Sentences with phrase «cultural critic living»

Joel Kuennen is an arts writer and cultural critic living and working in Brooklyn, NY.

Not exact matches

Language: English Genre: Documentary / Biography MPAA rating: R Director: Steve James Actors: Roger Ebert, Werner Herzog, Martin Scorsese Plot: A look at the life and cultural impact of Roger Ebert, one of the world's renowned film critics and social commentators - from his Pulitzer Prize film reviews, to his long career with Gene Siskel to his late - life battle with cancer - it a both a poignant and insightful look into Ebert's world.

Also noteworthy, in the category of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monks.

Cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence and aggression they face, and where they are «routinely second - guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied» for speaking out.

Cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence and aggression they face, and where they are «routinely second - guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied» for speaking out.

For the past fifteen years, the Fine Arts» Critic - in - Residence fellowship has invited outstanding critics to give a public lecture and contribute to the cultural life of the campus community.

A live performance will take place Saturday, June 28, 7 - 9:30 pm, and an artist talk with cultural critic Erik Davis is scheduled for Thursday, July 10, 7 pm.

As an architect, conceptual artist, sculptor, photographer, blogger, Twitterer, interview artist, and cultural critic, he is a sensitive observer of current topics and social problems: a great communicator and networker who brings life into art and art into life.

In his contribution to remixthebook, literary critic Joe Tabbi's practice - based theory mashes up Nietzsche's «Use and Abuse of History for Life» with selected works of new media writing and confronts us with the worth and worthlessness of digital cultural production.

He typically gravitates toward cultural theorists, poets and critics — Stuart Hall's posthumous memoir, «Familiar Stranger: A Life Between Two Islands,» about growing up in Jamaica in the 1930s; Fred Moten's «In the Break: The Aesthetics of the Black Radical Tradition,» on the connections between jazz, sexual identity and radical black politics; Judith Butler's «Precarious Life: The Powers of Mourning and Violence,» a look at the vulnerability and aggression that followed Sept. 11.

Each year, an outstanding critic is invited to give a public lecture, and contribute to the cultural life of the campus and students.

Accompanying the images, essays by curators and critics explore American underground cinema, street photography, the distinct countercultures of New York and Los Angeles, and the spectacle of everyday living in a time of political and cultural turmoil.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

Eleanor Heartney, the independent cultural critic, comes by Art International Radio to talk to Publisher Phong Bui about her life and work.

It followed on from U.S. art critic Clement Greenberg's definition of kitsch, accessible art borrowing from a fully realized cultural tradition, drawing «its life blood -LSB-...] from the reservoir of accumulated experience.»

In October's inaugural installment of «Close Encounters,» critic and art historian Douglas Crimp discusses his new book, Before Pictures (Dancing Foxes Press, Co-published with University of Chicago Press, 2016), a hybrid of memoir and cultural history about his life in 1970s New York.

He lived in Berkeley in «the best of times,» according to his widow, Betty — a period of great cultural vibrancy in which he had many literary friends and shared lodgings with the poets William Braughton and Robert Duncan, as well as the writer and film critic Pauline Kael.