Sentences with phrase «cultural coding in»

As they put it: «Bourdieu argued that cultural capital, that is familiarity with the dominant cultural codes in a society, is a key determinant of educational success because it is misperceived by teachers as academic brilliance and rewarded as such.»

Not exact matches

You will hear me say this several times this week: The most important question we have to ask when reading the New Testament household codes is this — is their purpose to reinforce the importance of preserving the hierarchy of the typical Greco - Roman household or is their purpose to reinforce the importance of imitating Christ in interpersonal relationships, regardless of cultural familial structures?
Peoples Temple on its scale, and Synanon and Scientology on theirs — and let us make discriminations in this part of the spectrum, too — are coming to be stamped on the cultural mind as code words, like Watergate and Vietnam.
Second, Jewett adopts whole - cloth the latest fad in New Testament scholarship, which broadly terms itself as postcolonial, and reads virtually everything in the New Testament as a coded critique of the Roman Empire and especially of its claims of cultural superiority elaborated in the civic cult of the early empire.
But humans also need cultural coding, conducted by education, by which we insert ourselves consciously into the renewing processes of the natural world — and in a sense invent ourselves.
The new cultural coding that we need will emerge from the revelatory vh sion that comes in the special moments we describe as «dream.»
When I heard Hillary Clinton's statement at the recent 2015 Women in the World Summit that «Deep - seated cultural codes, religious beliefs and structural biases have to be changed» for the sake of giving women access to «reproductive health care and safe childbirth,» at first I was confused.
What we have, then, is a situation in which introspection is demanded on the one hand, and made possible by a readily available and exceedingly rich set of cultural codes on the other.
However, as distanciation increases in terms of time, socio - cultural contexts, and linguistic codes, the alterity of the text becomes opaque and therefore subject to polysemy.
Perhaps most troubling was her recent statement at a Women in the World Conference where she suggested that in order to expand worldwide access to abortion, «deep - seated cultural codes, religious beliefs, and structural biases have to be changed.»
At the same time, our distinctly Christian codes of personal ethics do not reveal the only meanings in MASH, and, as Christians, we also have to be sensitive and aware of the wider cultural meanings, meanings in the programs, meanings that may or may not also be Christian — the anti-war message, the compassion, the community, the healing, and, of course, the humor — and celebrate, criticize and enjoy them as well.
However, in our cultural shift to the right we have become overly dependent on codes which promise us socioeconomic and even spiritual, wellbeing.
Cherry isn't calling for a restoration of first - century cultural norms, such as women covering their hair in worship, or a rigid dress code.
Her concept contains what black feminist scholar Bell Hooks in From Margin to Center identifies as cultural codes.
The completion of this test dataset aimed to establish best practices in coding cultural heritage destruction information as well as a case study on the relationship between sectarian violence and cultural heritage destruction.
Also noteworthy, in the category of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monks.
«Strong Island» uses photographs, diaries, music, and the sprawling testimonials of Barbara and the filmmaker himself to engross us in the lives of the Fords with a nostalgic detail — a three - dimensional feeling for how time and place intersect with social - cultural coding — that John Updike would have appreciated.
A valuable reminder about some brilliant black folks gifted and daring enough to make seminal cultural and social contributions to the nation in spite of their potentially - crippling, color - coded, second - class status.
Rather than attacking the obvious bigots, Peele's «I Am Not Your Negro» thriller goes after those who consider themselves liberal, launching a daring direct attack on so many cultural codes long enforced by Hollywood: the white male gaze, the mixed - race couple taboo, the hapless wide - eyed African - American stereotype and the myth that we are somehow living in a post-racial society.
So, in order to provide suitable hosts it is important that they have sufficient information provided, which should include: name, age and gender of pupils, plus any special requirements such as food, medical or cultural issues; minimum standards of accommodation required; information on the dynamic risk management process to ensure it can operate effectively; the visiting school's code of conduct; and contact numbers, including emergency contacts and medical insurance information.
Resources provide opportunities to: - work to a brief as per industry standard - explore existing radio dramas - listen to radio drama with focus on The Archers - explore the history of radio dramas - explore symbolic codes - explore cultural codes - explore technical codes - explore conventions of radio drama - explore style and structure of radio drama - explore representation in radio drama
The concepts covered are: * Camera techniques * Audio techniques * Editing techniques * Mise - en - scene codes * Narrative structure * Genre conventions * Representation * Ideologies * Cultural Spheres and Universes * Institutional Techniques * Audiences models and theories * A wide range of media theories broken into contextual areas into sociological and political This is vital tool in the lead up to the exam period, where it can be used as a revision guide for key concept development, and as a compliment to other units you are teaching.
Students in low - income contexts are asked to learn a second set of cultural codes that will be tested on exams normed to the majority population, or the middle class population.
CODE: 5184990006 Overnight Stay in Machu Picchu (03 Days / 02 Nights) This is a relatively short, but very complete program which adapts itself perfectly to student delegations» academic requisites, as the synthesis of the Incan and Colonial monuments, Machu Picchu, Saqsaywaman, Pisaq, Ollantaytambo, the Sacred Valley and Cusco's Historical Center, Humanity's Cultural Patrimony, are the guardians of the enigmas of a prominent ancestral culture that left traces of great monumental, architectural, scientific, historical and artistic value
avaf works in a vast array of media, including painting, drawing, installations, video, sculpture, neons, wallpaper, decals, and often confronts gender, politics, and embedded cultural codes through pop imagery and neon colors.
avaf fuses drawing, sculpture, and performance into carnavalesque installations in which gender, politics, and cultural codes float freely.
avaf works in a vast array of media, including painting, drawing, installations, video, sculpture, neon, wallpaper, decals, and often confronts gender, politics, and embedded cultural codes through pop imagery and neon colors.
I stood atop Blair Lane in Joshua Tree in the High Desert on ten acres of land with my camera and film recording how the stars, the moon, and sunlight fell on the ancient symbols and codes of cultural residue that Noah left behind.
Avaf fuses drawing, sculpture, video, and performance into carnavalesque installations in which gender, politics, and cultural codes float freely.
In her expansive world view, the personal becomes the cultural, becomes a refractory mirror of the time we live in with all its nuts and bolts of coding, iterations, simulations, information theory, feedback loops, and the transition from orderly states to disorderly oneIn her expansive world view, the personal becomes the cultural, becomes a refractory mirror of the time we live in with all its nuts and bolts of coding, iterations, simulations, information theory, feedback loops, and the transition from orderly states to disorderly onein with all its nuts and bolts of coding, iterations, simulations, information theory, feedback loops, and the transition from orderly states to disorderly ones.
Specifically inspired by the choreography found in the historical Korean dance «Chunaengmu,» which was performed for royalty and adhered to strict codes of court etiquette, Kang explores how a space can be divided into grids defined by power and cultural customs.
after 11p St Leroy II and Ali Coyote after 12a Oxnylia after 1 am and more all night Open Studios with Maggie Knox Jon Davis / 55BelleChase Bhakti Baxter Michael Vasquez Federico Cattaneo Ernesto Kunde Nina Surel Deft Union Inside Maggie Knox Candle Making workshop starting at 5 pm Open Studio and engagement with resident artist Rondell Crier (in partnership and support with Diaspora Vibe Cultural Arts Incubator, Inc, Adeline Edwards Foundation, Visual Art Network) Exhibition with works by Eurydice Kamvyselli, Deming King Harriman Art, Nicole Salcedo, Elizabeth Newberry, Francesca Lalanne, Magdalena Goudie and all the vibes with ABA Jewels «My Queen before you go tell my horse» a Performance by Jamilah Sabur, 9:30 pm (details below) Candle Vigil for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to light.
Opening Thursday, January 23nd at Gasworks, London is «Late Barbarians,» a group exhibition that focused on the notion of corporeal memory, and explores how shifting social codes and cultural values have been embodied in canonical...
This survival of the past, full of misunderstandings, shifts and projections (as shown in the slideshow Egyptomania, the film Cynopolis, drawings of the Sphinx, and even in the photographs of prehistoric flints) troubles cultural codes and conventions.
Opening Thursday, January 23nd at Gasworks, London is «Late Barbarians,» a group exhibition that focused on the notion of corporeal memory, and explores how shifting social codes and cultural values have been embodied in canonical Western European art and architecture.
Highlighting this spectrum of code - based art, the work in code / switch will explore technology as subject as well as medium, and will offer a survey of art that critically reflects on the creative use of tech, through a socio - cultural lens.
In this work, Geers effectively questions moral authorities, investigating how concepts of vice and virtue have been inscribed into our cultural code.
Fullerton is particularly interested in architectural semiotics and how a building's materials can express social or cultural codes as well as our interaction to the built environment.
Neshat's works tackles social, cultural and religious codes of the Muslim societies and the female condition in contemporary Islamic societies.
Based in Berlin, Nevin Aladağ uses everyday objects and situations as a starting point for her artworks, in which she deals with cultural and political codes, as well as their origins and histories.
That is, cultural signifying is not arbitrary: there are codes and rules that govern the use of gesture one in situation A and gesture two in situation B.
Selected by Site's Artistic Director, Laura Sillars, Curator of a Making Ways Sheffield exhibition, Jeanine Griffin and Head of Exhibitions at Museum's Sheffield, Kirstie Hamilton, Holmes's project, Dot Dot Dit Dit Dot Dot Dash investigates black British cultural production, unspoken coded languages and the history of black personae in popular culture.
Join us and become a part of Xaviera Simmons» CODED: http://kck.st/CODED CODED is made possible with support from Jerome Foundation and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo.
Fresh and funny, in harmony with contemporary cultural codes, Monica Kim Garza's paintings, in the exhibition «Rock the boat», worship the feminine body, sensual, warm and undulating.
In his critical and political approach, artist and filmmaker Halil Altındere explores political, social and cultural codes, focusing on depicting marginalisation and resistance to oppressive systems.
avaf fuses drawing, sculpture, video, and performance into carnivalesque installations in which gender, politics, and cultural codes float freely.
He's very much interested in the cultural coding of textiles,» Berman says.
Focusing on the notion of corporeal memory, the group exhibition «Late Barbarians», presented by Gasworks, explores how shifting social codes and cultural values have been embodied in canonical Western European art and architecture.
(London, UK) Focusing on the notion of corporeal memory, the group exhibition «Late Barbarians» explores how shifting social codes and cultural values have been embodied in canonical Western European art and architecture.
For the past twenty years, Broomberg & Chanarin have engaged in a forensic and paranoid interrogation of the medium of photography in search of its source code; the cultural, emotional, political and financial currency of photographs.
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