artist here sets forth a different angle from which this formative question might be asked.