Sentences with phrase «cultural critics in»

Check out her post, «Reading the Internet with Joan Jonas: The Task of the Cultural Critic in the Ambient Age.»

Not exact matches

That «Anita» is Anita Sarkeesian, the cultural critic who has often taken on Gamergate and others in the misogynist world of online gaming.

Like a growing number of cultural critics who are not Catholic, Kass has come to conclusions regarding contraception that are similar to the prophetic warnings contained in Paul VI's 1968 encyclical, Humanae Vitae.

Also, if you want to learn more about economic inequality ahead of the event (or won't be able to attend the event), Cornel West — prominent intellectual, author, and cultural critic — will teach an online course on the subject in conjunction with ChurchNext, which is open to all from January 11 - 21.

These critics err in their estimate of the contemporary cultural situation, in their understanding of what recreation is, and in their appraisal of the relation between work and play.

Rather, our cultural bias toward work and the Bible's primary concern with God's «work» of salvation have blinded traditional critics to the biblical discussions of play that are in fact present.

But what critics who point to these reasons for the loss of certainty seem too often to forget is that the Church is never only a function of a culture nor ever only a supercultural community; that the problem of its ministers is always how to remain faithful servants of the Church in the midst of cultural change and yet to change culturally so as to be true to the Church's purpose in new situations.

In Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation of «Rapunzel,» critic Armond White finds, sadly, that the story of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction of cute humans, comic animals, and one - dimensional villains,» but also that the film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic change» in the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy taleIn Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation of «Rapunzel,» critic Armond White finds, sadly, that the story of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction of cute humans, comic animals, and one - dimensional villains,» but also that the film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic change» in the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy talein the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy tales.

But its roots are traceable to the end of the 19th century when influential cultural critics - Matthew Arnold chief among them - drew critical attention to deep concordances between religion and art with their predictions that, in Arnold's famous phrase, «most of what now passes with us for religion will be replaced by poetry.»

Pop music critic Simon Reynolds, in his book Retromania, and style - writer Kurt Andersen, in his «You Say You Want a Devolution» essay, have their finger upon a certain pattern in our contemporary cultural scenes of recyle - ment, repetition, and lack of forward motion.

By not pursuing that historical theme to the field setting of missions, Newbigin unwittingly plays into the hands of his critics who see in missions proof of Western cultural insensitivity.

If Kramer experienced any sort of honeymoon in his early days as a cultural critic, however, it didn't last long.

Martin Buber, another major figure to emerge from the tumultuous interwar years in Germany, is often thought to be, like Strauss, a critic of the cultural and political assumptions of the «scientific study of Judaism.»

Historian and cultural critic Christopher Lasch occupied a peculiar niche in contemporary social thought.

Nonetheless, music, as literary and cultural critic George Steiner insists, «is brimful of meanings which will not translate into logical structures or verbal expression... Music is at once cerebral in the highest degree — I repeat that the energies and form - relations in the playing of a quartet, in the interactions of voice and instrument are among the most complex events known to man — and it is at the same time somatic, carnal and a searching out of resonances in our bodies at levels deeper than will or consciousness.»

It has institutionalized irresponsibility to such an extent, and demonized its critics so effectively, that even as it falls apart under the weight of its own contradictions, we keep pouring cultural capital into the same old schemes, hoping that all will turn out well in the end.

The effort to characterize construals of the Christian thing in the particular cultural and social locations that make them concrete will involve several disciplines: (a) those of the intellectual historian and textual critic (to grasp what the congregation says it is responding to in its worship and why); and (b) those of the cultural anthropologist and the ethnographer [3] and certain kinds of philosophical work [4](to grasp how the congregation shapes its social space by its uses of scripture, by its uses of traditions of worship and patterns of education and mutual nurture, and by the «logic «of its discourse); and (c) those of the sociologist and social historian (to grasp how the congregation's location in its host society and culture helps shape concretely its distinctive construal of the Christian thing).

After all, many critics have pointed out that van Sertima's thesis is just another form of racist cultural appropriation, this time erasing native Mesoamerican accomplishment in favor of a narrative of African dominance.

An assessment of the film as part of a dissertational examination of Lawrence's contribution to comedic posterity and to African - American cultural history will surely note that the film was not pre-screened for critics in advance.

And yet, probably because he came of age in a video store and has never quite lost the autodidact's air of bullish authority, some high - minded critics and cultural arbiters can't bring themselves to take him seriously as an intellectual.

I aim to elucidate why critics encountered more problems in reading (or appreciating) the generic split that characterises Le Fidèle than the cultural split that structures Rundskop.

Many other cultural critics have since picked up on the trope of the Manic Pixie Dream Girl, including Anita Sarkeesian who explored the issue in her Tropes vs. Women: # 1 The Manic Pixie Dream Girl video where she concludes the such characters have little of their own purpose or autonomy:

Also noteworthy, in the category of cinema ruled by cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally as the Jackal, also by the code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monks.

The big secret is that they are in their way as detached and alien as cultural critics as Cronenberg is as an anthropologist.

City of Gold (Director: Laura Gabbert)-- Pulitzer Prize - winning critic Jonathan Gold casts his light upon a vibrant and growing cultural movement in which he plays the dual roles of high - low priest and culinary geographer of his beloved Los Angeles.

In a lengthy new piece for The Atlantic, prominent cultural critic (and Black Panther scribe) Ta - Nehisi Coates digs into Barack Obama's presidential legacy as seen from the perspective of the Trump era.

Russian Critics on the Cinema of Glasnost, edited by Michael Brashinsky and Andrew Horton, is a book in two parts: the first, Films in a Shifting Landscape, is a series of essays analyzing the historical and cultural legacy that shaped three generations of Soviet film criticism; the second, Glasnost's Top Ten, is a compilation of... read more»

Cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence and aggression they face, and where they are «routinely second - guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied» for speaking out.

As ever, the actual, individual tastes of critics and audience members vary, and there's a danger in trying to assign a cultural consensus to every movie.

But in a tight race, critics» endorsements could be enough to buttress the role's Oscar - friendly cultural minstrelsy and erection - friendly lesbianics to an easy win.

In a frank and accessible dialogue, Mark Harris, film historian and Vulture columnist, Eric Hynes, critic, journalist, and Associate Curator of Film at the Museum of the Moving Image, talk to FILM COMMENT Digital Editor Violet Lucca about the writers and larger cultural trends (be it the rise of VHS or social media) that have shaped their own approaches to the medium.

Other subjects weighing - in include Berkeley feminist Judith Butler, Duke's anti-corporate firebrand Michael Hardt, University of Chicago's Law Professor Martha Nussbaum, avuncular NYU deconstructionist Avital Ronell, disabled artist Sunaura Taylor, Princeton's cosmopolitan Kwame Anthony Appiah and cultural critic Slavoj Zizek, the subject of Ms. Taylor's first film.

In this talk from legendary movie critic Leonard Maltin, audiences will be taken on a journey tracing the image of the Jew in films, from early stereotypes to cultural breakthroughs, from closeted stardom (Issur Demsky became Kirk Douglas, Betty Perske became Lauren Bacall) to modern - day box - office names like Ben Stiller and Adam SandleIn this talk from legendary movie critic Leonard Maltin, audiences will be taken on a journey tracing the image of the Jew in films, from early stereotypes to cultural breakthroughs, from closeted stardom (Issur Demsky became Kirk Douglas, Betty Perske became Lauren Bacall) to modern - day box - office names like Ben Stiller and Adam Sandlein films, from early stereotypes to cultural breakthroughs, from closeted stardom (Issur Demsky became Kirk Douglas, Betty Perske became Lauren Bacall) to modern - day box - office names like Ben Stiller and Adam Sandler.

More than a few critics here in Toronto have already argued that it's complicit in Harding's continued cultural defamation.

Cultural critics were busying themselves with lily - livered debates over the moral quandaries of Violence as Stylish Accessory in the wake of Pulp Fiction, fretting that good American audiences couldn't take a little gun - brandishing.

The risking of observations in the classroom: Teacher as cultural critic.

A highly regarded English professor and literary critic early in his career, he is the author of several acclaimed books on education issues, including Cultural Literacy (Vintage, 1988), The Schools We Need and Why We Don't Have Them (Anchor 1999), The Knowledge Deficit (Houghton Mifflin Harourt 2006), and The Making of Americans (Yale University Press 2010).

After independence, the Indian government left much of the educational bureaucracy in place, including, some critics say, the cultural prejudices that went with it.

When the movie adaptation of The Fault in Our Stars hit theaters in June, cultural critics like Slate's Ruth Graham immediately started lampooning grownups who read YA books that «abandon the mature insights... that they (supposedly) have acquired as adults.»

Superman has fascinated scholars, cultural theorists, commentators, and critics alike exploring the character's role and impact in the United States and worldwide.

Through characters like Rosacoke Mustian, Wesley Beavers, Kate Vaiden and Blue Calhoun, Price introduced us to men and women — and critics praised Price for his deep understanding of women's nature — who, in some cases, were tentatively taking their first steps toward the secrets of adulthood, and in others were struggling to discover their freedom and identity in a world that would just as soon keep them imprisoned in narrow cultural stereotypes.

In clean, bright, and provocative language, a cultural critic and historian discusses trends in art, literature, music, and history over the past five centurieIn clean, bright, and provocative language, a cultural critic and historian discusses trends in art, literature, music, and history over the past five centuriein art, literature, music, and history over the past five centuries.

Cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence and aggression they face, and where they are «routinely second - guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied» for speaking out.

In 1980, the cultural critic Paul Fussell published «Abroad,» a superb study of British travel and travel writing between the wars that concludes with the pronouncement that the postwar age of tourism killed real travel and, by extension, the writing that was its offspring.

That's how my Australian food critic friend describes Melbourne, and it certainly seems true: in this cultural... Read More

Our readers seek out the best in travel - top hotels, airline cabins, restaurants, & automobiles as well as cultural activities such as concerts and shows - and our writers, members of the Outer Critics Circle & the International Travel Writer Alliance, deliver on this.

He is the editor and creator of the videogames and architecture zine Heterotopias and for the past 5 years he has worked as a games critic, specialising in virtual architecture and games as cultural objects.

Through a series of in - depth interviews between writer / director Wes Anderson and cultural critic Matt Zoller Seitz, Anderson shares the story behind the film's conception, personal anecdotes about the making of the film, and the wide variety of sources that inspired him — from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes of turn - of - the - century Middle Europe.

Kuspit is one of America's most distinguished art critics with many accolades such as the Frank Jewett Mather Award for Distinction in Art Criticism in 1983, the Tenth Annual Award for Excellence in the Arts from the Newington - Cropsey Foundation in 2008 and in 2014 he was the first recipient of the Gabarron Foundation Award for Cultural Thought.

Hofmann's lectures on art had a profound effect on some of the most significant members of the New York cultural scene; Arshile Gorky attended them and the critic Clement Greenberg always said that hearing Hofmann's talks in 1938 - 39 was vital to the formation of his own uncompromising aesthetic.